This is an exhaustive reference work of sheet music published in the United States from the late 18th century to the year after adoption of the 19th amendment to the Constitution granting women the right to vote. In chronological order, the entries present bibliographic data (words by, music by, published in, published by, copyright, size, cover, inside, key, location) on each piece of music, a photographic depiction of the cover or first page (where available), and the complete lyrics for each piece. Included are early music of a rebellious nature, music surrounding the early woman's rights conventions, and pro and anti woman's rights and suffrage pieces from 1795 on; a limited number of entries on non-U.S. sheet music are presented also. General music about women, sentimental and love songs, and songs related to traditional roles and stereotypes have not been included.
While historians have long recognized the importance of memorabilia to the Woman Suffrage movement, the subject has not been explored apart from a few restricted, albeit excellent, studies. Part of the problem is that such objects are scattered about in various collections and museums and can be difficult to access. Another is that most scholars do not have ready knowledge 1of the general nature and history of the type of objects (postcards, badges, sashes, toys, ceramics, sheet music, etc.) that suffragists produced. Then-new techniques in both printing and manufacturing created numerous possibilities for supporters to develop campaigns of "visual rhetoric." This work analyzes 70 different categories of suffrage memorabilia, while providing numerous images of relevant objects along the way and discussing these innovative production methods. Most important, this study looks at period accounts, often fascinating, of how, why when, and where the memorabilia were used in both America and England.
Votes for Women provides an innovative re-examination of the suffrage movement, presenting new perspectives which challenge the existing literature on this subject. This fascinating book charts the history of the movement in Britain from the nineteenth century to the postwar period, assessing important figures such as; * Emmeline Pankhurst and the militant wing * Millicent Garrett Fawcett, leader of the constitutional wing *Jennie Baines and her link with the international suffrage movements.
Suffrage Songs and Verses, by Charlotte Perkins Gilman, is a collection of 25 poems which advocates the suffragette movement and women’s rights. Published in 1911, the poetry anthology includes both famous and lesser-known works such as ‘Women of To-day’, ‘Boys Will Be Boys’ and ‘The Socialist and the Suffragist’, and is a clear inspiration for modern feminist writers and pro-women’s rights campaigners. Now seen as a classic selection of American female poetry and inspirational literature, this forward-thinking anthology examines the role of women in a pre-WW1 patriarchal society – and was one of many works to inspire the 2015 British historical drama film ‘Suffragette’ which starred Carey Mulligan, Meryl Streep, Helena Bonham Carter and Anne‐Marie Duff. A selection of Perkins’ work featured in this book were originally published in the book ‘In this our World’ in 1898. Charlotte Perkins Gilman’s best known work was her autobiographical-inspired short story ‘The Yellow Wallpaper’, written about her experience of severe postnatal depression, which was made into a 2011 gothic thriller film by Logan Thomas. Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After jobs as a tutor and painter, Perkins – a self-declared humanist and ‘tom boy’ – began to work as a writer of short stories, novels, non-fiction pieces and poetry. Her best-known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’ which was published in 1892 and made into a film in 2011. A member of the American National Women's Hall of Fame, Charlotte Perkins Gilman was a strong believer that "the domestic environment oppressed women through the patriarchal beliefs upheld by society". A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and chose to take her own life in August 1935, writing in her suicide note that she "chose chloroform over cancer".
Examines the symbols that defined perceptions of women from the turn of the century through the end of World War I and how they changed women's role in society.
In honor of the centenary of the 19th amendment, a delectable new book that reveals a new side to the history of the suf frage movement. We all likely conjure up a similar image of the women’s suffrage movement: picket signs, red carnations, militant marches through the streets. But was it only these rallies that gained women the exposure and power that led them to the vote? Ever courageous and creative, suffragists also carried their radical message into America’s homes wrapped in food wisdom, through cookbooks, which ingenuously packaged political strategy into already existent social communities. These cookbooks gave suffragists a chance to reach out to women on their own terms, in nonthreatening and accessible ways. Cooking together, feeding people, and using social situations to put people at ease were pioneering grassroots tactics that leveraged the domestic knowledge these women already had, feeding spoonfuls of suffrage to communities through unexpected and unassuming channels. Kumin, the author of The Hamilton Cookbook, expands this forgotten history, she shows us that, in spite of massive opposition, these women brilliantly wove charm and wit into their message. Filled with actual historic recipes (“mix the crust with tact and velvet gloves, using no sarcasm, especially with the upper crust”) that evoke the spirited flavor of feminism and food movements, All Stirred Up re-activates the taste of an era and carries us back through time. Kumin shows that these suffragettes were far from the militant, stern caricatures their detractors made them out to be. Long before they had the vote, women enfranchised themselves through the subversive and savvy power of the palate.
This collection of essays explores the myriad ways in which the women’s suffrage movement in Britain in the nineteenth century and twentieth century engaged with and was expressed through literature, art and craft, music, drama and cinema. Uniquely, this anthology places developments in the constituent arts side by side, and in dialogue, rather than focusing on a single field in isolation. In so doing, it illustrates how creative endeavours in different artforms converged in support of women’s suffrage. Topics encompassed range from the artistic output of such household names as Sylvia Pankhurst and Ethel Smyth, to the recent feature film Suffragette. It also brings to light under-represented figures and neglected works related to the suffrage movement. A wide variety of material is explored, from poems, diaries and newspapers to posters, dress and artefacts to songs, opera, plays and film. Published in the wake of the centenary of many women receiving the parliamentary vote in the UK, this book will appeal to scholars, undergraduate and graduate students, and members of the public interested in the broad areas of women’s history and the women’s suffrage movement, as well as across the arts disciplines.
While historians have long recognized the importance of memorabilia to the Woman Suffrage movement, the subject has not been explored apart from a few restricted, albeit excellent, studies. Part of the problem is that such objects are scattered about in various collections and museums and can be difficult to access. Another is that most scholars do not have ready knowledge 1of the general nature and history of the type of objects (postcards, badges, sashes, toys, ceramics, sheet music, etc.) that suffragists produced. Then-new techniques in both printing and manufacturing created numerous possibilities for supporters to develop campaigns of "visual rhetoric." This work analyzes 70 different categories of suffrage memorabilia, while providing numerous images of relevant objects along the way and discussing these innovative production methods. Most important, this study looks at period accounts, often fascinating, of how, why when, and where the memorabilia were used in both America and England.
