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Author: K. Drake
Publisher: Springer
Published: 2011-04-11
Total Pages: 442
ISBN-13: 0230118305
DOWNLOAD EBOOKIn the first major study of the twentieth-century American protest novel, Drake examines a group of authors who self-consciously exploited the revolutionary potential of the novel, transforming literary conventions concerning art and politics, readers and characters.
Author: Don DeLillo
Publisher: Penguin
Published: 1992-05-01
Total Pages: 258
ISBN-13: 1440673365
DOWNLOAD EBOOKWINNER OF THE PEN/FAULKNER AWARD • A profound novel about art, terror, masses, and the individual, from the National Book Award–winning author of White Noise, “one of the most ironic, intelligent, grimly funny voices to comment on life in present-day America” (The New York Times) “This novel’s a beauty. A vision as bold and a voice as eloquent and morally focused as any in American writing.”—Thomas Pynchon Bill Gray, a famous, reclusive novelist, emerges from his isolation when he becomes the key figure in an event staged to force the release of a poet hostage in Beirut. As Bill enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms, his dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott, and the strange young woman who is Scott’s lover—and Bill’s. An extraordinary novel about words and images, novelists and terrorists, the mass mind and the arch-individualist, Mao II is the work of an ingenious writer at the height of his powers.
Author: Tara T. Green
Publisher: Mercer University Press
Published: 2008
Total Pages: 196
ISBN-13: 9780881460902
DOWNLOAD EBOOKAccording to George Jackson, black men born in the US are conditioned to accept the inevitability of being imprisoned.... "Being born a slave in a captive society and never experiencing any objective basis for expectation had the effect of preparing me for the progressively traumatic misfortune that led so many black men to the prison gate. I was prepared for prison. It required only minor psychic adjustments." As Jackson writes from his prison cell, his statement may seem to be only a product of his current status. However, history proves his point. Indeed, some of the most well-known and respected black men have served time in jail or prison. Among them are Martin Luther King, Jr., Malcolm X, Marcus Garvey, and Frederick Douglass. This book is an examination of the various forms that imprisonment, as asocial, historical, and political experience of African Americans, has taken. Confinement describes the status of individuals who are placed within boundaries-either seen or unseen-but always felt. A word that suggests extensive implications, confinement describes the status of persons who are imprisoned and who are unjustly relegated to a social status that is hostile, rendering them powerless and subject to the rules of the authorities. Arguably, confinement appropriately describes the status of African Americans who have endured spaces of confinement, which include, but are not limited to plantations, Jim Crow societies, and prisons. At specific times, these "spaces of confinement" have been used to oppress African Americans socially, politically, and spiritually. Contributors examine the related experiences of Malcolm X, Bigger Thomas of Native Son, and Angela Davis.
Author: Zoe Trodd
Publisher: Harvard University Press
Published: 2008-04-30
Total Pages: 572
ISBN-13: 0674027639
DOWNLOAD EBOOKÒI like a little rebellion now and thenÓÑso wrote Thomas Jefferson to Abigail Adams, enlisting in a tradition that throughout American history has led writers to rage and reason, prophesy and provoke. This is the first anthology to collect and examine an American literature that holds the nation to its highest ideals, castigating it when it falls short and pointing the way to a better collective future. American Protest Literature presents sources from eleven protest movementsÑpolitical, social, and culturalÑfrom the Revolution to abolition to gay rights to antiwar protest. Each section reprints documents from the original phase of the movement as well as evidence of its legacy in later times. Informative headnotes place the selections in historical context and draw connections with other writings within the anthology and beyond. Sources include a wide variety of genresÑpamphlets, letters, speeches, sermons, legal documents, poems, short stories, photographs, postersÑand a range of voices from prophetic to outraged to sorrowful, from U.S. Presidents to the disenfranchised. Together they provide an enlightening and inspiring survey of this most American form of literature.
Author: Dwight A. McBride
Publisher: NYU Press
Published: 1999-08
Total Pages: 437
ISBN-13: 0814756182
DOWNLOAD EBOOKView the Table of Contents Read the Introduction.This excellent volume conceives of Baldwin as a figure crucial to discussions of whiteness, sexuality, and globalization. The times are ripe for the valuable reconsideration of Baldwin that James Baldwin Now provides.--Jennifer DeVere Brody,George Washington UniversityOne of the most prolific and influential African American writers, James Baldwin was for many a harbinger of hope, a man who traversed the genres of art-writing novels, essays, and poetry.James Baldwin Now takes advantage of the latest interdisciplinary work to understand the complexity of Baldwin's vision and contributions without needing to name him as exclusively gay, expatriate, black, or activist. It was, in fact, Baldwin who said, it is quite impossible to write a worthwhile novel about a Jew or a Gentile or a Homosexual, for people refuse... to function in so neat and one-dimensional a fashion. McBride has gathered a unique group of new scholars to interrogate Baldwin's life, his presence, and his political thought and work. James Baldwin Now finally addresses the man who spoke, and continues to speak, so eloquently to crucial issues of the twentieth century.Table of ContentsIntroduction: How Much Time Do You Want for Your Progress? New Approaches to James Baldwin Dwight A. McBridePart I: Baldwin and Race1 White Fantasies of