Daniels collects rare and never-before-seen early artwork by the Man of Steel's teenage creators and chronicles the evolution of the character from an orphan alien comics hero to a complex multimedia icon. Part of the superhero triumvirate trilogy.
Presents rare and never-before-seen early artwork by Superman's teenage creators, Jerry Siegel and Joe Shuster (including a two-page doodle from 1936 featuring early Superman costume designs), and he chronicles the evolution of the character from an orphan alien comics hero to a complex multimedia icon.
A series of voodoo deaths is plaguing the city of Metropolis, and the Man of Steel has just gone MIA. Hopefully the vigilante known as Gangbuster can stop this mysterious menace before it's too late.
Can science fiction--especially sci-fi cinema--save the world? It already has, many times. Retired officers testify that films like Doctor Strangelove, Fail-Safe, On the Beach and War Games provoked changes and helped prevent accidental war. Soylent Green and Silent Running recruited millions of environmental activists. The China Syndrome and countless movies about plagues helped bring attention to those failure modes. And the grand-daddy of "self-preventing prophecy"--Nineteen Eighty-Four--girded countless citizens to stay wary of Big Brother. It's not been all dire warnings. While optimism is much harder to dramatize than apocalypse, both large and small screens have also encouraged millions to lift their gaze, contemplating how we might get better, incrementally, or else raise grandchildren worthy of the stars. Come along on a quirky quest for unusual insights into the power of forward-looking media. How the romantic allure of feudalism tugs at men and women who benefited vastly from modernity. Or explore why almost every Hollywood film preaches Suspicion of Authority, along with tolerance, diversity and personal eccentricity, and how those messages helped keep us free. No one is spared scrutiny! Not Spielberg or Tolkien or Cameron or Costner... nor Dune or demigods or zombie flicks. Certainly not George Lucas or Ayn Rand! Though some critiques are offered from a lifetime of respect and love... and gratitude.
Time is running out for Erica to save Archer’s Peak, both from its monster infestation and from the occupation of the Order of St. George. Will Erica be forced to finally stop being a lone wolf and accept help from unlikely allies?
Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema
Comics icon Stan Lee, creator of the Mighty Marvel Universe, has set about to teach everything he knows about writing and creating comic book characters. In these pages, aspiring comics writers will learn everything they need to know about how to write their own comic book stories, complete with easy to understand instruction, tips of the trade, and invaluable advice even for more advance writers. From the secrets to creating concepts, plots, to writing the script, the man with no peer — Stan Lee—is your guide to the world of writing and creating comics.
Examining how horror and science fiction films from the 1950s to the present invent and explore fictional “us-versus-them” scenarios, this book analyzes the different ways such films employ allegory and/or satire to interrogate the causes and consequences of increasing polarization in American politics and society. Starting with the killer ants film with an anti-communist subtext Them! (1954) and concluding with Jordan Peele’s social horror film with revenge-seeking homicidal doppelgängers Us (2019), Martin Harris highlights social and political contexts, contemporary reviews and responses, and retrospective evaluations to show how American horror and science fiction films reflect and respond to contemporary conflicts marking various periods in U.S. history from post-WWII to the present, including those concerning race, gender, class, faith, political ideology, national identity, and other elements of American society. Horror and Science Fiction Cinema and Society draws upon cinematic sociology to provide a resourceful approach to American horror and science fiction films that integrates discussion of plot construction and character development with analyses of the thematic uses of conflict, guiding readers’ understanding of how filmmakers create otherworldly confrontations to deliver real-world social and political commentary.
Superman and Doomsday clash in their final, climactic battle. But Doomsday's ability to adapt and evolve has empowered him with new methods of survival and may make it impossible for Superman to put an end to the creature.