DAFT WEE STORIES is Limmy’s first book. It is a collection of stories. There are short stories. There are longer stories. There are stupid stories. There are thoughtful stories. There are upside-down stories. There are normal-way-up stories. There are weird stories. There are less weird stories. There are really weird stories. There is nothing else like it. Have a read.
The incredible true story of a rock legend. . . Lemmy’s name was synonymous with notorious excess: his blood would have killed another human being. This is the story of the heaviest drinking, oversexed speed freak in the music business. Updated after Lemmy’s untimely death in 2016, White Line Fever offers a sometimes hilarious, often outrageous, highly entertaining ride with the frontman of (what was) the loudest rock band in history. Motörhead stand firm as conquerors of the rock world, their history spanned an incredible forty years and while the Motörhead line-up saw many changes, Lemmy was always the soul of the machine. In the words of drummer Mikkey Dee, ‘Lemmy was Motörhead.’ From playing with local bands in Wales, his early career with the Rocking Vicars, backstage touring with Hendrix, and his time with Hawkwind to creating speed metal and forming the legendary band Motörhead, this is the truly epic finale, and tribute, to Lemmy from those who loved him best.
From a longtime New Yorker staff cartoonist, an evocative family memoir, a love letter to New York City, and a delightful exploration of the origins of creativity—richly interleaved with the author’s witty, beloved cartoons A wry and brilliantly observed portrait of the budding young cartoonist and his Upper West Side Jewish family in the age of JFK and Sputnik. Sipress, a dreamer and obsessive drawer, goes hazy when it comes to the ceaselessly imparted lessons-on-life from his father, the meticulous, upwardly mobile proprietor of Revere Jewelers, and in the face of the angsty expectations of his migraine-prone mother. With self-deprecation, wit, and artistry, Sipress paints his hapless place in his indelibly dysfunctional family, from the time he was tricked by his unreliable older sister into rocketing his pet turtle out his twelfth-floor bedroom window, to the moment he walks away from a Harvard PhD program in Russian history to begin his journey as a professional cartoonist. In What’s So Funny?—reminiscent of the masterly, humane recall of Roger Angell and the brainy humor of Roz Chast—Sipress's cartoons appear with spot-on precision, inducing delightful Aha moments in answer to the perennial question aimed at cartoonists: Where do you get your ideas?
Marion Grodin, daughter of funnyman Charles Grodin, knows firsthand that laughter is truly the best medicine, having not only survived breast cancer and divorce, but also, various addictions-including an inappropriate relationship with Haagen Dazs. Her hilarious riffs include; the story of growing large breasts that appeared seemingly overnight (Unfortunately this happened during the summer that she spent on the set of King Kong with her father and Jeff Bridges on whom she developed a huge crush); Her post divorce life, its slight weight gain and how she relied on her wise support group, her cats "BabyFighter" Edmond and "fashionably sporty, forensic expert" Snuggles. In this cleverly written memoir Marion integrates her diverse and challenging life experiences and unstoppable ability to make everything funny in a way that is both entertaining and helpful. She hopes that her book will send a message to those who feel they are misfits and to those locked in addiction: there is a way out - and life can be very good when you kick the habit.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People ∙ O: The Oprah Magazine ∙ Financial Times ∙ Kansas City Star ∙ BookPage ∙ Kirkus Reviews ∙ Publishers Weekly ∙ Booklist NEW YORK TIMES BESTSELLER “A stunner.”—Justin Cronin “It’s never the disasters you see coming that finally come to pass—it’s the ones you don’t expect at all,” says Julia, in this spellbinding novel of catastrophe and survival by a superb new writer. Luminous, suspenseful, unforgettable, The Age of Miracles tells the haunting and beautiful story of Julia and her family as they struggle to live in a time of extraordinary change. On an ordinary Saturday in a California suburb, Julia awakes to discover that something has happened to the rotation of the earth. The days and nights are growing longer and longer; gravity is affected; the birds, the tides, human behavior, and cosmic rhythms are thrown into disarray. In a world that seems filled with danger and loss, Julia also must face surprising developments in herself, and in her personal world—divisions widening between her parents, strange behavior by her friends, the pain and vulnerability of first love, a growing sense of isolation, and a surprising, rebellious new strength. With crystalline prose and the indelible magic of a born storyteller, Karen Thompson Walker gives us a breathtaking portrait of people finding ways to go on in an ever-evolving world. “Gripping drama . . . flawlessly written; it could be the most assured debut by an American writer since Jennifer Egan’s Emerald City.”—The Denver Post “Pure magnificence.”—Nathan Englander “Provides solace with its wisdom, compassion, and elegance.”—Curtis Sittenfeld “Riveting, heartbreaking, profoundly moving.”—Kirkus Reviews (starred review) Look for special features inside. Join the Circle for author chats and more.
If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...
Finalist for the Thurber Prize for American Humor "One of the funniest writers in America." That’s what The New Yorker’s Andy Borowitz calls Jenny Allen—and with good reason. In her debut essay collection, the longtime humorist and performer declares no subject too sacred, no boundary impassable. With her eagle eye for the absurd and hilarious, Allen reports from the potholes midway through life’s journey. One moment she’s flirting shamelessly—and unsuccessfully—with a younger man at a wedding; the next she’s stumbling upon X-rated images on her daughter’s computer. She ponders the connection between her ex-husband’s questions about the location of their silverware, and the divorce that came a year later. While undergoing chemotherapy, she experiments with being a “wig person.” And she considers those perplexing questions that we never pause to ask: Why do people say “It is what it is”? What’s the point of fat-free half-and-half ? And haven’t we heard enough about memes? Jenny Allen’s musings range fluidly from the personal to the philosophical. She writes with the familiarity of someone telling a dinner party anecdote, forgoing decorum for candor and comedy. To read Would Everybody Please Stop? is to experience life with imaginative and incisive humor.
One day in 1957, in the third-grade classroom of St. Brigid’s parochial school, an exasperated Sister Mary Lurana bent over a restless young William O’Reilly and said, “William, you are a bold, fresh piece of humanity.” Little did she know that she was, early in his career as a troublemaker, defining the essence of Bill O’Reilly and providing him with the title of his brash and entertaining issues-based memoir. In his most intimate book yet, O’Reilly goes back in time to examine the people, places, and experiences that launched him on his journey from working-class kid to immensely influential television personality and bestselling author. Readers will learn how his traditional outlook was formed in the crucible of his family, his neighborhood, his church, and his schools, and how his views on America’s proper role in the world emerged from covering four wars on five continents over three-plus decades as a news correspondent. What will delight his numerous fans and surprise many others is the humor and self-deprecation with which he handles one of his core subjects: himself, and just how O’Reilly became O’Reilly.