"When words fail, music speaks." - Hans Christian Anderson We often find ourselves unable to communicate our exact feelings and therefore turn to outlets to speak for us-like music. Songs provide tempos and rhythms to echo the pulse of our individual lives while the lyrics create the vocabulary we fail to compose. With swiftly, Rachel Madeline takes the songs that have spoken for her when she was unsure of how to express herself and reinterprets them with words she now possesses and has mastered. Inspired by Grammy-winning artist Taylor Swift, the author finds her own voice, in her first collection of poetry, with the music of her favorite artist to guide her.
It is 1848 and the British Empire has grown rich exploiting Lilliputian slaves - the finesse of their working allowing unheard of feats of minature engineering; even Babbage's computing device has been made to work. But now the French have formed a regiment of previously peaceful Brobdingnagian giants and invasion looms. In a world where humanity is both smaller and larger than it once was, love and hate loom large. Mankind discovers itself at the centre of scale. Lilliputians are twelve times smaller than us but there are those twelve times smaller than them, and twelve times smaller again and so on. And the scale of being goes up from Swift's giants also ... Adam Roberts has written both a rip roaring 19th century adventure, a love story and a thought-provoking pre-atomic SF novel about our place in the universe.
"Composed by Losang Yeshé around the turn of the seventeenth century, this text is a meditation manual on the lamrim, or "stages of the path to enlightenment." The author, commonly referred to as either the Fifth or Second Paṇchen Lama, depending on the convention for enumeration, formulated it as a supplement to the Easy Path (Delam) written by his immediate predecessor, Losang Chökyi Gyaltsen, who was tutor to the Fifth Dalai Lama. Carrying great significance in the genre of lamrim literature, it came to be recognized as part of a collection of texts known as the eight great lamrims"--
TOM IS IN DEEP-SEA TROUBLE... Tom. Bud, and Yo are on the S.S. Nestor, a Swift Enterprises research vessel, to witness Mr. Swift testing his submersible, the Verne-1. Mr. Swift plans to use the Verne-1 to place a network of seismometers on the sea floor to detect underwater earthquakes, volcanic eruptions, and other phenomena that might generate tidal waves on the ocean's surface. But when an unexpected storm hits and the S.S. Nestor looses contact with the Verne-1, it's up to Tom to save his father.
Winner, 2010 Donald Murphy Prize for a Distinguished First Book, American Conference on Irish Studies Renowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century. Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling.
A rich and riveting portrait of the man behind Gulliver’s Travels, by a “vivid, ardent, and engaging” (New York Times Book Review) author. One of Europe’s most important literary figures, Jonathan Swift was also an inspired humorist, a beloved companion, and a conscientious Anglican minister—as well as a hoaxer and a teller of tales. His anger against abuses of power would produce the most famous satires of the English language: Gulliver’s Travels as well as the Drapier Papers and the unparalleled Modest Proposal, in which he imagined the poor of Ireland farming their infants for the tables of wealthy colonists. John Stubbs’s biography captures the dirt and beauty of a world that Swift both scorned and sought to amend. It follows Swift through his many battles, for and against authority, and in his many contradictions, as a priest who sought to uphold the dogma of his church; as a man who was quite prepared to defy convention, not least in his unshakable attachment to an unmarried woman, his “Stella”; and as a writer whose vision showed that no single creed holds all the answers. Impeccably researched and beautifully told, in Jonathan Swift Stubbs has found the perfect subject for this masterfully told biography of a reluctant rebel—a voice of withering disenchantment unrivaled in English.
