Symphony no. 6 in B minor
Author: Dmitriĭ Dmitrievich Shostakovich
Publisher:
Published: 1974
Total Pages: 2
ISBN-13:
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Author: Dmitriĭ Dmitrievich Shostakovich
Publisher:
Published: 1974
Total Pages: 2
ISBN-13:
DOWNLOAD EBOOKAuthor: Dmitriĭ Dmitrievich Shostakovich
Publisher:
Published: 1968
Total Pages: 2
ISBN-13:
DOWNLOAD EBOOKAuthor: Dmitriĭ Dmitrievich Shostakovich
Publisher:
Published: 1985
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Dmitriĭ Dmitrievich Shostakovich
Publisher:
Published: 1979
Total Pages: 150
ISBN-13:
DOWNLOAD EBOOKAuthor: Peter Ilich Tchaikovsky
Publisher:
Published: 1989
Total Pages: 168
ISBN-13:
DOWNLOAD EBOOKAuthor: James Hepokoski
Publisher: Oxford University Press
Published: 2011-02-11
Total Pages: 692
ISBN-13: 0199890234
DOWNLOAD EBOOKElements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author: Philip Hart
Publisher: Northwestern University Press
Published: 1997-02-05
Total Pages: 388
ISBN-13: 0810133067
DOWNLOAD EBOOKThirty years after his death, Fritz Reiner's contribution--as a conductor, as a teacher (of Leonard Bernstein, among others), and as a musician--continues to be reassessed. Music scholar and long-time friend Philip Hart has written the definitive biography of this influential figure.
Author: Dmitriĭ Dmitrievich Shostakovich
Publisher:
Published: 1990
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Dmitrij D. Šostakovič
Publisher:
Published: 1999
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Robert Philip
Publisher: Yale University Press
Published: 2018-01-01
Total Pages: 969
ISBN-13: 0300120699
DOWNLOAD EBOOKAn invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer's intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.