Linear Man Lori Lee gives Clark a glimpse into a possible future without Superman-- only to find a world that has been ravaged by war in which the heroes having taken to defending its leader, Lex Luthor! It's not such a wonderful life without the Man of Steel...
Bizarro World' part 4, continued from ACTION COMICS (1938-2011) #697. Having captured Bizarro and saved Lois, the Man of Steel must take his imperfect clone to the only place that can possibly save the deteriorating duplicate: LexCorp. Continued in SUPERMAN (1987-2006) #88.
BATMAN: LEGENDS OF THE DARK KNIGHT presents the new, original adventures of Batman from the acclaimed digital-first series by an all-star lineup of comics’ finest talents including Damon Lindelof (Lost, Prometheus), Steve Niles (30 Days of Night), Jeff Lemire (ANIMAL MAN) and more! Discover startling sides of The Dark Knight that span from his earliest days in the cowl to his never-ending battles against Gotham’s greatest enemies, including the Joker and Two-Face. Collecting issues #1-5 of BATMAN: LEGENDS OF THE DARK KNIGHT!
"Offers early Super-Man stories in which the Man of Steel deals with corrupt officials, blackmarketeers, and costumed villains with occasional help from Lois Lane." -- Amazon.com.
"Doomsday has returned in these tales from ACTION COMICS #900-904! The monster that once Superman's life in a battle that destroyed half of Metropolis is back for another round with the Man of Steel. Writer Paul Cornell (Doctor Who, KNIGHT AND SQUIRE) pens a tale that not only puts Superman in a fight for his life -- but in a fight for the life of Superboy, Supergirl and all members of the Superman family. "--Publisher.
ÒThe Darkness WithinÓ Annual crossover event continues. Eclipso makes his first move in Metropolis, trying to neutralize EarthÕs solar-oriented defenders: Superman, Starman and Rampage. But if they are defeated, will anything be able to stop Eclipso?
As if Superman didn't have enough problems with dealing with the effects of the Brainiac 13 virus and a possible war with Atlantis, he's now got the extra headache of Lex Luthor running for the presidency His arch-enemy is bent on attaining the greatest seat of power in the world.
The X-Men comic book franchise is one of the most popular of all time and one of the most intriguing for critical analysis. With storylines that often contain overt social messages within its "mutant metaphor," X-Men is often credited with having more depth than the average superhero property. In this collection, each essay examines a specific era of the X-Men franchise in relationship to contemporary social concerns. The essays are arranged chronologically, from an analysis of popular science at the time of the first X-Men comic book in 1963 to an interpretation of a storyline in light of rhetoric of President Obama's first presidential campaign. Topics ranging from Communism to celebrity culture to school violence are addressed by scholars who provide new insights into one of America's most significant popular culture products.
Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.