Doña Elvira sang her beloved "Maldito Amor" frequently after she met and married Don Julio and he became administrator of the Diamond Dust Sugar Mills. With the birth of Ubaldino, the dynasty was founded and the family was thrown into the turbulence of Puerto Rico's early twentieth-century history. The author brings forth a vibrant cast of colorful and often eccentric characters all under the sway of "Maldito Amor." In addition to the title story are three others richly peopled with her unique vision of island life.
Rosario Ferre uses family history as a metaphor for the class struggles and political evolution of Latin America and Puerto Rico in this highly provacative, profound, and delightfully readable collection of stories. Originally published in Spanish under the title Maldito Amor ("Cursed Love"), Sweet Diamond Dust introduced American readers to a voice that is by turns lyrical and wickedly satiric. In this tale the De La Valle family's secrets, ambitions, and passions, interwoven with the fate of the local sugar mill, are recounted by various relatives, friends, and servants. As the characters struggle under the burden of privilege, the story, permeated with haunting echoes of Puerto Rico's own turbulent history, becomes a splendid allegory for a nation's past. The three accompanying stories each follow the lives of the descendants of the De La Valle family, making the book a drama in four parts, raising troubling issues of race, religion, freedom, and sex, with Ferre's trademark irony and startling imagery.
Finalist for the National Book Award: “A family saga in the manner of Gabriel García Márquez,” set in Puerto Rico, from an extraordinary storyteller (The New York Times Book Review). This riveting, multigenerational epic tells the story of two families and the history of Puerto Rico through the eyes of Isabel Monfort and her husband, Quintín Mendizabal. Isabel attempts to immortalize their now-united families—and, by extension, their homeland—in a book. The tale that unfolds in her writing has layers upon layers, exploring the nature of love, marriage, family, and Puerto Rico itself. Weaving the intimate with the expansive on a teeming stage, Ferré crafts a revealing self-portrait of a man and a woman, two fiercely independent people searching for meaning and identity. As Isabel declares: “Nothing is true, nothing is false, everything is the color of the glass you’re looking through.” A book about freeing oneself from societal and cultural constraints, The House on the Lagoon also grapples with bigger issues of life, death, poverty, and racism. Mythological in its breadth and scope, this is a masterwork from an extraordinary storyteller.
A renowned Russian ballerina is stranded in Puerto Rico as a revolution tears her homeland apart—and she finds herself in the middle of another uprising In a truly multicultural story and a daring example of global fiction, Rosario Ferré uses her prodigious talents to deliver an unforgettable tale of love, politics, and the power of female expression. Based loosely on a real episode in the life of famous prima ballerina Anna Pavlova, Flight of the Swan follows Niura Federovsky as she flees Russia when revolution breaks out in 1917. Adrift in San Juan, Niura falls in love with a much younger man. Her passion for revolutionary Diamantino Márquez mirrors the turmoil of the strife-torn island, and her dance troupe soon becomes caught up in Puerto Rico’s struggle for independence. Niura’s maid and confidant, Masha, the heart and soul of the novel, is devastated by Madame’s apparent abandonment of her art. Masha tries to save her mistress from heartbreak—only to lose her own heart to a most unexpected arrival.
A gentle maiden aunt who has been victimized for years unexpectedly retaliates through her talent for making life-sized dolls filled with honey. “The Youngest Doll,” based on a family anecdote, is a stunning literary expression of Rosario Ferré’s feminist and social concerns. It is the premier story in a collection that was originally published in Spanish in 1976 as Papeles de Pandora and is now translated into English by the author. The daughter of a former governor of Puerto Rico, Ferré portrays women loosening the constraints that have bound them to a patriarchal culture. Anger takes creative rather than polemical form in ten stories that started Ferré on her way to becoming a leading woman writer in Latin America. The upper-middle-class women in The Youngest Doll, mostly married to macho men, rebel against their doll-like existence or retreat into fantasy, those without money or the right skin color are even more oppressed. In terms of power and influence, these women stand in the same relation to men as Puerto Rico itself does to the United States, and Ferré stretches artistic boundaries in writing about their situation. The stories, moving from the realistic to the nightmarish, are deeply, felt, full of irony and black humor, often experimental in form. The imagery is striking: an architect dreams about a beautiful bridge that “would open and close its arches like alligators making love”; a Mercedes Benz “shines in the dark like a chromium rhinoceros.” One story, “The Sleeping Beauty,” is a collage of letters, announcements, and photo captions that allows chilling conclusions to be drawn from what is not written. The collection includes Ferré’s discussion of “When Women Love Men,” a story about a prostitute and a society lady who unite in order to survive, and one that illustrates the woman writer’s “art of dissembling anger through irony.” In closing, she considers how her experience as a Latin American woman with ties to the United States has brought to her writing a dual cultural perspective.
