Perfect for fans of Morgan Matson and Ruta Sepetys, this sweet, summery romance set in Nantucket follows seventeen-year-old Abby Schoenberg as she uncovers a secret about her grandmother's life during WWII. Seventeen-year-old Abby Schoenberg isn't exactly looking forward to the summer before her senior year. She's just broken up with her first boyfriend and her friends are all off in different, exciting directions for the next three months. Abby needs a plan—an adventure of her own. Enter: the letters. They show up one rainy day along with the rest of Abby's recently deceased grandmother's possessions. And these aren't any old letters; they're love letters. Love letters from a mystery man named Edward. Love letters from a mansion on Nantucket. Abby doesn't know much about her grandmother's past. She knows she was born in Germany and moved to the US when she was five, fleeing the Holocaust. But the details are either hazy or nonexistent, and these letters depict a life that is a bit different than the quiet one Abby knows about. So Abby heads to Nantucket for the summer to learn more about her grandmother and the secrets she kept. But when she meets Edward's handsome grandson, who wants to stop her from investigating, things get complicated. As Abby and Noah grow closer, the mysteries in their families deepen, and they discover that they both have to accept the burdens of their pasts if they want the kinds of futures they've always imagined. Cover may vary.
Edited by Yevgeny Pasternak, Yelena Pasternak, and Konstantin M. Azadovsky The summer of 1926 was a time of trouble and uncertainty for each of the three poets whose correspondence is collected in this moving volume. Marina Tsvetayeva was living in exile in France and struggling to get by. Boris Pasternak was in Moscow, trying to come to terms with the new Bolshevik regime. Rainer Maria Rilke, in Switzerland, was dying. Though hardly known to each other, they began to correspond, exchanging a series of searching letters in which every aspect of life and work is discussed with extraordinary intensity and passion. Letters: Summer 1926 takes the reader into the hearts and minds of three of the twentieth century's greatest poets at a moment of maximum emotional and creative pressure.
When twenty-year-old banker Liam Roberts is introduced to a flirtatious and eye-catching young woman, their mutual attraction soon stretches boundaries he never thought he'd cross. He quickly realizes that God's plan for him may take him on a surprising and unexpected journey. Caring and considerate, the young Midwesterner doesn't suspect that the pursuit of his soul mate would be wrought with heartbreak. Raised in a conservative environment, Liam struggles with finding faith not only in his religion, but also in others, especially women. As spring turns to summer and Liam's love life starts to heat up, he leaves no stone unturned and he finds himself writing letters to someone he's never met. Will any of the women in his life be anything more than friends? If so, will he be left heartbroken once more?
When Vanessa finds a rusty coffee can filled with old letters hidden away in a summer beach cottage, she learns of a haunting and secret affair dating back to the 1950s. Determined to find the woman whose life parallels her own in many ways, Vanessa searches for the woman and her lover, uncovering past and present secrets that finally reveal a shocking truth. Over the course of the summer, Vanessa's own life is transformed by the possibilities of love and new beginnings, even as she confronts the lingering pain of her own past. The Summer Letters is a celebration of the enduring promise of hope and the unbreakable bonds of love.
With her older sister planning a wedding and her younger sister preparing to launch a career on the stage, Lulu can't help but feel like the failure of the Atwater family. Lulu loves her sisters dearly and wants nothing but the best for them, but she finds herself stuck in a rut. When her mother sends her to look for some old family recipes in the attic, she stumbles across a collection of letters written by her great-great-grandmother Josephine March. Jo writes in detail about every aspect of her life: her older sister Meg's new home and family; her younger sister Amy's many admirers; the family's shared grief over losing Beth; and her own feelings towards a handsome young German. As Lulu delves deeper into the lives of the March sisters, she finds solace and guidance, but can her great-great-grandmother help Lulu find a place in a world so different from the one Jo knew?--From publisher description.
