A freak accident forces a New Yorker to return to Louisiana and confront her Cajun past There is nothing more dangerous than a spooked rhinoceros. It is just before lunchtime when Huey, the prized black rhino of Broussard, Louisiana, erupts from his enclosure, trampling a zoo employee on his way to a rampage in the Cajun countryside. The incident makes the rounds online as News of the Weird, and Katherine Fontenot is laughing along with the rest of her New York office when she notices the name of the hurt zookeeper: Karen-Anne Castille—her sister. Fifty years old, lonely, and in danger of being laid off, Katherine has spent decades trying to ignore her Louisiana roots. Forced home by Karen-Anne’s accident, she remembers everything about the bayou that she wanted to escape: the heat, the mosquitoes, and the constant, crushing embrace of family. But when forced to confront the ghosts of her past, she discovers that escape might never have been necessary.
Fifty-year old Katherine Lafleur is woken from sleep one wintry morning in Brooklyn, New York, by a phone call telling her that her younger sister Karen-Anne has died after being trampled by a run-away rhinoceros. So after years of avoiding her home state of Louisiana, Katherine finds herself journeying back to a place where she's only known as Katie-Lee and she's constantly at odds with her older sister Kendra-Sue. The physical distance may only be 1,500 miles, but the emotional and psychic distances is light years away from her life in New York, where she communicates more with text and social media than through actual conversation. In Louisiana, however, she finds a hurricane of family members. Sisters and brother, their kids and kids' kids. Not to mention the distant relations that threaten to turn the funeral services into a circus of epic hilarity rather than a somber affair. Tensions slowly build throughout the comedy, but only when Katie-Lee spots her high school sweetheart lurking around the outskirts of the graveyard do we finally learn what drove her away from home all those years ago--and just how tight the Lafleur family bond really is.
Voices from Louisiana provides thoughtful, timely profiles of some of the state’s most highly regarded and popular contemporary authors. Readers interested in Louisiana’s rich literary tradition will appreciate these evocative essays on writers whose works emanate from the cultures and landscapes of the Gulf South. Ann Brewster Dobie explores the works of eleven well-known authors and concludes with a look at several emerging talents. These writers work in a broad range of genres, from coming-of-age stories and historical narratives that recover the voices of silenced and oppressed peoples, to crime thrillers set in New Iberia and New Orleans, to poetic invocations of the natural world and narratives capturing the realities of working-class lives. Whether native to the state or transplants, these writers produce works that reflect the vibrant culture that defines the intricate literary landscape of the Pelican State. Dobie highlights the careers of Darrell Bourque, James Lee Burke, Ernest Gaines, Tim Gautreaux, Shirley Ann Grau, Greg Guirard, William Joyce, Julie Kane, Tom Piazza, Martha Serpas, and James Wilcox. Newcomers also profiled include Wiley Cash, Ashley Mace Havird, Anne L. Simon, Katy Simpson Smith, Ashley Weaver, Steve Weddle, and Ken Wheaton.
Welcome to Grand Prairie, Louisiana—land of confounding accents, hard-drinking senior citizens, and charming sinners—brought to hilarious life in a bracing, heartfelt debut novel simmering with Cajun spice. . . Father Steve Sibille has come home to the bayou to take charge of St. Pete's church. Among his challenges are teenybopper altar girls, insomnia-curing confessions, and alarmingly alluring congregant Vicky Carrier. Then there's Miss Rita, an irrepressible centenarian with a taste for whiskey, cracklins, and sticking her nose in other people's business. When an outsider threatens to poach Father Steve's flock, Miss Rita suggests he fight back by staging an event that will keep St. Pete's parishioners loyal forever. As The First Annual Grand Prairie Rabbit Festival draws near, help comes from the strangest places. And while the road to the festival may be paved with good intentions—not to mention bake sales, an elephant, and the most bizarre cook-out ever—where it will lead is anyone's guess. . . "A sparkling debut." --Luis Alberto Urrea, author of Queen of America "Delightful. . ..Wheaton writes with an infectious energy, and his affection for the characters and culture is authentic." --Publishers Weekly
In the halls of Congress, on the streets, in the media, the war on fast food is on. Tofu may be topical, but bacon is eternal. Bacon and Egg Man, Ken Wheaton’s second novel, is a sly send-up of a politically correct food establishment, where the Northeast has split off from the rest of the United States. The new Federation is ruled by the electoral descendants of King Mike, a man who made it his mission to form a country based on good, clean living. But you can’t keep good food down. And Wes Montgomery, a journalist at the last print paper in the Federation, is a mild-mannered bacon-and-egg dealer on the side. Until he gets pinched and finds himself thrust into Chief Detective Blunt’s wild-eyed plot to bring down the biggest illegal food supplier in the land. To make matters worse, Wes is partnered with Detective Hillary Halstead, the cop who, while undercover, became his girlfriend. Their journey takes them from submarine lairs to sushi speakeasies, from Montauk to Manhattan, where they have to negotiate with media magnate the Gawker before a climactic rendezvous with the secretive man who supplies the Northeast with its high-cholesterol contraband, the most eternal of all breakfast foods: bacon and eggs.
Tired of the corporate hassle, burnt-out attorney Clay Parker abondons Houston to set up practice with a small firm in an East Texas town, only to find himself caught up in the middle of a fraud case and defending the nasty Bevo Rasmussen.
A young woman hopes moving back to the California coast her family left for the Midwest many years ago will lead to a fairytale, but a soap opera is waiting there instead.
Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume. Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us. An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize–winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book. More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them. In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.
