Master Sheng-yen, a dharma descendant from the founders of Buddhism in China, considers the concepts of suffering, enlightenment, and compassion; provides a glossary of key terms; and briefly recaps the history of Buddhism in China. But he goes beyond these issues to discuss contemporary matters and questions he has encountered in his years of teaching in the United States. Sometimes personal and always instructive, Sheng-yen's introductory work is perfect for those just coming to Buddhism, and for those who are already very familiar with the Tibetan and Zen schools.
From the former director of the Museum of Arts and Design in New York, a timely and passionate case for the role of the well-designed object in the digital age. Curator and scholar Glenn Adamson opens Fewer, Better Things by contrasting his beloved childhood teddy bear to the smartphones and digital tablets children have today. He laments that many children and adults are losing touch with the material objects that have nurtured human development for thousands of years. The objects are still here, but we seem to care less and know less about them. In his presentations to groups, he often asks an audience member what he or she knows about the chair the person is sitting in. Few people know much more than whether it's made of wood, plastic, or metal. If we know little about how things are made, it's hard to remain connected to the world around us. Fewer, Better Things explores the history of craft in its many forms, explaining how raw materials, tools, design, and technique come together to produce beauty and utility in handmade or manufactured items. Whether describing the implements used in a traditional Japanese tea ceremony, the use of woodworking tools, or the use of new fabrication technologies, Adamson writes expertly and lovingly about the aesthetics of objects, and the care and attention that goes into producing them. Reading this wise and elegant book is a truly transformative experience.
His Holiness the Dalai Lama illuminates the highly practical and compassionate use of Tantra for spiritual development in this important classic work. This is the first book in a series presenting The Great Exposition of Secret Mantra. The other two books are Deity Yoga and Yoga Tantra. Tantra in Tibet consists of three parts published under the auspices of the Dalai Lama. "Essence of Tantra" by the Dalai Lama discusses tantra for practice, refuge, the three paths, greatness of mantra, clear light, and initiation. "The Great Exposition of Secret Mantra--Part 1" by Tsongkhapa is one of the principal classic texts on tantra. It presents the main features common to all the Buddhist tantra systems as well as the differences between sutra and tantra. In this volume Tsongkhapa covers paths to Buddhahood, vajra vehicle, deity yoga, and method in the four tantras. "Supplement" by Jeffrey Hopkins discusses the meaning of emptiness, transformation, and the purpose of the four tantras.
The writings of the twelfth-century Chinese Zen master Ta Hui are as immediately accessible as those of any contemporary teacher, and this book, which introduced them to the English-speaking world in the 1970s, has become a modern classic—a regular feature of recommended reading lists for Zen centers across America, even though the book has become difficult to find. We are happy to make the book available again after more than a decade of scarcity. J. C. Cleary's translation is as noteworthy for its elegant simplicity as for its accuracy. He has culled from the voluminous writings of Ta Hui Tsung Kao in the Chi Yeuh Lu this selection of letters, sermons, and lectures, some running no longer than a page, which cover a variety of subjects ranging from concern over the illness of a friend's son to the tending of an ox. Ta Hui addresses his remarks mainly to people in lay life and not to his fellow monks. Thus the emphasis throughout is on ways in which those immersed in worldly occupations can nevertheless learn Zen and achieve the liberation promised by the Buddha. These texts, available in English only in this translation, come as a revelation for their lucid thinking and startling wisdom. The translator's essay on Chan (Chinese Zen) Buddhism and his short biography of Ta Hui place the texts in their proper historical perspective.
Presents all the 195 Yoga Sutras professed by the legendary Maharishi PATANJALI. He affirmed that Yoga is not only limited to Āsanas, but also aims at outer and inner purification; control and balance of the self; meditation and complete absorption. And finally union with the Self. Contains 4 Chapters: Samadhi; Sadhana; Vibhuti and Kaivalya. Comprises of all the 8 limbs of Ashtanga Yoga: 5 external and 3 internal, Yama; Niyama; Asana; Pranayama; Pratyahara; Dharana; Dhyana; and Samadhi. The book fully utilizes available technology to aid elaboration of the commentary on Yoga Sutras which are admittedly terse. Charts and tables as well as graphs and pictures adore the book practically on every page so that the reader finds it helpful to enhance his understanding. Stories and quotations from the spiritual greats are added to widen comprehension. This then is a book that is truly unique in its presentation that would find ready acceptance by Yoga teachers and students alike all over the world. All those students and teachers of Yogasanas who wish to go beyond Asanas and aim at avoidance of mental modifications and the resultant stressful life would find this book a boon.
Dreams Beyond Time: On Sacred Encounter and Spiritual Transformation offers readers an overview of dreams research as applied to non-ordinary dreams. Lee Irwin describes four basic types of dreaming: normative, mythic, psychic, and transpersonal, and he illustrates each type with specific dream examples. These types of dreaming are then used as a lens to look more closely at additional dream types that indicate dreaming as a process of creative discovery. Through virtual dreaming encounters, latent human potentials are revealed and suggest aspects for spiritual development based on dream recording, interpretation, and analysis. In turn this leads to a metaphysical description that is pan-sentient, illustrating a vivid, living universe of process-becoming in which certain dream types reveal mythic, psychic, and transpersonal capacities as intrinsic to a deeper more awakened sense of intersubjective self-awareness. While dream theories from many diverse authors are explored, the author uses an existential and phenomenological method to analyze dreaming contents in relationship to altered states of mind, trance, out of body and near-death experience, meditation, imagination, and stages of lucid self-awareness. Transpersonal dreams are given considerable attention in relationship to mystical traditions, paranormal research, and the comparative anthropology of self.
Relish these direct, experiential meditation instructions from the author of the bestselling Introduction to Tantra. Lama Yeshe tells us that mahamudra is “the universal reality of emptiness, of nonduality” and its unique characteristic is its emphasis on meditation: “With mahamudra meditation there is no doctrine, no theology, no philosophy, no God, no Buddha. Mahamudra is only experience.” He relies on the First Panchen Lama’s well-known Root Text of Genden Mahamudra, which in a few short pages provides the pith instructions for, first, overcoming distraction and resting in meditative stillness on the clarity of one’s own mind, and then by using a subtle wisdom, penetrating its ultimate nature, its emptiness. As always, Lama Yeshe’s words are direct, funny, and incredibly encouraging. He gets us to go beyond ego’s addiction to a limited sense of self and to taste the lightness and expansiveness of our own true nature.