Just when everything seems to be going wrong, hope—and love—can appear in the most unexpected places. Summer has begun, the beach beckons—and Francesca Schnell is going nowhere. Four years ago, Francesca’s little brother, Simon, drowned, and Francesca’s the one who should have been watching. Now Francesca is about to turn sixteen, but guilt keeps her stuck in the past. Meanwhile, her best friend, Lisette, is moving on—most recently with the boy Francesca wants but can’t have. At loose ends, Francesca trails her father, who may be having an affair, to the local country club. There she meets four-year-old Frankie Sky, a little boy who bears an almost eerie resemblance to Simon, and Francesca begins to wonder if it’s possible Frankie could be his reincarnation. Knowing Frankie leads Francesca to places she thought she’d never dare to go—and it begins to seem possible to forgive herself, grow up, and even fall in love, whether or not she solves the riddle of Frankie Sky.
Personal impressions of conditions and events in the summer of 1964 told in selections from letters home by workers in the Civil Rights movement in that area.
FINALIST FOR THE PULITZER PRIZE FOR DRAMA In such critically acclaimed plays as The Dining Room and The Cocktail Hour, A. R. Gurney has wittily captured the manners of upper-middle-class WASP America, but never as gracefully or with such dazzling economy as in Love Letters. Tracing the lifelong correspondence of the staid, dutiful lawyer Andrew Makepeace Ladd III and the lively, unstable artist Melissa Gardner, the story of their bittersweet relationship gradually unfolds from what is written—and what is left unsaid—in their letters. A smash hit both off and on Broadway, Love Letters captures Andy and Melissa with a precision of detail and depth of feeling that only Gurney can command. Two other, thematically related plays by Gurney, The Golden Age and What I Did Last Summer, are included, providing a trio of wry and affectionate paeans to love lost, found, and fleetingly glimpsed.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Newsweek/The Daily Beast • The Huffington Post • Kansas City Star • Time Out New York • Kirkus Reviews This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud. Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. • On a job he had as a young man: “Hell is running an elevator throughout eternity in a building with only six floors.” • To a relative who calls him a “great literary figure”: “I am an American fad—of a slightly higher order than the hula hoop.” • To his daughter Nanny: “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.” • To Norman Mailer: “I am cuter than you are.” Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote. Praise for Kurt Vonnegut: Letters “Splendidly assembled . . . familiar, funny, cranky . . . chronicling [Vonnegut’s] life in real time.”—Kurt Andersen, The New York Times Book Review “[This collection is] by turns hilarious, heartbreaking and mundane. . . . Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.”—NPR “Congenial, whimsical and often insightful missives . . . one of [Vonnegut’s] very best.”—Newsday “These letters display all the hallmarks of Vonnegut’s fiction—smart, hilarious and heartbreaking.”—The New York Times Book Review
Heartwarming and hilarious real-life letters from kids at summer camp sure to amuse anyone who’s ever been a homesick child or a parent of one. In the bestselling tradition of nostalgic looks at classic rites of passage, such as Camp Camp and Bar Mitzvah Disco, P.S. I Hate It Here: Kids’ Letters from Camp captures a childhood experience shared by millions. This collection of real letters written by children ages eight to sixteen to their parents about their adventures at summer camp are laugh-out-loud funny and will have readers reminiscing about their own camp days. More than 150 letters cover all the imaginable scenarios of sleep away camp, from acing the cabin lice inspection, to rowing in the “ricotta” race, to breaking the bad news about a retainer lost in the wilderness. These letters reveal that kids are wittier and more sophisticated than we might assume, and that the experience of being away from home for the first time creates hilarious and lasting memories. “Trust me when I tell you that not only will your kids get a kick out of the amazingly funny letters contained in this book, you and your friends will too.” —Chicago Parent Magazine “P.S. I Hate It Here”compiles notes home from camp with love—a handsome, actually quite beautiful, little book.” —Chicago Tribune “Whether your kid is in camp or you cherish your own memories of s'mores and Color Wars, you'll get a kick out of P.S. I Hate It Here!, a book of real-life, laugh-out-loud letters from camp.” —Redbook Magazine
