This volume offers a wide-ranging overview of the 16th-18th century disputation culture in various European regions. Its focus is on printed disputations as a polyvalent media form which brings together many of the elements that contributed to the cultural and scientific changes during the early modern period.
Im Rahmen einer breiteren Neubewertung der neukantianischen Bewegung unternimmt dieses Buch die Aufgabe, Wilhelm Windelbands philosophische Bemühungen zu rekonstruieren. Windelbands philosophisches Programm konzentrierte sich auf die Synthese von zwei scheinbar gegensätzlichen Kräften: Transzendentalphilosophie und Geschichtsbewusstsein. Er besaß ein ausgeprägtes Bewusstsein für die dem historischen Denken innewohnenden Verwicklungen und die zwingende Notwendigkeit, die Transzendentalphilosophie im Sinne einer echten Geschichtsphilosophie neu zu formulieren. Diese konzeptionelle Entwicklung führt sein philosophisches Programm schließlich von seinen ursprünglichen neukantianischen Wurzeln weg und lässt eine neue Form des Neo-Hegelianismus entstehen.
Kant on Freedom and Rational Agency provides a novel interpretation and rational reconstruction of Kant's doctrine of freedom. Markus Kohl shows how Kant defends the belief that we are free from foreign (natural and super-natural) causes as a presupposition of all meaningful human activity. While this interpretation focuses on the essential role that freedom of will plays in our moral agency, it also examines how our status as rational cognitive agents hinges on our freedom of thought, and why our aesthetic engagement with beauty requires our freedom of imagination. Kohl thereby gives a compelling sense of Kant's estimation that freedom is a "cardinal point"--even the "keystone"--of his entire critical philosophy. Kant's doctrine of freedom emerges in this account as a systematic critique of a naturalistic worldview which regards all our capacities, representations, and actions as the causal upshot of natural laws and forces. Kant holds that the naturalistic worldview fatally undermines our self-conception as rational agents. This critique of naturalism culminates in the argument that naturalistic cognizers cannot explain away our freedom from natural forces because they must presuppose such a freedom in their own cognitive efforts to devise rationally valid naturalistic theories.
One of the very few accounts in English of German idealism, this ambitious work advances and revises our understanding of both the history and the thought of the classical period of German philosophy. As he traces the structure and evolution of idealism as a doctrine, Frederick Beiser exposes a strong objective, or realist, strain running from Kant to Hegel and identifies the crucial role of the early romantics--Hölderlin, Schlegel, and Novalis--as the founders of absolute idealism. Traditionally, German idealism is understood as a radical form of subjectivism that expands the powers of the self to encompass the entire world. But Beiser reveals a different--in fact, opposite--impulse: an attempt to limit the powers of the subject. Between Kant and Hegel he finds a movement away from cosmic subjectivity and toward greater realism and naturalism, with one form of idealism succeeding another as each proved an inadequate basis for explaining the reality of the external world and the place of the self in nature. Thus German idealism emerges here not as a radical development of the Cartesian tradition of philosophy, but as the first important break with that tradition. Table of Contents: Introduction 1. Realism in German Idealism 2. Exorcising the Spirit 3. The Critique of Foundationalism 4. The Troublesome Hegelian Legacy 5. The Taxonomy of German Idealism I. KANT'S CRITIQUE OF IDEALISM Introduction: Kant and the Problem of Subjectivism 1. The Clash of Interpretations 2. Method and Results 3. Contemporary Kant Scholarship 1. Idealism in the Precritical Years 1. The Idealist Challenge 2. The First Refutation of Idealism 3. Idealist Dreams and Visions 4. The Critique of Idealism in the Inaugural Dissertation 5. Skeptical Ambivalence 6. David Hume, Transcendental Realist 2. Transcendental Idealism and Empirical Realism 1. The Case for Subjectivism 2. The First Edition Definitions of Transcendental Idealism 3. Transcendental versus Empirical Idealism 4. Empirical Realism in the Aesthetic 5. Empirical Realism and Empirical Dualism 3. The First Edition Refutation of Skeptical Idealism 1. The Priority of Skeptical Idealism 2. The Critique of the Fourth Paralogism 3. The Proof of the External World 4. A Cartesian Reply 5. Appearances and Spatiality 6. The Ambiguity of Transcendental Idealism 7. The Coherence of Transcendental Idealism 4. The First Edition Refutation of Dogmatic Idealism 1. The Missing Refutation 2. Kant's Interpretation of Leibniz 3. The Dispute in the Aesthetic 4. Dogmatic Idealism in the Antinomies 5. Kant and Berkeley 1. The Göttingen Review 2. Kant's Reaction 3. Berkeleyianism in the First Edition of the Kritik 4. The Argument of the Prolegomena 5. Kant's Interpretation of Berkeley 6. The Small but Real Differences? 