Synthetic Cinema

Synthetic Cinema

Author: Wheeler Winston Dixon

Publisher: Springer

Published: 2019-02-05

Total Pages: 91

ISBN-13: 3030125718

DOWNLOAD EBOOK

In this book, Wheeler Winston Dixon argues that 21st-century mainstream filmmaking is increasingly and troublingly dominated by "synthetic cinema." He details how movies over the last two decades have fundamentally abandoned traditional filmmaking values through the overwhelming use of computer generated imagery, digital touch ups for the actors, and extensive use of green screen technology that replace sets and location shooting. Combined with the shift to digital cinematography, as well as the rise of comic book and franchise cinema, the temptation to augment movies with lavish, computer generated spectacle has proven irresistible to both directors and audiences, to the point that, Dixon argues, 21st-century commercial cinema is so far removed from the real world that it has created a new era of flawless, fake movies.


Cinema by Other Means

Cinema by Other Means

Author: Pavle Levi

Publisher: OUP USA

Published: 2012-04-10

Total Pages: 237

ISBN-13: 019984142X

DOWNLOAD EBOOK

This title recounts the history of para-cinema - the long tradition within the avant garde of adapting the tools, technologies, and techniques of conventionalfilm-making. Levi's study considers works by filmmakers, artists, and theorists from France, Italy, the Soviet Union, Germany, Hungary, and Yugoslavia.


Ex-Cinema

Ex-Cinema

Author: Akira Lippit

Publisher: Univ of California Press

Published: 2012-09-30

Total Pages: 202

ISBN-13: 0520953916

DOWNLOAD EBOOK

What does it mean for film and video to be experimental? In this collection of essays framed by the concept "ex-"—meaning from, outside, and no longer—Akira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. Ex-Cinema is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself.


Modernism, Technology, and the Body

Modernism, Technology, and the Body

Author: Tim Armstrong

Publisher: Cambridge University Press

Published: 1998-02-28

Total Pages: 324

ISBN-13: 9780521599979

DOWNLOAD EBOOK

This book is a study of the relations between the body and its technologies in modernism. Tim Armstrong traces the links between modernist literary texts and medical, psychological and social theory across a range of writers, including Yeats, Henry James, Eliot, Stein, and Pound. Armstrong shows how modernist texts enact experimental procedures which have their origins in nineteenth-century psychophysics, biology, and bodily reform techniques, but within a context in which the body is reconceived and subjected to new modes of production, representation and commodification. Drawing on a wide range of disciplines, Armstrong challenges the received oppositions between technology and literature, the instrumental and the aesthetic, by demonstrating the leaky boundaries and complex interconnections between these domains. This book offers a cultural history of modernism as it negotiated the enduring fact of the human body in a period of rapid technological change.


Entangled

Entangled

Author: Chris Salter

Publisher: MIT Press

Published: 2010

Total Pages: 501

ISBN-13: 0262195887

DOWNLOAD EBOOK

How technologies, from the mechanical to the computational, have transformed artistic performance practices.


Making Images Move

Making Images Move

Author: Gregory Zinman

Publisher: Univ of California Press

Published: 2020-01-03

Total Pages: 391

ISBN-13: 0520420756

DOWNLOAD EBOOK

Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.


Framed Time

Framed Time

Author: Garrett Stewart

Publisher: University of Chicago Press

Published: 2008-09-15

Total Pages: 311

ISBN-13: 0226774570

DOWNLOAD EBOOK

Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema’s 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films—from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Caché —Stewart investigates how their treatments of time reflect the change in media from film’s original rolling reel to today’s digital pixel. He goes on to show—with 140 stills—how American and European narratives confront this shift differently: while Hollywood movies tend to revolve around ghostly afterlives, psychotic doubles, or violent time travel, their European counterparts more often feature second sight, erotic telepathy, or spectral memory. Stewart questions why these recent plots, in exploring temporality, gravitate toward either supernatural or uncanny apparitions rather than themes of digital simulation. In doing so, he provocatively continues the project he began with Between Film and Screen, breaking new ground in visual studies, cinema history, and media theory.


Process Cinema

Process Cinema

Author: Scott MacKenzie

Publisher: McGill-Queen's Press - MQUP

Published: 2019-07-11

Total Pages: 569

ISBN-13: 0773558101

DOWNLOAD EBOOK

Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers typically left out of the avant-garde canon, addressing the convergence between the analog and the digital in contemporary process cinema. Contributors investigate the history of process cinema – unscripted, improvisatory manipulation of the physicality of film – with chapters on pioneering filmmakers such as Len Lye and Marie Menken, while others discuss an international array of collectives devoted to processing films in artist-run labs from South Korea to Finland, Australia to Austria, and Greenland to Morocco, along with historical and contemporary practices in Canada and the United States. Addressing the turn to a new, sustainable creative ecology that is central to handmade films in the twenty-first century, and that defines today's reinvigorated film cultures, Process Cinema features some of the most beautiful handcrafted films and the most forward-thinking filmmakers within a global context.


Maximum Truth & Truthful Maxims

Maximum Truth & Truthful Maxims

Author: John O'Loughlin

Publisher: Centretruths Digital Media

Published: 2022-04-21

Total Pages: 226

ISBN-13: 1446108988

DOWNLOAD EBOOK

This project is comprised of two substantial volumes of maxims entitled 'Maximum Truth' and 'Truthful Maxims', both of which, dating from 1993, extend the philosophy of Social Transcendentalism into new realms of metaphysical insight, including a more comprehensive subatomic theory that owes much to the structural quadruplicities of previous works, including 'Elemental Spectra', by the author. But it is in its departure from anything to do with the 'Clear Light of the Void', to which authors like Aldous Huxley succumbed, that this project stands out as a beacon of evolutionary enlightenment in relation to the 'Holy Spirit of Heaven'.