Subversive Scott

Subversive Scott

Author: Julian Meldon D'Arcy

Publisher: University of Iceland Press

Published: 2005

Total Pages: 300

ISBN-13:

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For the last fifty years or so the standard critical view of Sir Walter Scott's fiction has been that, while paying full tribute to Scotland's heroic, ancient independence and romantic Jacobite past, his Scottish Waverley Novels ultimately present Scotland's future as nonetheless belonging within the peace, prosperity and progress of the United Kingdom and the British Empire. Julian Meldon D'Arcy's Subversive Scott radically revises this conventional evaluation of Scott's work and reveals that embedded in the Waverley Novels narratives are dissonant discourses and discreet subtexts which inspire far more subversive readings than hitherto perceived. Indeed, D'Arcy argues, there is considerable evidence in Scott's work to corroborate a claim that, despite his apparently politically correct fiction and lifestyle, his Waverley Novels contain undetected and underrated manifestations of Scottish nationalism which not only invoke sharp criticism of both the Union and English imperial policy, but also reveal his passionate concern, as a true Scotsman, with the issues of Scotland's national identity, dignity, and independence. Given the re-establishment of the Scottish Parliament in Edinburgh, and Scotland's resurgent sense of political identity and relevance, D'Arcy's re-evaluation of the Waverley Novels is thus a fresh, timely and stimulating contribution to the study of Sir Walter Scott's fiction and politics.


Film as a Subversive Art

Film as a Subversive Art

Author: Amos Vogel

Publisher: Distributed Art Publishers (DAP)

Published: 2005

Total Pages: 0

ISBN-13: 9781933045276

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By Amos Vogel. Foreword by Scott MacDonald.


Walter Scott and the Limits of Language

Walter Scott and the Limits of Language

Author: Alison Lumsden

Publisher: Edinburgh University Press

Published: 2010-12-01

Total Pages: 256

ISBN-13: 0748644679

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Scott's startlingly contemporary approach to theories of language and the creative impact of this on his work are explored in this new study. Alison Lumsden examines the linguistic diversity and creative playfulness of Scott's fiction and suggests that an evolving scepticism towards the communicative capacities of language runs throughout his writing. Lumsden re-examines this scepticism in relation to Scottish Enlightenment thought and recent developments in theories of the novel. Structured chronologically, the book covers Scott's output from his early narrative poems until the late, and only recently published, Reliquiae Trotcosienses


Scott's Novels and the Counter-Revolutionary Politics of Place

Scott's Novels and the Counter-Revolutionary Politics of Place

Author: Dani Napton

Publisher: BRILL

Published: 2018-05-23

Total Pages: 243

ISBN-13: 9004352783

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Counter-revolutionary or wary progressive? Critical apologist for the Stuart and Hanoverian dynasties? What are the political and cultural significances of place when Scott represents the instabilities generated by the Union? Scott's Novels and the Counter-Revolutionary Politics of Place analyses Scott’s sophisticated, counter-revolutionary interpretation of Britain's past and present in relation to those questions. Exploring the diversity within Scott’s life and writings, as historian and political commentator, conservative committed to progress, Scotsman and Briton, lawyer and philosopher, this monograph focuses on how Scott portrays and analyses the evolution of the state through notions of place and landscape. It especially considers Scott’s response to revolution and rebellion, and his geopolitical perspective on the transition from Stuart to Hanoverian sovereignty.


Rebellion as Genre in the Novels of Scott, Dickens and Stevenson

Rebellion as Genre in the Novels of Scott, Dickens and Stevenson

Author: Anna Faktorovich

Publisher: McFarland

Published: 2013-03-13

Total Pages: 263

ISBN-13: 0786471492

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When three of Britain's best-loved and best-selling authors each publish at least two novels with a historical rebellion theme, there might be an interesting pattern worth examining. This is a long overdue study of the previously overlooked rebellion novel genre, with a close look at the works of Sir Walter Scott (Waverly and Rob Roy), Charles Dickens (A Tale of Two Cities and Barnaby Rudge), and Robert Louis Stevenson (Kidnapped and The Young Chevalier). The linguistic and structural formulas that these novels share are presented, along with a comparative study of how these authors individualized the genre to adjust it to their needs. Scott, Dickens and Stevenson were led to the rebellion genre by direct radical interests. They used the tools of political literary propaganda to assist the poor, disenfranchised and peripheral people, with whom they identified and hoped to see free from oppression and poverty.