6. The Second Edition Refutation of Problematic Idealism 1. The Problem of Interpretation 2. Kant's Motives 3. The Question of Kant's Realism 4. Realism in the Refutation 5. The New Strategy 6. The Argument of the Refutation 7. Outer vis-à -vis Inner Sense 8. Kant's Refutations in the Reflexionen, 1788-93 7. Kant and the Way of Ideas 1. The Theory of Ideas 2. Loyalty and Apostasy 3. The Transcendental versus the Subjective 4. The Question of Consistency 5. The Doctrine of Inner Sense 6. Kantian Self-Knowledge and the Cartesian Tradition 8. The Transcendental Subject 1. Persistent Subjectivism 2. Eliminating the Transcendental Subject 3. The Criteria of Subjectivity 4. The Subjectivity of the Transcendental 5. Restoring the Transcendental Subject 9. The Status of the Transcendental 1. The Problematic Status of the Categories 2. The Metaphysial Interpretation 3. The Psychological Interpretation 4. The Logical Interpretation 5. The Ineliminable Psychological Dimension 6. Problems of Transcendental Psychology 7. Transcendental Psychology and Transcendental Idealism 10. Kant's Idealism in the Opus postumum 1. Kant's Peruke 2. The Gap in the Critical System 3. The Transition Program and Its Implications 4. The Transition and Refutation 5. The Selbstsetzungslehre 6. Appearance of Appearance: Continuity with Critical Doctrines 7. Appearance of Appearance: Its Novelty 8. The Thing-in-Itself II. FICHTE'S CRITIQUE OF SUBJECTIVISM Introduction: The Interpretation of Fichte's Idealism 1. Fichte and the Subjectivist Tradition 1. The Challenge of Subjectivism 2. Early Critique of Reinhold 3. The Discovery of Desire 4. The Primacy of Practical Reason 5. Fichte's Foundationalism? 2. The Battle against Skepticism 1. First Doubts 2. The Aenesidemus Review 3. Maimon's Skepticism 4. The Official Response 5. The Final Line of Defense 3. Criticism versus Dogmatism 1. The Transformation of the Kantian Problematic 2. The Two Systems 3. The Refutation of Dogmatism 4. Fichte and the Thing-in-Itself 4. Freedom and Subjectivity 1. The Meaning of Freedom 2. The Theory of Subjectivity 3. Woes of the Absolute Ego 4. The Two Egos 5. Knowledge of Freedom 1. The Break with Kant 2. A Philosophy of Striving 3. The Origins of Intellectual Intuition 4. The Meaning of Intellectual Intuition 5. Fichte versus Kant on Intellectual Intuition 6. Self-Knowledge and Freedom 7. Faith in Freedom 6. Critical Idealism 1. Problems of Idealism 2. The Role of Striving 3. The Synthesis of Idealism and Realism 4. Reintroducing and Reinterpreting the Thing-in-Itself 7. The Refutation of Idealism 1. Later Arguments against Idealism 2. The Fichtean versus Kantian Refutation 3. Problems of Exposition 4. The Deduction of the External World 8. The Structure of Intersubjectivity 1. Kant versus Fichte on the Problem of Other Minds 2. First Reflections 3. The Argument for Intersubjectivity 4. The Normative Structure of Intersubjectivity III. ABSOLUTE IDEALISM 1. Absolute Idealism: General Introduction 1. The Dramatis Personae 2. The Meaning of Absolute Idealism 3. Absolute versus Critical Idealism 4. The Break with Critical Idealism 5. Intellectual Sources 6. The Rehabilitation of Metaphysics 7. The Aesthetics of Absolute Idealism 2. Hölderlin and Absolute Idealism 1. Philosophy versus Poetry 2. Sources of Absolute Idealism 3. The Critique of Fichte 4. Aesthetic Sense 5. The Concept of Nature 6. Philosophy in Literature 3. Novalis' Magical Idealism 1. Novalis and the Idealist Tradition 2. Fichte Studies 3. Fichte in Novalis' Idealism 4. The Elements of Magical Idealism 5. Syncriticism 6. Models of Knowledge 4. Friedrich Schlegel's Absolute Idealism 1. Philosophy, History, and Poetry 2. The Break with Fichte 3. An Antifoundationalist Epistemology 4. Romanticism and Absolute Idealism 5. The Mystical 6. Lectures on Transcendental Idealism IV. SCHELLING AND ABSOLUTE IDEALISM Introduction: The Troublesome Schellingian Legacy 1. The Path toward Absolute Idealism 1. The Fichte-Schelling Alliance 2. Early Fault Lines 3. An Independent Standpoint 4. The First Quarrel 2. The Development of Naturphilosophie 1. The Claims of Naturphilosophie 2. The Early Fichtean Phase 3. The First Decisive Step 4. The Priority of Naturphilosophie 3. Schelling's Break with Fichte 1. Background 2. The Dispute Begins 3. Schelling States His Case 4. A Botched Reconciliation 5. Persistent Hopes 6. The Irresolvable Differences 4. Problems, Methods, and Concepts of Naturphilosophie 1. Absolute Idealism and Naturphilosophie 2. The Problematic of Naturphilosophie 3. Rethinking Matter 4. Nature as Organism 5. Regulative or Constitutive? 6. The Methodology of Naturphilosophie 5. Theory of Life and Matter 1. The Spinozism of Physics 2. The Dynamic Construction of Matter 3. The Theory of Life 4. Irritability, Sensibility, and World Soul 5. The Mental and Physical as Potencies 6. Schelling's Absolute Idealism 1. The Blinding Light of 1801 2. Objective Idealism 3. The Kantian-Fichtean Interpretation 4. The Interpretation of Subject-Object Identity 7. The Dark Night of the Absolute 1. The Dark Parmenidian Vision 2. The Dilemma of Absolute Knowledge 3. Rethinking the Absolute 4. The Fall 8. Absolute Knowledge 1. In Defense of Speculation 2. The Strategy for the Defense 3. Intellectual Intuition 4. Fichte versus Schelling on Intellectual Intuition 5. Art versus Philosophy 6. The Method of Construction 7. Head over Heels into the Absolute? 8. The Paradox of Absolute Knowledge Notes Bibliography Index Reviews of this book: [A] magnificent new book...That Beiser manages to keep the reader afloat as he steers through such deep and turbulent waters deserves the highest praise. Expository writing of unfailing lucidity is supported by reference to an unrivalled range of sources...I learned something from this book on almost every page...For anyone at all seriously interested in the topic this is now the place to start. --Michael Rosen, Times Literary Supplement
