Super Suckers is the culmination of over forty years of undersea photography and groundbreaking research about the largest known octopus species in the world, the giant Pacific octopus. Cosgrove and McDaniel present previously unpublished biological behavior and a startling collection of octopus myths, legends, and anecdotes from aquarists and divers of the pacific coast.
Nirvana, the White Stripes, Hole, the Hives—all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and luck, played for throngs of fans in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny pop stars. We Never Learn: The Gunk Punk Undergut, 1988–2001 tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They reveled in '50s rock 'n' roll, '60s garage rock, and '70s punk while creating their own wave of gut-busting riffs and rhythm. The majority of bands that populate this book—the Gories, the Supersuckers, the Dwarves, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, and the Muffs among them—gained little long-term reward from their nonstop touring and brain-slapping records. What they did have was free liquor, cheap drugs, chaotic romances, and a crazy good time, all the while building a dedicated fan base that extends across the world. Truly, this is the last great wave of down-and-dirty rock 'n' roll. In this expanded edition, Eric Davidson reveals more about the punk undergut with a new preface, postscript, and even more photos. Includes free twenty-song download!
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
A surprising history of Seattle’s Sub Pop Records, pioneer of grunge . . . and champion of losers. This book is a critical history of Sub Pop Records, the Seattle independent rock label that launched the careers of countless influential grunge bands in the late 1980s and early 1990s. It focuses in particular on the languages and personas of the “loser,” a term that encompassed the label’s founders and personnel, its flagship bands (including Mudhoney, TAD, and Nirvana), and the avid vinyl-collecting fans it rapidly amassed. The loser became (and remains) the key Sub Pop identity, but it also grounded the label in the overt masculinity, sexism, and transgression of rock history. Rather than the usual reading of grunge as an alternative to the mainstream, Lamestains reveals a more equivocal and complicated relationship that Sub Pop exploited with great success.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Explore how the physical universe was created as well as the spiritual version that explains our existence. While it’s up to you to decide which version to believe, this book shows that both explanations are remarkably similar as the same events had to occur with both. Earl Thomas O’Farrell draws on his decades of experience as a researcher of religious beliefs, astrophysical theories, and the cosmology of the universe to examine the spiritual and scientific beginnings of the universe, the importance of magnetism, what the Big Bang created, the significance of the Higgs Boson, and the evolutionary process of energy matter. He also examines the theories of scientists such as Albert Einstein, where dark matter and dark energy come from (and how they work), celestial matter, and the creation of space, time, and light. Take a big step forward in understanding the world and decide for yourself the role God plays in our lives—if any—with the facts and insights in this book that explores the origins of the universe.
When something goes bump in the night . . . it’s most likely a plumbing problem, or something equally mundane. But fake medium Eleanor Wilde is happy to investigate and cleanse your home of spectral presences—for a fee. Hey, it’s a living . . . Ellie has an ailing sister to care for, and working as a ghost hunter who doesn’t believe in ghosts helps cover the bills for both of them. When she’s lucky, it also pays for the occasional tropical vacation. Her brother doesn’t exactly approve, but Ellie figures she’s providing a service. On her latest job, though, she may be in for some genuine scares. The skeptical, reserved, and very rich Nicholas Hartford III has flown her all the way to his family’s ancestral estate in England—supposedly haunted by a phantom named Xavier. Nicholas thinks it’s all just as much a crock as Ellie’s business is, but the fact remains that something is causing the flashes of light, mysterious accidents, and other apparent pranks in the chilly, eerie castle. His mother is sure that Xavier is real, and he’s willing to employ Ellie if she can get to the bottom of it and put a stop to the nonsense. While the food and accommodations are somewhat disappointing (dorm-room furniture? Really?), Ellie is finding it an adventure to get to know this eccentric family and their houseguests, and to poke around in the nearby village for clues. But when an actual dead body appears—and subsequently disappears—at Castle Hartford, she’ll have to apply her talent for trickery and psychological insight to solve a flesh-and-blood murder.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Music has always been central to the cultures that young people create, follow, and embrace. In the 1960s, young hippie kids sang along about peace with the likes of Bob Dylan and Joan Baez and tried to change the world. In the 1970s, many young people ended up coming home in body bags from Vietnam, and the music scene changed, embracing punk and bands like The Sex Pistols. In Sells Like Teen Spirit, Ryan Moore tells the story of how music and youth culture have changed along with the economic, political, and cultural transformations of American society in the last four decades. By attending concerts, hanging out in dance clubs and after-hour bars, and examining the do-it-yourself music scene, Moore gives a riveting, first-hand account of the sights, sounds, and smells of “teen spirit.” Moore traces the histories of punk, hardcore, heavy metal, glam, thrash, alternative rock, grunge, and riot grrrl music, and relates them to wider social changes that have taken place. Alongside the thirty images of concert photos, zines, flyers, and album covers in the book, Moore offers original interpretations of the music of a wide range of bands including Black Sabbath, Black Flag, Metallica, Nirvana, and Sleater-Kinney. Written in a lively, engaging, and witty style, Sells Like Teen Spirit suggests a more hopeful attitude about the ways that music can be used as a counter to an overly commercialized culture, showcasing recent musical innovations by youth that emphasize democratic participation and creative self-expression—even at the cost of potential copyright infringement.
