Brahms: Symphony No. 1

Brahms: Symphony No. 1

Author: David Lee Brodbeck

Publisher: Cambridge University Press

Published: 1997-01-23

Total Pages: 132

ISBN-13: 9780521479592

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A 1997 examination of the genesis, background and extra-compositional allusions of this controversial work.


Concerto No. 1 in E Minor (Two-Piano Score)

Concerto No. 1 in E Minor (Two-Piano Score)

Author: Frederic Chopin

Publisher: Franklin Classics

Published: 2018-10-12

Total Pages: 110

ISBN-13: 9780342600052

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Mendelssohn's 'Italian' Symphony

Mendelssohn's 'Italian' Symphony

Author: John Michael Cooper

Publisher: Oxford University Press, USA

Published: 2003

Total Pages: 262

ISBN-13: 9780198166535

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This study of the composition, reception, extramusical implications and stylistic eclecticism of Mendelssohn's Italian Symphony devotes extensive attention to the differences between the posthumously published familiar version of the work and the composer's revision, which remained unpublised until 2001.


Mendelssohn Perspectives

Mendelssohn Perspectives

Author: Nicole Grimes

Publisher: Routledge

Published: 2016-04-22

Total Pages: 391

ISBN-13: 1317097394

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If the invective of Nietzsche and Shaw is to be taken as an endorsement of the lasting quality of an artist, then Felix Mendelssohn Bartholdy takes pride of place beside Tennyson and Brahms in the canon of great nineteenth-century artists. Mendelssohn Perspectives presents valuable new insights into Mendelssohn’s music, biography and reception. Critically engaging a wide range of source materials, the volume combines traditional musical-analytical studies with those that draw on other humanistic disciplines to shed new light on the composer’s life, and on his contemporary and posthumous reputations. Together, these essays bring new historical and interpretive dimensions to Mendelssohn studies. The volume offers essays on Mendelssohn's Jewishness, his vast correspondence, his music for the stage, and his relationship with music of the past and future, as well as the compositional process and handling of form in the music of both Mendelssohn and his sister, the composer Fanny Hensel. German literature and aesthetics, gender and race, philosophy and science, and issues of historicism all come to bear on these new perspectives on Mendelssohn.


Piano Concerto No. 1 in G Minor, Op. 25

Piano Concerto No. 1 in G Minor, Op. 25

Author: Felix Mendelssohn

Publisher: Alfred Music

Published: 1996-02-01

Total Pages: 48

ISBN-13: 9781457475467

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Expertly arranged Piano Duet by Felix Mendelssohn from the Kalmus Edition series. This Advanced Piano Duet (2 Pianos, 4 Hands) is from the Romantic era. 2 copies are required for performance.


Mendelssohn, Time and Memory

Mendelssohn, Time and Memory

Author: Benedict Taylor

Publisher: Cambridge University Press

Published: 2011-10-27

Total Pages: 315

ISBN-13: 1139501364

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Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.


Mendelssohn

Mendelssohn

Author: R. Larry Todd

Publisher: Oxford University Press

Published: 2003-10-23

Total Pages: 748

ISBN-13: 9780195110432

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An extraordinary prodigy of Mozartean abilities, Felix Mendelssohn Bartholdy was a distinguished composer and conductor. Now, in the first major Mendelssohn biography to appear in decades, Todd offers a remarkably fresh account of this musical giant.


The NPR Guide to Building a Classical CD Collection

The NPR Guide to Building a Classical CD Collection

Author: Ted Libbey

Publisher: Workman Publishing

Published: 1999-01-01

Total Pages: 564

ISBN-13: 9780761104872

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An update and revised guide by the host of National Public Radio's Performance Today recommends the best recordings of the three hundred most important classical works, and provides background information on each composer. Original.


Musical Performance

Musical Performance

Author: John Rink

Publisher: Cambridge University Press

Published: 2002-12-12

Total Pages: 264

ISBN-13: 9780521788625

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Table of contents


Music Criticism in Vienna, 1896-1897

Music Criticism in Vienna, 1896-1897

Author: Sandra McColl

Publisher: Oxford University Press

Published: 1996

Total Pages: 276

ISBN-13: 9780198165644

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Music Criticism in Vienna records a culture in which musical criticism had achieved the status of a minor art form. The period covered - October 1896 to December 1897 - was an eventful time in Vienna. Bruckner died, then Brahms; Mahler arrived; premieres of works by Czech composers coincidedwith increasing tension in the Empire between Czechs and Germans; Puccini's La Boheme reached Vienna on its sensational progress around the world; and the great programme music debate continued. These events and issues were recorded and debated by some two dozen critics ranging from Eduard Hanslick,widely credited with (and blamed for) raising music criticism to an art, to Heinrich Schenker. The focus of Sandra McColl's monograph is unashamedly on the critics themselves, and her reconstruction of the climate of debate about whatever music or musicians came to their notice. She illuminates theintellectual climate in which the music was created, performed and received, and provides a foundation for the study of musical criticism in the post-Hanslick generation.