Nineteenth- and Twentieth-century Paintings

Nineteenth- and Twentieth-century Paintings

Author: Richard R. Brettell

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 482

ISBN-13: 1588393496

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Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.


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Author: American Art Association, Anderson Galleries (Firm)

Publisher:

Published: 1922

Total Pages: 1662

ISBN-13:

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Author: Anderson Galleries, Inc

Publisher:

Published: 1910

Total Pages: 470

ISBN-13:

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British Models of Art Collecting and the American Response

British Models of Art Collecting and the American Response

Author: Dr Inge Reist

Publisher: Ashgate Publishing, Ltd.

Published: 2014-10-28

Total Pages: 289

ISBN-13: 147243806X

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This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.