Kant and Culture. Studies on Kant’s Philosophy of Culture is a collective volume focusing on the figure of Kant as Kulturphilosoph. The challenge of this volume, which gathers scholars who differ in language, method, approach and perspective, is to shed light from different angles on the relevance and complexity of a subject – Kant and culture – that has often been confined to the margins of the Kantforschung and has only recently received the attention it deserves. Yet, on closer inspection, the issues related to the notion of culture in Kant are so varied and at the same time so pervasive and transversal that they allow for important connections between his philosophical reflection’s different areas (from aesthetics to theoretical philosophy, from ethics to philosophy of history, from philosophy of law to moral philosophy, from anthropology to religion, from geography to pedagogy), providing a privileged point of view to explore and understand his idea of a Bestimmung des Menschen. Moreover, Kant’s contribution to the philosophy of culture offers important insights into its contemporary crisis, its loss of significance and interest. A starting point to try to articulate a notion of culture in a normative sense, that is, elaborated not in reference to a certain class of objects defined as cultural (education, the arts, the sciences), but formally, as a particular relationship we can establish with any object, subject or experience.
Obwohl es verbreitet für ein bloßes Nebenthema gehalten wird, spielt das Thema der Poesie doch eine wichtige Rolle in Kants Denken. Mit dem Ziel, geläufige Missverständnisse zu zerstreuen, versammelt der vorliegende Band Beiträge verschiedener Spezialisten zur Bestimmung des Orts und der Rolle der Poesie in Kants Denken. Es handelt sich um den Versuch einer Neubewertung der Wichtigkeit der Poesie für seine moralische, politische, anthropologische, philosophische und ästhetische Systematik.
This work presents and philosophically analyzes the early modern and modern history of the theory concerning the soul of the world, anima mundi. The initial question of the investigation is why there was a revival of this theory in the time of the early German Romanticism, whereas the concept of the anima mundi had been rejected in the earlier, classical period of European philosophy (early and mature Enlightenment). The presentation and analysis starts from the Leibnizian-Wolffian school, generally hostile to the theory, and covers classical eighteenth-century physico-theology, also reluctant to accept an anima mundi. Next, it discusses early modern and modern Christian philosophical Cabbala (Böhme and Ötinger), an intellectual tradition which to some extent tolerated the idea of a soul of the world. The philosophical relationship between Spinoza and Spinozism on the one hand, and the anima mundi theory on the other is also examined. An analysis of Giordano Bruno’s utilization of the concept anima del mondo is the last step before we give an account of how and why German Romanticism, especially Baader and Schelling asserted and applied the theory of the Weltseele. The purpose of the work is to prove that the philosophical insufficiency of a concept of God as an ens extramundanum instigated the Romantics to think an anima mundi that can act as a divine and quasi-infinite intermediary between God and Nature, as a locum tenens of God in physical reality.
This book examines the two chief anatomical and physiological embodi-ment theories of voluntary animal motion, which I call the cardiosinew and cerebroneuromuscular theories of motion, from the time of Aristotle (384-322 B.C.) to that of Mondino (d. A.D. 1326). The study of animal motion commenced with the ancient Greek natural scientist Aristotle who wrote the monograph 'On the motion of animals' (De motu animalium). Subsequent inquiries into voluntary animal motion may be found in a variety of Greek, Latin, and Arabic compendia, commentaries, and encyclopedias throughout the ancient and medieval periods. The motion of animals was considered relevant to natural philosophers and theologians investigating the nature of the soul, and to physicians seeking to discover the causes of disorders of voluntary movement such as epilepsy and tetany. The book fills a gap in the scholarly literature concerned with pre-modern studies of the anatomical and physiological mechanisms of will and bodily movement. The accompanying photographs of my own anatomical dissections illuminate ancient and medieval conceptual, empirical, and experimental methods of anatomical and physiological research.
With this book, distinguished historian of philosophy Ulrich Leinsle offers the first comprehensive introduction to scholastic theology -- a textbook for both Protestant and Catholic students.
