Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
Published: 1976
Total Pages: 642
ISBN-13:
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Author: Harvard University. Fine Arts Library
Publisher:
Published: 1976
Total Pages: 642
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1987
Total Pages: 656
ISBN-13:
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Publisher: Macmillan Reference USA
Published: 1987
Total Pages: 632
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael Gerson
Publisher: Moody Publishers
Published: 2010-10-01
Total Pages: 141
ISBN-13: 1575679280
DOWNLOAD EBOOKAn era has ended. The political expression that most galvanized evangelicals during the past quarter-century, the Religious Right, is fading. What's ahead is unclear. Millions of faith-based voters still exist, and they continue to care deeply about hot-button issues like abortion and gay marriage, but the shape of their future political engagement remains to be formed. Into this uncertainty, former White House insiders Michael Gerson and Peter Wehner seek to call evangelicals toward a new kind of political engagement -- a kind that is better both for the church and the country, a kind that cannot be co-opted by either political party, a kind that avoids the historic mistakes of both the Religious Left and the Religious Right. Incisive, bold, and marked equally by pragmatism and idealism, Gerson and Wehner's new book has the potential to chart a new political future not just for values voters, but for the nation as a whole.
Author: Janine A. Mileaf
Publisher: UPNE
Published: 2010
Total Pages: 313
ISBN-13: 1584659343
DOWNLOAD EBOOKExploring the notion of tactility in dada and surrealism
Author: Elizabeth Emery
Publisher: Routledge
Published: 2018-12-07
Total Pages: 400
ISBN-13: 0429840640
DOWNLOAD EBOOKFirst published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Author: Louis Moreri
Publisher: Routledge
Published: 2004-11
Total Pages:
ISBN-13: 9780415200462
DOWNLOAD EBOOKAuthor: Melissa Lee Hyde
Publisher: Getty Publications
Published: 2006
Total Pages: 304
ISBN-13: 9780892368259
DOWNLOAD EBOOK"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.
Author:
Publisher: BRILL
Published: 2015-10-27
Total Pages: 401
ISBN-13: 9004308237
DOWNLOAD EBOOKTaking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.