Choose your style with an exciting, colorful Sketch Book or Portfolio. Look great with Sketchbooks that match your personality and artistic style. Be Unique. Artwork Portfolio or Sketchbook with blank Pages on the inside, and space on the front for name. This Sketchbook is great for all of your art classes. 100 sheets (200 pages) of 9.69" x 7.44" paper. Plenty of room for a long time.
Choose your style with an exciting, colorful Sketch Book or Portfolio. Look great with Sketchbooks that match your personality and artistic style. Be Unique. Artwork Portfolio or Sketchbook with blank Pages on the inside, and space on the front for name. This Sketchbook is great for all of your art classes. 100 sheets (200 pages) of 9.69" x 7.44" paper. Plenty of room for a long time.
This Beach Sketch Book has 200 pages (100 sheets) of 8.5 x 11 Sketch Paper. It is for all ages. This book can be used for sketching, drawing, and doodling.
Choose your style with an exciting, colorful Sketch Book or Portfolio. Look great with Sketchbooks that match your personality and artistic style. Be Unique. Artwork Portfolio or Sketchbook with blank Pages on the inside, and space on the front for name. This Sketchbook is great for all of your art classes. 100 sheets (200 pages) of 9.69" x 7.44" paper. Plenty of room for a long time.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
The nineteenth century squatter and painter Duncan Elphinstone Cooper spent about thirteen years of his life in the Western District of Victoria where he painted the fifty-four pictures presented in this volume. Most of these are from Cooper's The Challicum Sketch Book, now a treasured part of the collections of the National Library of Australia; the paintings deal almost exclusively with the grazing property of that name — from tent to house and beyond.
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.
