Photography of Victorian Scotland

Photography of Victorian Scotland

Author: Roddy Simpson

Publisher: Edinburgh University Press

Published: 2012-09-06

Total Pages: 224

ISBN-13: 0748654623

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This is the first book to provide a full and coherent introduction to the photography of Victorian Scotland. There are many books which deal with particular elements and individual photographers, which show the interest in the subject, but no book draws everything together to provide an understanding of the multi-faceted nature of photography and the inter-relationship with other activities in the society of the time. This authoritative introduction, building upon these other publications, will provide a wide-ranging appreciation of early Scottish photography and in particular that Scottish photography was in the vanguard of many international trends. The material has been structured and the topics organised, with appropriate illustrations, as both a readable narrative and a foundation text for the subject.


Photographing Scotland

Photographing Scotland

Author: Dougie Cunningham

Publisher:

Published: 2017-12

Total Pages: 592

ISBN-13: 9780992905170

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PHOTOGRAPHING SCOTLAND is a photography-location and visitor guidebook. If you are a keen photographer who can¿t miss a sunrise or are on holiday using a mobile phone camera, this guidebook will take you to the most beautiful and photogenic places in Scotland. In this extensive photo-location and visitor guidebook, award winning Scottish photographer Dougie Cunningham explores and describes the most beautiful places in Scotland to visit and photograph. From Glencoe to Glen Torridon, Skye to Shetland, Callanish to Cairngorm, this guidebook reveals the islands and mountains, glens and lochs, rivers and coastline and visits ancient stone circles, fortified houses, medieval castles, crofts and peel towers. The classic views are included and many more lesser known and hidden gems amongst the Lowlands, Highlands and Islands of this spectacular country. Also included are photographic tours of Edinburgh and Glasgow, and a handy list of the best Scottish whiskey distilleries to visit. This book is divided into five sections LOWLANDS, EASTERN HIGHLANDS, WESTERN HIGHLANDS, WESTERN ISLES ¿ Inner and Outer Hebrides, THE FAR NORTH ¿ including the Orkney & Shetland Isles.


The Pencil of Nature

The Pencil of Nature

Author: William Henry Fox Talbot

Publisher: DigiCat

Published: 2022-09-16

Total Pages: 66

ISBN-13:

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DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.


Thomas Annan of Glasgow

Thomas Annan of Glasgow

Author: Lionel Gossman

Publisher: Open Book Publishers

Published: 2015-05-25

Total Pages: 194

ISBN-13: 1783741279

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In the wake of Glasgow’s transformation in the nineteenth-century into an industrial powerhouse — the "Second City of the Empire" — a substantial part of the old town of Adam Smith degenerated into an overcrowded and disease-ridden slum. The Old Closes and Streets of Glasgow, Thomas Annan’s photographic record of this central section of the city prior to its demolition in accordance with the City of Glasgow Improvements Act of 1866, is widely recognized as a classic of nineteenth-century documentary photography. Annan’s achievement as a photographer of paintings, portraits and landscapes is less widely known. Thomas Annan of Glasgow: Pioneer of the Documentary Photograph offers a handy, comprehensive and copiously illustrated overview of the full range of the photographer’s work. The book opens with a brief account of the immediate context of Annan’s career as a photographer: the astonishing florescence of photography in Victorian Scotland. Successive chapters deal with each of the main fields of his activity, touching along the way on issues such as the nineteenth-century debate over the status of photography — a mechanical practice or an artistic one? — and the still ongoing controversies surrounding the documentary photograph in particular. While the text itself is intended for the general reader, extensive endnotes amplify particular themes and offer guidance to readers interested in pursuing them further.


Planning and Designing Sustainable and Resilient Landscapes

Planning and Designing Sustainable and Resilient Landscapes

Author: Cerasella Crăciun

Publisher: Springer Science & Business Media

Published: 2014-02-03

Total Pages: 298

ISBN-13: 9401785368

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This book deals with planning issues in landscape architecture, which start at the evaluation of the existing fabric of society, its history and memory, approached and conserved through photography, film and scenographic installations, a way in which the archetypes can be investigated, be it industrial derelict sites or already green spaces and cultural landscapes. It provides approaches to intervention, through rehabilitation and upgrade, eventually in participative manner. To such evaluation and promotion a couple of disciplines can contribute such as history of art, geography and communication science and of course (landscape) architecture. The field of landscape architecture reunites points of view from such different disciplines with a view to an active approach a contemporary intervention or conservation. The book presents case studies from several European countries (Romania, Germany, Austria, Italy, Portugal) mostly for large landscape in the outskirts of the cities and in the parks.


William Henry Fox Talbot and the Promise of Photography

William Henry Fox Talbot and the Promise of Photography

Author: Dan Leers

Publisher: Thames & Hudson

Published: 2017

Total Pages: 95

ISBN-13: 9780880390606

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This publication serves as a primer on the work of William Henry Fox Talbot, a true interdisciplinary innovator who drew on his knowledge of art, botany, chemistry and optics to become one of the inventors of photography in 1839. Talbot?s 'photogenic drawings' (photograms), calotypes and salted paper prints are some of the first-ever examples of images captured on paper.0This book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer's early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot's fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.00Exhibition: Carnegie Museum of Art, Pittsburgh, United States (18.11.2017 - 11.02.2018).


The Shock of the Real

The Shock of the Real

Author: G. Wood

Publisher: Springer

Published: 2016-04-30

Total Pages: 282

ISBN-13: 1137068094

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Already in the century before photography's emergence as a mass medium, a diverse popular visual culture had risen to challenge the British literary establishment. The bourgeois fashion for new visual media - from prints and illustrated books to theatrical spectacles and panoramas - rejected high. Romantic concepts of original genius and the sublime in favor of mass-produced images and the thrill of realistic effects. In response, the literary elite declared the new visual media an offense to Romantic idealism. 'Simulations of nature,' Coleridge declared, are 'loathsome' and 'disgusting.' The Shock of the Real offers a tour of Romantic visual culture, from the West End stage to the tourist-filled Scottish Highlands, from the panoramas of Leicester Square to the photography studios of Second Empire Paris. But in presenting the relation between word and image in the late Georgian age as a form of culture war, the author also proposes an alternative account of Romantic aesthetic ideology - as a reaction not against the rationalism of the Enlightenment but against the visual media age being born.