Sale
Author: Anderson Galleries, Inc
Publisher:
Published: 1909
Total Pages: 852
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Anderson Galleries, Inc
Publisher:
Published: 1909
Total Pages: 852
ISBN-13:
DOWNLOAD EBOOKAuthor: Hôtel Drouot
Publisher:
Published: 1994
Total Pages: 11
ISBN-13:
DOWNLOAD EBOOKAuthor: American Art Association, Anderson Galleries (Firm)
Publisher:
Published: 1922
Total Pages: 1662
ISBN-13:
DOWNLOAD EBOOKAuthor: American Art Association, Anderson Galleries (Firm)
Publisher:
Published: 1922
Total Pages: 1302
ISBN-13:
DOWNLOAD EBOOKAuthor: Drouot
Publisher:
Published: 2001
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 2017
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch (Firm)
Publisher:
Published: 1905
Total Pages: 1130
ISBN-13:
DOWNLOAD EBOOKAuthor: Drouot
Publisher:
Published: 2006
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Sotheby & Co. (London, England)
Publisher:
Published: 1922
Total Pages: 1172
ISBN-13:
DOWNLOAD EBOOKAuthor: Christel H. Force
Publisher: Bloomsbury Publishing USA
Published: 2020-11-26
Total Pages: 315
ISBN-13: 1501342789
DOWNLOAD EBOOKBy the turn of the twentieth century, Paris was the capital of the art world. While this is usually understood to mean that Paris was the center of art production and trading, this book examines a phenomenon that has received little attention thus far: Paris-based dealers relied on an ever-expanding international network of peers. Many of the city's galleries capitalized on foreign collectors' interest by expanding globally and proactively cultivating transnational alliances. If the French capital drew artists from around the world-from Cassatt to Picasso-the contemporary-art market was international in scope. Art dealers deliberately tapped into a growing pool of discerning collectors in northern and eastern Europe, the UK, and the USA. International trade was rendered not just desirable but necessary by the devastating effects of wars, revolutions, currency devaluation and market crashes which stalled collecting in Europe. Pioneers of the Global Art Market assembles original scholarship based on a close inspection of and fresh perspective on extant dealer records. It caters to an amplified curiosity concerning the emergence and workings of our unprecedented contemporary-centric and global art market. This anthology fills a significant gap in the expanding field of art market studies by addressing how, initially, contemporary art, which is now known as historical modernism, made its way into collections: who validated what by promoting and selling it, where, and how. It includes unpublished material, concrete examples, bibliographical and archival references, and should appeal to academics, curators, educators, dealers, collectors, artists and art lovers alike. It celebrates the modern art dealer as transnational impresario, the global reach of the modern-art market, and the impact of traders on the history of collecting, and ultimately on the history of art.