Dictionary Catalog of the Prints Division
Author: New York Public Library. Prints Division
Publisher:
Published: 1975
Total Pages: 776
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: New York Public Library. Prints Division
Publisher:
Published: 1975
Total Pages: 776
ISBN-13:
DOWNLOAD EBOOKAuthor: Emmanuel Bénézit
Publisher:
Published: 1924
Total Pages: 1200
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Department of Printed Books
Publisher:
Published: 1971
Total Pages: 1014
ISBN-13:
DOWNLOAD EBOOKAuthor: British Library (London)
Publisher:
Published: 1979
Total Pages: 536
ISBN-13:
DOWNLOAD EBOOKAuthor: James Silk Buckingham
Publisher:
Published: 1884
Total Pages: 888
ISBN-13:
DOWNLOAD EBOOKAuthor: Gumuchian & cie
Publisher:
Published: 1931
Total Pages: 496
ISBN-13:
DOWNLOAD EBOOKA landmark bookseller's catalogue devoted to children's books, covering the 15th-19th centuries, and not limited to French books only. Vol. I consists of 6,251 annotated entries. Vol. II contains 336 plates of numbered fascimiles of title pages, bindings, illustrations and text pages.
Author: Emmanuel Bénézit
Publisher:
Published: 1924
Total Pages: 1238
ISBN-13:
DOWNLOAD EBOOKAuthor: Hollis Clayson
Publisher: Getty Publications
Published: 2003-10-30
Total Pages: 224
ISBN-13: 0892367296
DOWNLOAD EBOOKIn this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.