The major part of this work is an alphabetically arranged and cross-indexed list of some 20,000 Maryland families with references to the sources and locations of the records in which they appear. In addition, there is a research record guide arranged by county and type of record, and it identifies all genealogical manuscripts, books, and articles known to exist up to 1940, when this book was first published. Included are church and county courthouse records, deeds, marriages, rent rolls, wills, land records, tombstone inscriptions, censuses, directories, and other data sources.
Philosophers and historians often treat fundamental concepts like equality as if they existed only as fixed ideas found solely in the canonical texts of civilization. In Crafting Equality, Celeste Michelle Condit and John Louis Lucaites argue that the meaning of at least one key word—equality—has been forged in the day-to-day pragmatics of public discourse. Drawing upon little studied speeches, newspapers, magazines, and other public discourse, Condit and Lucaites survey the shifting meaning of equality from 1760 to the present as a process of interaction and negotiation among different social groups in American politics and culture. They make a powerful case for the critical role of black Americans in actively shaping what equality has come to mean in our political conversation by chronicling the development of an African-American rhetorical community. The story they tell supports a vision of equality that embraces both heterogeneity and homogeneity as necessary for maintaining the balance between liberty and property. A compelling revision of an important aspect of America's history, Crafting Equality will interest anyone wanting to better understand the role public discourse plays in affecting the major social and political issues of our times. It will also interest readers concerned with the relationship between politics and culture in America's increasingly multi-cultural society.
In Musical Maryland, the first comprehensive survey of the music emanating from the Old Line State, David K. Hildebrand and Elizabeth M. Schaaf explore the myriad ways in which music has enriched the lives of Marylanders. From the drinking songs of colonial Annapolis, the liturgical music of the Zion Lutheran Church, and the work songs of the tobacco fields to the exuberant marches of late nineteenth-century Baltimore Orioles festivals, Chick Webb’s mastery on drums, and the triumphs of the Baltimore Opera Society, this richly illustrated volume explores more than 300 years of Maryland’s music history. Beginning with early compositions performed in private settings and in public concerts, this book touches on the development of music clubs like the Tuesday Club, the Florestan Society, and H. L. Mencken’s Saturday Night Club, as well as lasting institutions such as the Peabody Institute and the Baltimore Symphony Orchestra (BSO). Yet the soundscape also includes militia quicksteps, sea chanteys, and other work songs. The book describes the writing of "The Star-Spangled Banner"—perhaps Maryland's single greatest contribution to the nation's musical history. It chronicles the wide range of music created and performed by Maryland’s African American musicians along Pennsylvania Avenue in racially segregated Baltimore, from jazz to symphonic works. It also tells the true story of a deliberately integrated concert that the BSO staged at the end of World War II. The book is full of musical examples, engravings, paintings, drawings, and historic photographs that not only portray the composers and performers but also the places around the state in which music flourished. Illuminating sidebars by William Biehl focus on late nineteenth- and early twentieth-century song of the kind evoked by the USS Baltimore or inspired by the state's history, natural beauty, and romantic steamboats. The book also offers a sampling of the tunes that Maryland’s more remarkable composers and performers, including Billie Holiday, Eubie Blake, and Cab Calloway, contributed to American music before the homogenization that arrived in earnest after World War II. Bringing to life not only portraits of musicians, composers, and conductors whose stories and recollections are woven into the fabric of this book, but also musical scores and concert halls, Musical Maryland is an engaging, authoritative, and bold look at an endlessly compelling subject. -- John Barry Talley, author of Secular Music in Colonial Annapolis, 1745–56
"When Mark Twain visited in 1884, he claimed to spy a little bit of hell in Pittsburgh's smoky appearance. Twain's observations are among the many riveting firsthand accounts and anecdotes to be found in the archives of the Pittsburgh Post-Gazette. The Great War hit home after the sinking of the Lusitania which carried more than a dozen Pittsburgh residents. A few years later, cheering throngs of black and white residents lined downtown streets to welcome African American soldiers returning home from the conflict. The Ringling Brothers Circus held its last outdoor performance here in 1956 and left eight hundred show workers without jobs in the city. With these stories from the archives and more, veteran journalist Len Barcousky shines a light on the hidden corners of Pittsburgh's history"--
From the Foreword: The colonial newspaper, as a social institution, played a significant role in the foundation of our American democracy. The weekly journals, with their pioneering, courageous publishers, stimulated the political, economic and cultural growth of the American people. But more important-the newspapers promoted colonial solidarity. In the hands of the Patriots, the gazettes fought for colonial economic and political independence from England. The colonists, likewise, battled for the freedom of the newspaper, because they knew only too well that its liberty of publication was closely connected with the achievements of their own political and economic rights in the conflict with the crown. It was then that the slogan "freedom of the press" was born to become a part of our deeply rooted American tradition. Since those early days, the newspaper has been an influential factor in the growth of America democracy. The history of the colonial era, to illustrate, cannot be fully understood without grasping the significance and development of the colonial newspaper from one poverty-stricken sheet in 1704 to forty-eight newspapers scattered along the seaboard in 1775, when the Revolutionary War broke out.