A welcome addition to the fields of Latino and (trans-)American cultural and literary studies, Latino Dreams focuses on a selection of Latino narratives, published between the mid-1980s and the mid-1990s, that may be said to traffic in the U.S.A.'s attendant myths and governing cultural logics. The selection includes novels by authors who have received little academic attention--Abraham Rodriguez, Achy Obejas, and Benjamin Alire Sáenz--along with underattended texts from more renowned writers--Rosario Ferré, Coco Fusco, and Guillermo Gómez-Peña. Latino Dreams takes a transcultural approach in order to raise questions of subaltern subordination and domination, and the resistant capacities of cultural production. The analysis explores how the selected narratives deploy specific narrative tactics, and a range of literary and other cultural capital, in order to question and reform the U.S.A.'s imaginary coordinates. In these texts, moreover, national imperatives are complicated by recourse to feminist, queer, panethnic, postcolonial, or transnational agendas. Yet the analysis also recognizes instances in which the counter-narrative will is frustrated: the narratives may provide signs of the U.S.A.'s hegemonic resilience in the face of imaginary disavowal.
Life is the dirt where I’ve buried the secrets of my past. With a few careless words, those rotting memories have been uncovered. For years, I healed the past by living in the moment. Until I found the woman who would be my future. Now all those unspoken secrets have the power to destroy everything. What started out as a simple rescue has taken me down a road I never could’ve imagined. And I’ll do anything to keep her in my life. The ugliness of my past is buried deep. But no matter how much dirt you throw on top of them, skeletons always have a way of crawling out of the darkest holes. Diamond in the Dust (Lost Kings MC #18) is the thrilling conclusion of Rooster and Shelby’s story. Rhythm of the Road and Lyrics on the Wind should be read first.
“She’s a pretty wildflower destined for my brother's vase. I'll make her mine, even if how I do it will make flowers wilt.” A DARK FRENCH MAFIA ROMANCE Men like us, we see things. We do things, things that make us unfeeling. That's the price of power and money, of living la belle vie and running the French mafia. Then she came along like a pretty wildflower pushing through the cracks on a dirty pavement - fragile yet resilient, a breath of beauty among the filth. She was supposed to be just another job, a nameless person I was to pluck from her life and hand to my brother, nothing but a pawn in the gamble of our diamond business. There's a psychological label for men like us. We lack empathy and guilt. We do things to have what we want, things that make flowers wilt. Note: Diamonds in the Dust is Book 1 of the Diamonds are Forever trilogy and ends on a cliffhanger. Zoe and Maxime's story continues in Diamonds in the Rough (Book 2) and concludes in Diamonds are Forever (Book 3). This dark mafia romance trilogy is part of the Diamond Magnate collection. You don't have to read the other books to follow the story. The Diamond Magnate collection in order: Standalone Novels (Dark Arranged Marriage & Mistaken Identity Romance) Beauty in Deception Beauty in the Broken Diamonds are Forever Trilogy (Dark Mafia / Kidnapping Romance) Diamonds in the Dust (Book 1) Diamonds in the Rough (Book 2) Diamonds are Forever (Book 3) Beauty in the Stolen Trilogy (Dark Heist Romance) Stolen Lust (Book 1) Stolen Life (Book 2) Stolen Love (Book 3) Beauty in Imperfection Duology (Dark Arranged Marriage Romance) Imperfect Intentions (Book 1) Imperfect Affections (Book 2)
A Washington Post Notable Book When a young man is gunned down in the streets of Nairobi, his grief-stricken father and sister bring his body back to their crumbling home in the Kenyan drylands. But the murder has stirred up memories long since buried, precipitating a series of events no one could have foreseen. As the truth unfolds, we come to learn the secrets held by this parched landscape, hidden deep within the shared past of a family and their conflicted nation. Spanning Kenya’s turbulent 1950s and 1960s, Dust is spellbinding debut from a breathtaking new voice in literature.