The Cheerful Subversive's Guide to Independent Filmmaking

The Cheerful Subversive's Guide to Independent Filmmaking

Author: Dan Mirvish

Publisher: CRC Press

Published: 2016-08-12

Total Pages: 259

ISBN-13: 1317289862

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In The Cheerful Subversive’s Guide to Independent Filmmaking, celebrated Slamdance Film Festival co-founder Dan Mirvish offers a rich exploration of the process and culture of making low-budget, independent films. Once labelled a "cheerful subversive" by The New York Times, Mirvish shares his unfiltered pragmatic approach to scriptwriting, casting, directing, producing, managing a crew, post-production, navigating the film festival circuit, distributing your film, dealing with piracy and building a career. Readers will learn how to game the Hollywood system to their advantage, get their films accepted by respected festivals without going broke, and utilize a broad range of media and tactics to promote and distribute their work. A companion website features behind-the-scenes interviews and footage from Dan’s films, and much more. Learn everything you need to know to make, promote, and distribute your independent films, with time-tested lessons and practical advice on scriptwriting, casting and directing A-list actors, financing, producing, managing a crew, editing in post, creating visual effects on a budget, and successuflly navigating the film festival circuit Find out what it takes to become a true "cheerful subversive" and adopt new and innovative approaches to producing your films, discover hidden loopholes in the Hollywood system and festival scene, take advantage of a broad range of media formats to promote and distribute your indie films, and generally make bold moves in service of your creative work, all while staying flexible enough to pivot at a moment’s notice An extensive companion website features in-depth interviews with filmmakers, more than an hour of behind-the-scenes footage from Dan Mirvish’s films, festival resources, and much more


Walter Scott and Contemporary Theory

Walter Scott and Contemporary Theory

Author: Evan Gottlieb

Publisher: A&C Black

Published: 2013-02-14

Total Pages: 201

ISBN-13: 1441128743

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A bestselling author in his own time and long after, Sir Walter Scott was not only a writer of thrilling tales of romance and adventure but also an insightful historical thinker and literary craftsman. Over the last two decades, scholars have come to see him as an important figure in Romantic-period literature, Scottish literature and the development of the historical novel. Walter Scott and Contemporary Theory builds on this renewed appreciation of Scott's importance by viewing his most significant novels - from Waverley and Rob Royto Ivanhoe,Redgauntlet, and beyond - through the lens of contemporary critical theory. By juxtaposing pairings of Scott's early and later novels with major contemporary theoretical concepts and the work of such thinkers as Alain Badiou, Judith Butler, Jacques Derrida and Slavoj Žižek, this book uses theory to illuminate the complexities of Scott's fictions, while simultaneously using Scott's fictions to explain and explore the state of contemporary theory.


Words Alone

Words Alone

Author: R. F. Foster

Publisher: Oxford University Press

Published: 2011-04-29

Total Pages: 257

ISBN-13: 0191619671

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W. B. Yeats is usually seen as a great innovator who put his stamp so decisively on modern Irish literature that most of his successors worked in his shadow. R. F. Foster's eloquent and authoritative book weaves together literature and history to present an alternative perspective. By returning to the rich seed-bed of nineteenth-century Irish writing, Words Alone charts some of the influences, including romantic 'national tales' in post-Union Ireland, the poetry and polemic of the Young Ireland movement, the occult and supernatural novels of Sheridan LeFanu, William Carleton's 'peasant fictions', and fairy-lore and folktale collectors that created the unique and powerful Yeatsian voice of the decade from 1885 to 1895. As well as placing these literary movements in a vivid contemporary context of politics, polemic and social tension, Foster discusses recent critical and interpretive approaches to these phenomena. He shows that the use Yeats made of his predecessors during his apprenticeship, and the part that a self-conscious use of Irish literary tradition played in the construction of his path-breaking early work as he attempted to 'hammer his thoughts into a unity' made him an inheritor as much as an inventor.


Edinburgh Companion to Scottish Romanticism

Edinburgh Companion to Scottish Romanticism

Author: Murray Pittock

Publisher: Edinburgh University Press

Published: 2011-05-17

Total Pages: 264

ISBN-13: 0748646353

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Bringing together an international group of experts, this companion explores a distinctly Scottish Romanticism. Discussing the most influential texts and authors in depth, the original essays shed new critical light on texts from Macpherson's Ossian poetry to Hogg's Confessions of a Justified Sinner, and from Scott's Waverley Novels to the work of John Galt. As well as dealing with the major Romantic figures, the contributors look afresh at ballads, songs, the idea of the bard, religion, periodicals, the national tale, the picturesque, the city, language and the role of Gaelic in Scottish Romanticism.Key Features* The first and only student guide to Scottish Romanticism capturing the best of critical debate while providing new approaches* Contributors include: Ian Duncan (UC Berkeley), Angela Esterhammer (Zurich University), Peter Garside (Edinburgh University), Andrew Monnickendam (Barcelona University), Fiona Stafford (Oxford University), Fernando Toda (Salamanca University) and Crawford Gribben (Trinity College, Dublin) - who have themselves helped to define approaches to the period