A biography of writer Sylvia Plath that describes her era, her major works--the novel The bell jar and her poetry--her life, and the legacy of her writing.
The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery..
Because wherever I sat, on the deck of a ship or at a street café in Paris or Bangkok, I would be sitting under the same glass bell jar, stewing in my own sour air. Readers who are familiar with Sylvia Plath's work may recognize this well-known quotation from her first and only novel, The Bell Jar, which tackles issues of depression, mental illness, and the search for individuality. This compelling volume examines Sylvia Plath's life and writings, with a specific look at key ideas related to The Bell Jar. A collection of twenty-three essays offers readers context and insight to discussions centering around the pervasive impact of illness, the novel as a search for personal identity, and the autobiographical nature of the work. The book also examines contemporary perspectives on depression, such as the sometimes deadly pressure of perfectionism on gifted teens, and the idea that depression and risk of suicide run in families.
The Bell Jar has always been troubling reading, because its main character Esther Greenwood is so fully identified with Sylvia Plath herself. Attempts to separate them critically have not been successful. This volume consists of essays about The Bell Jar. Essays discuss how the novel reflected the time in which it was written and on the critical reception of the novel.
A Study Guide for Sylvia Plath's "The Bell Jar," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
The Grief of Influence follows Sylvia Plath and Ted Hughes through alternating periods of collaboation and competition, showing how each poet forged a voice both through and against the other's, and offering a new assessment of the twentieth century's most important poetic partnership.
A unique and invaluable collection of the young Sylvia Plath’s drawings from important and formative years in her life: 1955-1957 Sylvia Plath: Drawings is a portfolio of pen-and-ink illustrations created during the transformative period spent at Cambridge University, when Plath met and secretly married poet Ted Hughes, and traveled with him to Paris and Spain on their honeymoon, years before she wrote her seminal work, The Bell Jar. Throughout her life, Sylvia Plath cited art as her deepest source of inspiration. This collection sheds light on these key years in her life, capturing her exquisite observations of the world around her. It includes Plath’s drawings from England, France, Spain, and New England, featuring such subjects as Parisian rooftops, trees, and churches, as well as a portrait Ted Hughes. Sylvia Plath: Drawings includes letters and diary entries that add depth and context to the great poet’s work, as well as an illuminating introduction by her daughter, Frieda Hughes.
Jam Gallahue, fifteen, unable to cope with the loss of her boyfriend Reeve, is sent to a therapeutic boarding school in Vermont, where a journal-writing assignment for an exclusive, mysterious English class transports her to the magical realm of Belzhar, where she and Reeve can be together.
A hypnotic, brutal, and unstoppable coming-of-age story echoing from within the aftershocks set off by the American Indian boarding schools of generations past, fanned by the flames of nearly fifteen years of service in the Armed Forces, exposing a series of inescapable prisons and the invisible scars of attempted erasure. When he learns his father is dying, David Tromblay ponders what will become of the monster's legacy and picks up a pen to set the story straight. In sharp and unflinching prose, he recounts his childhood bouncing between his father, who wrestles with anger, alcoholism, and a traumatic brain injury; his grandmother, who survived Indian boarding schools but mistook the corporal punishment she endured for proper child-rearing; and his mother, a part-time waitress, dancer, and locksmith, who hides from David's father in church basements and the folded-down back seat of her car until winter forces her to abandon her son on his grandmother's doorstep. For twelve years, he is beaten, burned, humiliated, locked in closets, lied to, molested, seen and not heard, until his talent for brutal violence meets and exceeds his father's, granting him an escape. Years later, David confronts the compounded traumas of his childhood, searching for the domino that fell and forced his family into the cycle of brutality and denial of their own identity.