Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
Published: 1976
Total Pages: 642
ISBN-13:
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Author: Harvard University. Fine Arts Library
Publisher:
Published: 1976
Total Pages: 642
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1960
Total Pages: 1060
ISBN-13:
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Publisher: Macmillan Reference USA
Published: 1987
Total Pages: 632
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1960
Total Pages: 1062
ISBN-13:
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Publisher:
Published: 1987
Total Pages: 656
ISBN-13:
DOWNLOAD EBOOKAuthor: Giovanna De Lorenzi
Publisher:
Published: 1988
Total Pages: 726
ISBN-13:
DOWNLOAD EBOOKAuthor: Jean Leymarie
Publisher: Rizzoli International Publications
Published: 1989
Total Pages: 112
ISBN-13:
DOWNLOAD EBOOKPaul Gauguin (1848-1903) came late to painting, after two previous careers, first as a seaman, then as a stockbrocker. A romantic, a primitive, a symbolist, a born rebel and flamboyant personality, he stands at the crossroads of modern painting, summing up in his life's work the crucial transition from Impressionism to abstraction. He had no art school training. What we did have was an idea and a dream. His genius is usually considered in terms of his painting. This book offers the rare treat of a selection of watercolors, gouaches, pastels, pen-and-ink and charcoal drawings, monotypes, zincograph and woodcuts, together with pages from "Noa Noa", Gauguin's illustrated account of his stay in Tahiti. In many ways these works are more revealing than his paintings, as they allowed the artist a spontaneity and intimacy that painting, by the very nature of his technique, could not. -- From publisher's description.
Author: Hôtel Drouot
Publisher:
Published: 1996
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Melissa Lee Hyde
Publisher: Getty Publications
Published: 2006
Total Pages: 304
ISBN-13: 9780892368259
DOWNLOAD EBOOK"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.