DISCLAIMER This book does not in any capacity mean to replace the original book but to serve as a vast summary of the original book. Summary of Some People Need Killing by Patricia Evangelista:A Memoir of Murder in My Country IN THIS SUMMARIZED BOOK, YOU WILL GET: Chapter astute outline of the main contents. Fast & simple understanding of the content analysis. Exceptionally summarized content that you may skip in the original book Patricia Evangelista's "journalistic masterpiece" is a detailed account of the Philippines' state-sanctioned killings of its citizens. The book, which was published by The New Yorker, is a deeply humane chronicle of the country's drug war. Evangelista, who came of age after a street revolution, documented the killings carried out by police and vigilantes under President Rodrigo Duterte's regime. The book captures the atmosphere of fear created when an elected president decides to prioritize certain lives over others. It also delves into the grammar of violence and human impulses to dominate and resist.
Some People Need Killing For more than seven months, the Philippine Daily Inquirer kept a record known as the Kill List, documenting the deceased based on reports from correspondents nationwide. Brief descriptions of the circumstances of death were provided, with entries numbered and arranged chronologically. The victims were individuals suspected of involvement in drug trafficking or listed on local drug watchlists. The means of their demise were diverse, ranging from targeted assassinations and clandestine disposal of bodies to drive-by shootings, showcasing the grim creativity of the perpetrators. These fatalities were attributed to drug-related activities, constituting extrajudicial killings, which became a prevalent term in public discourse and media coverage.
TIME’S #1 NONFICTION BOOK OF THE YEAR • A NEW YORK TIMES BOOK REVIEW TOP 10 BEST BOOK OF THE YEAR • A “riveting” (The Atlantic) account of the Philippines’ state-sanctioned killings of its citizens under President Rodrigo Duterte, hailed as “a journalistic masterpiece” (The New Yorker) “Tragic, elegant, vital . . . Evangelista risked her life to tell this story.”—Tara Westover, #1 New York Times bestselling author of Educated LONGLISTED FOR THE WOMEN’S PRIZE • A BEST BOOK OF THE YEAR: The New York Times, The New Yorker, The Economist, Chicago Public Library, CrimeReads, The Mary Sue “My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.” Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista documented the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a crusade that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of terror created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante, whose words demonstrated the psychological accommodation many across the country had made: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.” A profound act of witness and a tour de force of literary journalism, Some People Need Killing is a brilliant dissection of the grammar of violence and an investigation into the human impulses to dominate and resist.
New York Times Book Review Editors’ Choice • A “journalistic masterpiece” (The New Yorker) about a nation careening into violent autocracy—told through harrowing stories of the Philippines’ state-sanctioned killings of its citizens—from a reporter of international renown “Tragic, elegant, vital . . . Evangelista risked her life to tell this story.”—Tara Westover, #1 New York Times bestselling author of Educated ONE OF THE NEW YORK TIMES BOOK REVIEW’S TEN BEST BOOKS OF THE YEAR A BEST BOOK OF THE YEAR: The New Yorker, Time, The Economist, Chicago Public Library “My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.” Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.” A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.
Maria A Ressa has been interviewed by The Wall Street Journal ( High-Profile Journalist Reshapes Her Role in Terrorism Fight )The two most wanted terrorists in Southeast Asia OCo a Malaysian and a Singaporean OCo are on the run in the Philippines, but they manage to keep their friends and family updated on Facebook. Filipinos connect with al-Qaeda-linked groups in Somalia and Yemen. The black flag OCo embedded in al-Qaeda lore OCo pops up on websites and Facebook pages from around the world, including the Philippines, Indonesia, the Middle East, Afghanistan, Australia, and North Africa. The black flag is believed to herald an apocalypse that brings Islam's triumph. These are a few of the signs that define terrorism's new battleground: the Internet and social media.In this groundbreaking work of investigative journalism, Maria Ressa traces the spread of terrorism from the training camps of Afghanistan to Southeast Asia and the Philippines. Through research done at the International Center for Political Violence & Terrorism Research in Singapore and sociograms created by the CORE Lab at the Naval Postgraduate School, the book examines the social networks which spread the virulent ideology that powered terrorist attacks in the past 10 years.Many of the stories here have never been told before, including details about the 10 days during which Ressa led the crisis team in the Ces Drilon kidnapping case by the Abu Sayyaf in 2008. The book forms the powerful narrative that glues together the social networks OCo both physical and virtual OCo which spread the jihadi virus from bin Laden to Facebook.
