Lana had hard beginnings. Falling in love with a Prince should have made things easier. Instead they got worse, and awful things start to happen once she is introduced to the King and Queen. Is their love doomed? With an evil enchantress around every turn, how will they ever get through this?
When everyone else goes to bed, the ones who stay up feel like they’re the only people in the world. As the hours tick by deeper into the night, the familiar drops away and the unfamiliar beckons. Adults are asleep, and a hush falls over the hum of daily life. Anything is possible. It’s a time for romance and adventure. For prom night and ghost hunts. It’s a time for breaking up, for falling in love—for finding yourself. Stay up all night with these thirteen short stories from bestselling and award-winning YA authors like Karen McManus, Tiffany D. Jackson, Nina LaCour, and Brandy Colbert, as they take readers deep into these rarely seen, magical hours. Full contributor list: Brandy Colbert, Kathleen Glasgow, Maurene Goo, Tiffany D. Jackson, Amanda Joy, Nina LaCour, Karen M. McManus, Anna Meriano, Marieke Nijkamp, Laura Silverman, Kayla Whaley, Julian Winters, Francesca Zappia
Sticks and stones will break my bones, but words will never harm me.Lies.Words destroyed me. "I'm sorry. She didn't make it.""Daddy, he can't breathe!" "There's nothing more we can do for your son."Sticks and stones will break my bones, but words will never harm me.More lies.Those syllables and letters became my executioner. I told myself that, if I didn't acknowledge the pain and the fear, they would have no power over me. But, as the years passed, the hate and the anger left behind began to control me.Two words-that was all it took to plunge my life into darkness."He's gone." In the end, it was four soft, silky words that gave me hope of another sunrise. "Hi. I'm Charlotte Mills."
Sticks and stones will break my bones, but words will never harm me. Whoever coined that phrase is a bald-faced liar. Words are often the sharpest weapon of all, triggering some of the most powerful emotions a human can experience. "You're pregnant." "It's a boy." "Your son needs a heart transplant." Sticks and stones will break my bones, but words will never harm me. Lies. Syllables and letters may not be tangible, but they can still destroy your entire life faster than a bullet from a gun. Two words-that was all it took to extinguish the sun from my sky. "He's gone." For ten years, the darkness consumed me. In the end, it was four deep, gravelly words that gave me hope of another sunrise. "Hi. I'm Porter Reese."
Lana had hard beginnings. Falling in love with a Prince should have made things easier. Instead they got worse, and awful things start to happen once she is introduced to the King and Queen. Is their love doomed? With an evil enchantress around every turn, how will they ever get through this?
A private eye stalks a serial killer through the streets of a permanently dark world in this mind-bending sci-fi thriller from one of the genre’s most visionary authors Below the neon skies of Dayzone—where the lights never go out, and night has been banished—lowly private eye John Nyquist takes on a teenage runaway case. His quest takes him from Dayzone into the permanent dark of Nocturna. As the vicious, seemingly invisible serial killer known only as Quicksilver haunts the streets, Nyquist starts to suspect that the runaway girl holds within her the key to the city’s fate. In the end, there’s only one place left to search: the shadow-choked zone known as Dusk.
Seduce Me at Sunrise, the second book in the Hathaways series by beloved author Lisa Kleypas. Kev Merripen has longed for the beautiful, well-bred Winnifred Hathaway ever since her family rescued him from the brink of death when he was just a boy. But this handsome Gypsy is a man of mysterious origins—and he fears that the darkness of his past could crush delicate, luminous Win. So Kev refuses to submit to temptation...and before long Win is torn from him by a devastating twist of fate. Then, Win returns to England...only to find that Kev has hardened into a man who will deny love at all costs. Meantime, an attractive, seductive suitor has set his sights on Win. It's now or never for Kev to make his move. But first, he must confront a dangerous secret about his destiny—or risk losing the only woman he has lived for.
Dream Tonight of Peacock Tails marks the first in-depth examination of Pynchon’s debut novel, which was immediately recognized as a breakthrough masterpiece. The eight essays collected in the volume provide both scholars and avid readers with new and original insights into a too-often underestimated work that, probably even more than Gravity’s Rainbow, established Pynchon as one of the great masters of twentieth-century American literature. This book deliberately privileges a multidisciplinary and transnational approach, encompassing collaborations from a particularly international and diverse academic context. As such, this volume offers a multifaceted pattern of expanding investigation that tackles the novel’s apparently chaotic but meticulously organized structure by rereading it in the light of recent US and European history and economics, as well as by exploring its many real and imagined locations. Not only are the essays brought together here revelatory of Pynchon’s way of working, but they also tell us something about our own ways of approaching his fiction.
From its beginnings narratology has incorporated a communicative model of literary narratives, considering these as simulations of natural, oral acts of communication. This approach, however, has had some problems with accounting for the strangeness and anomalies of modern and postmodern narratives. As many skeptics have shown, not even classical realism conforms to the standard set by oral or ‘natural’ storytelling. Thus, an urge to confront narratology with the difficult task of reconsidering a most basic premise in its theoretical and analytical endeavors has, for some time, been undeniable. During the 2000s, Nordic narratologists have been among the most active and insistent critics of the communicative model. They share a marked skepticism towards the idea of using ‘natural’ narratives as a model for understanding and interpreting all kinds of narratives, and for all of them, the distinction of fiction is of vital importance. This anthology presents a collection of new articles that deal with strange narratives, narratives of the strange, or, more generally, with the strangeness of fiction, and even with some strange aspects of narratology.
Devin Dexter and his cousin Tommy just saved the city of Gravesend from the menace of magical, malicious Cuddle Bunnies brought to life by the warlock, Herb. But there’s no rest for the wicked, as a new mysterious neighbor moves in across the street. At night. With a coffin. Tommy immediately jumps to conclusions as he thinks this can only mean one thing: Vampires. Devin isn’t so quick to believe, as he is struck by the neighbor’s daughter, a girl his age. Even though Tommy points out that they have never seen her during the day. Yet when she invites him to a dance at her school—the Nosfer Academy of Talented Understudies—how can Devin say no? Tommy, though, realizes that this is an opportunity. After tackling a wizard last winter, surely they can protect Gravesend from some measly vampires, right?