The narrator recounts his journey to Leningrad as the story of the 1867 travels of Fyodor Dostoyevsky and his new wife, Anna Grigoryevna, also unfolds.
From the acclaimed author of Summer in Baden-Baden, a collection of short work finally in English. Leonid Tsypkin’s novel Summer in Baden-Baden was hailed as an undiscovered classic of 20th-century Russian literature. The Washington Post claimed it “a chronicle of fevered genius,” and The New York Review of Books described it as “gripping, mysterious and profoundly moving.” In her introduction,Susan Sontag said: “If you want from one book an experience of the depth and authority of Russian literature, read this book.” At long last, here are the remaining writings of Leonid Tsypkin: in the powerful novella Bridge Across the Neroch, the history of four generations of a Russian-Jewish family is seen through the lens of a doctor living in Moscow. In Norartakir, a husband and wife on vacation in Armenia bask in the view of Mt. Ararat and the ancient history of the land, until they are unceremoniously kicked out of their hotel and returned to Soviet reality. The remaining stories offer knowing windows into Soviet urban life. As the translator Jamey Gambrell says in her preface: "For Tsypkin's narrator, history is a tightrope to be walked every minute of every day, in both his internal and external world."
From Bernhard Schlink, the internationally best-selling author of The Reader, come seven provocative and masterfully calibrated stories. A keen dissection of the ways in which we play with truth and less-than-truth in our lives. Summer Lies brims with the delusions, the passions, the outbursts, and the sometimes irrational justifications people make within a mélange of beautifully rendered relationships. In ”After the Season,” a man falls quickly in love with a woman he meets on the beach but wrestles with his incongruous feelings of betrayal after he learns she’s rich. In “Johann Sebastian Bach on Ruegen,” a son tries to put his resentment toward his emotionally distant father behind him by proposing a trip to a Back festival but soon realizes, during his efforts to reconnect, that it wasn’t his father who was the distant one. A philandering playwright is accused to infidelity by his wife in “The Night in Baden-Baden,” but he sees her accusations as nothing more than a means to exculpate himself of his guilt as he carries on with his ways. And in “Stranger in the Night,” an obliging professor becomes an accomplice—not entirely unwittingly—to the temporary escape of a charismatic fugitive on a delayed flight from New York to Frankfurt. The truth, as once character puts it, is “passionate, beautiful sometimes, and sometimes hideous, it can make you happy and it can torture you, and it always sets you free.” Tantalizingly, so is the act of telling a lie—to others and to ourselves.
A tale of Europe in the days just before the war. It tells of a small group of Jewish holiday makers in the resort of Badenheim in the Spring of 1939. Hitler's war looms, but Badenheim and its summer residents go about life as normal."
From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture. The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres. Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures. As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.
It's the classic girl detectives like you've never seen them before! Daphne Blake and Velma Dinkley have a terrifying new mystery to solve — and this time, the culprit is far more frightening than any man in a mask... Daphne Blake and Velma Dinkley have a reputation to uphold. Despite their differences, the two teens worked together to solve the case of the Vanishing Girl. But there are still a lot of mysteries buried in the town of Crystal Cove. Including one the Vanishing Girl herself (aka Daphne's friend Marcy) asked them to look into-what deep dark secret is their old friend Shaggy Rogers trying to protect?The two teen detectives have barely started investigating that case when another mystery strikes. Hundreds of valuable gems begin washing ashore, and soon everyone is convinced it's a sign from the Lady Vampire of the Bay, a ghostly creature who's said to have haunted the town a hundred years earlier.Daphne and Velma are convinced there's a logical reason the jewels have appeared, and they're determined to find out what it is. But asking questions about Crystal Cove's legends can be dangerous. It seems like everyone in town has something to hide . . . especially the families who've profited off the town's mysterious past. Can the girls discover what's lurking behind all this dark deception?
A Winner of People Magazine’s Best Books for Fall 2019. New York Times bestselling authors Barry Lyga and Morgan Baden have teamed up for the first time to create a novel that’s gripping, terrifying and more relevant every day. Cassie McKinney has always believed in the Hive. Social media used to be out of control, after all. People were torn apart by trolls and doxxers. Even hackers — like Cassie’s dad — were powerless against it. But then the Hive came. A better way to sanction people for what they do online. Cause trouble, get too many "condemns," and a crowd can come after you, teach you a lesson in real life. It’s safer, fairer and perfectly legal. Entering her senior year of high school, filled with grief over an unexpected loss, Cassie is primed to lash out. Egged on by new friends, she makes an edgy joke online. Cassie doubts anyone will notice. But the Hive notices everything. And as her viral comment whips an entire country into a frenzy, the Hive demands retribution. One moment Cassie is anonymous; the next, she’s infamous. And running for her life. With nowhere to turn, she must learn to rely on herself — and a group of Hive outcasts who may not be reliable — as she slowly uncovers the truth about the machine behind the Hive.
When a body is found beneath a construction site near the Catskill Mountains, New York City deputy chief medical examiner Jake Rosen is called to the scene, where he meets his match: Philomena “Manny” Manfreda, a beautiful crusading attorney. Together they stumble upon a decades-old mystery involving a long-shuttered mental institution, shocking medical experiments, and a troubled love affair.
Now a major motion picture: So Cold the River is a chilling, supernatural tale "guaranteed to put the cold finger down your spine" (Michael Connelly). It started with a beautiful woman and a challenge. As a gift for her husband, Alyssa Bradford approaches Eric Shaw to make a documentary about her father-in-law, Campbell Bradford, a 95-year-old billionaire whose past is wrapped in mystery. Eric grabs the job even though there are few clues to the man's past -- just the name of his hometown and an antique water bottle he's kept his entire life. In Bradford's hometown, Eric discovers an extraordinary history -- a glorious domed hotel where movie stars, presidents, athletes, and mobsters once mingled, and hot springs whose miraculous mineral water cured everything from insomnia to malaria. Neglected for years, the resort has been restored to its former grandeur just in time for Eric's stay. Just hours after his arrival, Eric experiences a frighteningly vivid vision. As the days pass, the frequency and intensity of his hallucinations increase and draw Eric deeper into the town's dark history. He discovers that something besides the hotel has been restored -- a long-forgotten evil that will stop at nothing to regain its lost glory. Brilliantly imagined and terrifyingly real, So Cold the River is a tale of irresistible suspense with a racing, unstoppable current.
ALL THE TRUTH THAT'S IN ME is many things. It is a true romance, a story of desperate yearning and unrequited love. It's a page-turning mystery full of twists and turns that will keep you guessing until the very end. But most of all, it's an empowering drama about a girl's journey from victim to hero. Judith can't speak. Ever since the horrifying trauma that left her best friend dead and Judith without her tongue, she's been a pariah in her close-knit community of Roswell Station; even her own mother won't look her in the eye. All Judith can do is silently pour out her thoughts and feelings to the love of her life, the boy who's owned her heart as long as she can remember - even if he doesn't know it - her childhood friend, Lucas. But when Roswell Station is attacked by enemies, long-buried secrets come to light . . . and Judith's world starts to shift on its axis. Before she knows it, Judith is forced to choose: continue to live in silence, or recover her voice, even if what she has to say might change her world, and the lives around her, forever.