Winner of the National Book Critics Circle Award for Nonfiction, this brilliantly reported and beautifully crafted book explores the clash between a medical center in California and a Laotian refugee family over their care of a child.
Introduction by Amal Clooney From the recipient of the 2021 Nobel Peace Prize, an impassioned and inspiring memoir of a career spent holding power to account. Maria Ressa is one of the most renowned international journalists of our time. For decades, she challenged corruption and malfeasance in her native country, the Philippines, on its rocky path from an authoritarian state to a democracy. As a reporter from CNN, she transformed news coverage in her region, which led her in 2012 to create a new and innovative online news organization, Rappler. Harnessing the emerging power of social media, Rappler crowdsourced breaking news, found pivotal sources and tips, harnessed collective action for climate change, and helped increase voter knowledge and participation in elections. But by their fifth year of existence, Rappler had gone from being lauded for its ideas to being targeted by the new Philippine government, and made Ressa an enemy of her country’s most powerful man: President Duterte. Still, she did not let up, tracking government seeded disinformation networks which spread lies to its own citizens laced with anger and hate. Hounded by the state and its allies using the legal system to silence her, accused of numerous crimes, and charged with cyberlibel for which she was found guilty, Ressa faces years in prison and thousands in fines. There is another adversary Ressa is battling. How to Stand Up to a Dictator is also the story of how the creep towards authoritarianism, in the Philippines and around the world, has been aided and abetted by the social media companies. Ressa exposes how they have allowed their platforms to spread a virus of lies that infect each of us, pitting us against one another, igniting, even creating, our fears, anger, and hate, and how this has accelerated the rise of authoritarians and dictators around the world. She maps a network of disinformation—a heinous web of cause and effect—that has netted the globe: from Duterte’s drug wars to America's Capitol Hill; Britain’s Brexit to Russian and Chinese cyber-warfare; Facebook and Silicon Valley to our own clicks and votes. Democracy is fragile. How to Stand Up to a Dictator is an urgent cry for Western readers to recognize and understand the dangers to our freedoms before it is too late. It is a book for anyone who might take democracy for granted, written by someone who never would. And in telling her dramatic and turbulent and courageous story, Ressa forces readers to ask themselves the same question she and her colleagues ask every day: What are you willing to sacrifice for the truth?
NOW A MAJOR TV SERIES STARRING JEFF DANIELS AND MAURA TIERNEY An American voice reminiscent of Steinbeck – a debut novel on friendship, loyalty, and love, centering on a murder in a dying Pennsylvania steel town, from the bestselling author of THE SON. Isaac is the smartest kid in town, left behind to care for his sick father after his mother dies by suicide and his sister Lee moves away. Now Isaac wants out too. Not even his best friend, Billy Poe, can stand in his way: broad-shouldered Billy, always ready for a fight, still living in his mother's trailer. Then, on the very day of Isaac's leaving, something happens that changes the friends' fates and tests the loyalties of their friendship and those of their lovers, families, and the town itself. Evoking John Steinbeck's novels of restless lives during the Great Depression, American Rust is an extraordinarily moving novel about the bleak realities that battle our desire for transcendence, and the power of love and friendship to redeem us. 'A startlingly mature and impressive debut' KATE ATKINSON 'Darkly disturbing and darkly compelling' PATRICIA CORNWELL 'Written with considerable dramatic intensity and pace' COLM TÓIBÍN 'A masterpiece. The best book to come out of America since The Road' CHRIS CLEAVE
In 1965–66, army-organized massacres claimed the lives of hundreds of thousands of supporters of the Communist Party of Indonesia. Very few of these atrocities have been studied in any detail, and answers to basic questions remain unclear. What was the relationship between the army and civilian militias? How could the perpetrators come to view unarmed individuals as dangerous enemies of the nation? Why did Communist Party supporters, who numbered in the millions, not resist? Drawing upon years of research and interviews with survivors, Buried Histories is an impressive contribution to the literature on genocide and mass atrocity, crucially addressing the topics of media, military organization, economic interests, and resistance.
