Surrendering Oz is a memoir in essays that charts the emotional awakening of a bookish Bronx girl. From her early job as a proofreader at The Guinness Book of World Records through a series of dominating and liberating friendships and secret connections, the author takes charge of her life as a Texas professor, writer, and wise student of her own soul. Reader’s Digest says reading Surrendering Oz “is like having a conversation with a bracingly honest but fundamentally kind friend. In 15 pitch-perfect essays, she chronicles her hard-earned rejection of the cultural fairytales of womanhood as she comes fully into possession of her life.”
This collection reflects the evolution of a revisionist argument. The price revolution was indeed a monetary phenomenon, but Professor Flynn's position is not based upon mainstream monetary theory. Silver mines financed the Spanish Empire and Japan's consolidation. Ming China was the world's primary silver customer; Europeans acted as middlemen globally, including massive trade over the Pacific via Manila. American mines nearly led to the destruction of nascent capitalism in Europe (reverse of arguments by Hamilton, Keynes, Wallerstein and others). Silver-market disequilibrium caused silver's gravitation toward China; bullion did not flow to Asia due to European trade deficits. Such conclusions stem from application of the Doherty-Flynn model developed in the mid-1980s. Economic theory is normally applied to economic history; in contrast, development of the Doherty-Flynn model was a response to inadequate conventional theory. Theory emerged from history; its application back to history yields startling historical reinterpretations.
He held no degree and could not claim any special lineage. Modern day sage and teacher Bill Lindley encouraged everyone to go ahead and look for themselves, reinvent the spiritual wheel, and then integrate one's spiritual life into his or her everyday life. Known as Ahimsananda, Bill wrote Truth on the Run the last year of his life after being diagnosed with cancer. When writing these essays Bill demonstrated an urgency and single mindedness never seen in all the forty years he and his life partner were together. A fierce earnestness became his compass on a daily basis, as exemplified by his guru Nisargadatta Maharaj. A rich account of his life experiences as a former Christian monk gone "too independent" easily guides the reader through religious tradition and difficult concepts such as non-duality. This is the enlarged 2nd edition.
A book of provocative ideas, about art and artists, Variations In The Key of K is an artfully constructed collection of stories. Franz Kafka, Pablo Picasso, and William Blake are among the many artist lives reconceived here. A book of cautionary histories, on one hand. An irreverent celebration of the graces of the creative life, on the other.
This book of essays by Norman Mailer’s biographer, Dr. J. Michael Lennon, collect personal and literary reminiscences, insights, and investigations from the last half century. Through the rising action of his life in literature, Lennon’s remembrances track the influence not only of his literary pater familias, Norman Mailer, but his actual father, a booze-bitten blue-collar bibliophile with his own reputation for genius, and how together these mentors forged and focused the 20/20 literary vision Lennon takes to the work of some of the greatest writers of the Twentieth Century, from Baldwin and Bishop to Didion and DeLillo and, not least, Mailer himself.
Will Dowd takes us on a whimsical journey through one year of New England weather in this engaging collection of essays. As unpredictable as its subject, Areas of Fog combines wit and poetry with humor and erudition. A fun, breezy, and discursive read, it is an intellectual game that exposes the artificiality of genres. Will Dowd is a writer and artist based outside Boston. He obtained his MFA in Creative Writing from New York University, where he received a Jacob K. Javits Fellowship; an MS from MIT, serving as a John Lyons Fellow; and a BA from Boston College, as a Presidential Scholar.
Two young Americans meet en route to studying in Spain and forge an unusually close friendship. Once back in the United States, one of the women, who is married, invites the younger to come live with her and her husband. Over time a ménage à trois develops. But that isn’t what causes the ultimate rift in the friendship. Something deeper and more insidious had been at work from the very beginning. In this exploration of what underlies certain powerful friendships, the author examines the unacknowledged factors that sometimes attract us to one another—but can also make the relationship go painfully awry.
Using her own “funeral playlist,” Sarah Gorham examines the intricate connections between music, consolation, and human mortality. The essays in this unique collection explore a diverse range of songs, including Mozart’s “Benedictus” (The Requiem), Nina Simone’s rendition of “Black is the Color of my True Love’s Hair.” Caccini’s 17 th century madrigal “Amarilli, mia bella,” the Irish “Parting Song,” Matthew Houck’s (aka Phosphorescent) dirge-like “Be Dark Night,” and “King and Lionheart,” sung by Of Monsters and Men. But there’s also the song of a mourning dove, and the nonchalance of a human hum. All may become a medium of transcendence for the living (and, possibly, the departed). What makes the book distinctive is its deeply personal approach. A series of memoir-like interstices reveal what art and artmaking can do to unite these subjects. By sharing her own story and the music that has shaped it, Sarah Gorham invites readers to think about their own relationship with death and what they want their own funeral playlist to look like.
Wait for God to Notice is a love letter to an adopted country with an unstable past and an undeniable endurance to heal. In 1975, Uganda’s Finance Minister escaped to England saying, “To live in Uganda today is hell.” Idi Amin had declared himself president for life, the economy had crashed, and Ugandans were disappearing. One year later, the Fordham family arrived as Seventh-day Adventist missionaries. Fordham narrates her childhood with lush, observant prose that is also at times quite funny. She describes her family’s insular faith, her mother’s Finnish heritage, the growing conflict between her parents, the dangerous politics of Uganda, and the magic of living in a house in the jungle. Driver ants stream through their bedrooms, mambas drop out of the stove, and monkeys steal their tomatoes. Wait for God to Notice is a memoir about growing up in Uganda. It is also a memoir about mothers and daughters and about how children both know and don’t know their parents. As teens, Fordham and her sister, Sonja, considered their mother overly cautious. After their mother dies of cancer, the author begins to wonder who her mother really was. As she recalls her childhood in Uganda—the way her mother killed snakes, sweet-talked soldiers, and sold goods on the black market—Fordham understands that the legacy her mother left her daughters is one of courage and capability. Sari Fordam has lived in Uganda, Kenya, Thailand, South Korea, and Austria. She received an M.F.A. from the University of Minnesota, and now teaches at La Sierra University. She lives in California with her husband and daughter. This is her first book.