Desire: Baldwin and the Racial Identities of SexualityMarlon B. Ross2 Now More Than Ever: James Baldwin and the Critique of White LiberalismRebecca Aanerud 3 Finding the Words: Baldwin, Race Consciousness, and Democratic TheoryLawrie BalfourPart II: Baldwin and Sexuality4 Culture, Rhetoric, and Queer Identity: James Baldwin and the Identity Politics of Race and Sexuality William J. Spurlin5 Of Mimicry and (Little Man Little) Man: Toward a Queersighted Theory of Black Childhood Nicholas Boggs6 Sexual Exiles: James Baldwin and Another Country James A. DievlerPart III: Baldwin and the Transatlantic7 Baldwin's Cosmopolitan Loneliness James Darsey8 Alas, Poor Richard!: Transatlantic Baldwin, the Politics of Forgetting, and the Project of Modernity Michelle M. Wright9 The Parvenu Baldwin and the Other Side of Redemption: Modernity, Race, Sexuality, and the Cold War Roderick A. FergusonPart IV: Baldwin and Intertextuality10 (Pro)Creating Imaginative Spaces and Other Queer Acts: Randall Kenan's A Visitation of Spirits and Its Revival of James Baldwin's Absent Black Gay Man in Giovanni's Room Sharon Patricia Holland11 I'm Not Entirely What I Look Like: Richard Wright,James Baldwin, and the Hegemony of Vision; or, Jimmy's FBEye BluesMaurice Wallace12 Life According to the Beat: James Baldwin, Bessie Smith, and the Perilous Sounds of LoveJosh KunPart V: Baldwin and the Literary13 The Discovery of What It Means to Be a Witness: James Baldwin's Dialectics of Difference Joshua L. Miller14 Selfhood and Strategy in Notes of a Native Son Lauren Rusk15 Select Bibliography of Works by and on James Baldwin Jeffrey W. HoleContributors Index
Author: Simon Cooper
Publisher: Springer Nature
Published: 2019-12-20
Total Pages: 338
ISBN-13: 3030351955
DOWNLOAD EBOOKThis book tests critical reassessments of US radical writing of the 1930s against recent developments in theories of modernism and the avant-garde. Multidisciplinary in approach, it considers poetry, fiction, classical music, commercial art, jazz, and popular contests (such as dance marathons and bingo). Relating close readings to social and economic contexts over the period 1856–1952, it centers in on a key author or text in each chapter, providing an unfolding, chronological narrative, while at the same time offering nuanced updates on existing debates. Part One focuses on the roots of the 1930s proletarian movement in poetry and music of the nineteenth and early twentieth centuries. Part Two analyzes the output of proletarian novelists, considered alongside contemporaneous works by established modernist authors as well as more mainstream, popular titles.
Author: Elizabeth Abel
Publisher: University of Chicago Press
Published: 2024
Total Pages: 304
ISBN-13: 0226832678
DOWNLOAD EBOOK"For decades, Virginia Woolf's work has been seen as part of the "women's writing" canon. Elizabeth Abel extracts Woolf from this women's tradition to position her in a different light, one that shows Woolf's role in a far-reaching modernist genealogy. Abel traces the strong echoes of Woolf in the work of four major writers from diverse cultural contexts: Nella Larsen, James Baldwin, Roland Barthes, and W. G. Sebald. As Abel shows, what Woolf called the "odd affinities" between herself and these successors give us an altogether different picture of the development of transnational modernism, with Woolf as a shadowy but important connection among disparate writers. By charting new pathways of twentieth-century literary transmission, Odd Affinities will appeal to students and scholars working in New Modernist studies, comparative literature, and African American studies"--
Author: John C. Charles
Publisher: Rutgers University Press
Published: 2012-12-15
Total Pages: 279
ISBN-13: 0813554349
DOWNLOAD EBOOKAbandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby. John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency. In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.
Author: Caroline Rody
Publisher: Oxford University Press
Published: 2009
Total Pages: 217
ISBN-13: 0195377362
DOWNLOAD EBOOKRody proposes a new paradigm for understanding the changing terrain of contemporary fiction. She claims that what we have long read as ethnic literature is in the process of becoming 'interethnic'. Examining an extensive range of Asian American fictions, she offers readings of three especially compelling examples.
Author: Yoshinobu Hakutani
Publisher: Ohio State University Press
Published: 2006
Total Pages: 262
ISBN-13: 0814210309
DOWNLOAD EBOOKYoshinobu Hakutani traces the development of African American modernism, which initially gathered momentum with Richard Wright's literary manifesto "Blueprint for Negro Writing" in 1937. Hakutani dissects and discusses the cross-cultural influences on the then-burgeoning discipline in three stages: American dialogues, European and African cultural visions, and Asian and African American cross-cultural visions. In writing Black Boy, the centerpiece of the Chicago Renaissance, Wright was inspired by Theodore Dreiser. Because the European and African cultural visions that Wright, Ralph Ellison, Alice Walker, and Toni Morrison acquired were buttressed by the universal humanism that is common to all cultures, this ideology is shown to transcend the problems of society. Fascinated by Eastern thought and art, Wright, Walker, Sonia Sanchez, and James Emanuel wrote highly accomplished poetry and prose. Like Ezra Pound, Wright was drawn to classic haiku, as reflected in the 4,000 haiku he wrote at the end of his life. As W. B. Yeats's symbolism was influenced by his cross-cultural visions of noh theatre and Irish folklore, so is James Emanuel's jazz haiku energized by his cross-cultural rhythms of Japanese poetry and African American music. The book demonstrates some of the most visible cultural exchanges in modern and postmodern African American literature. Such a study can be extended to other contemporary African American writers whose works also thrive on their cross-cultural visions, such as Amiri Baraka, Ishmael Reed, Charles Johnson, and haiku poet Lenard Moore.
