The picturesque town of Morse Point may be a small dot on the New England landscape, but the decoupage class at Vintage Papers is larger than life. With cutouts, glue, and varnish, members create eye-catching projects—and uncover clues to a killing. For Brenna Miller, teaching the popular decoupage class is the only way to gloss over her painful past. But it hasn’t been easy making friends in a town that doesn’t warm up to outsiders. And it doesn’t help when the pushy mayor asks her to convince her enigmatic landlord, Nate Williams, to sell his lakefront property to land developers. But just when Brenna thinks the mayor’s given up, his body is found stuffed in a trunk at Morse Point Lake. And a witness claims that Nate’s truck was at the docks on the night of the murder. Now Brenna needs to help prove Nate’s innocence before his fate is signed, sealed, and delivered.
Josie Marcus, a mystery shopper and a single mom, goes to uncover the truth behind a hot young designer's murder in the mall's parking lot, not believing that her best friend's husband committed the crime.
Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.
THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES—COMING SOON TO NETFLIX! • This is the story about an investigation turned obsession, full of twists and turns and with an ending you'll never expect. Everyone in Fairview knows the story. Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town. But she can't shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer? Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn't want Pip digging around for answers, and now her own life might be in danger. And don't miss the sequel, Good Girl, Bad Blood! "The perfect nail-biting mystery." —Natasha Preston, #1 New York Times bestselling author
For audiences of the popular FX television series The People v. O.J. Simpson: American Crime Story, based on Jeffrey Toobin's The Run of His Life and starring Cuba Gooding, Jr., John Travolta, David Schwimmer, and Courtney B. Vance. Named on Vogue Magazine's "American Crime Story Reading List" as one of the "eight definitive books on the trial of the century." Twenty years ago, America was captivated by the awful drama of the O.J. Simpson trial. The Simpson "Dream Team" legal defense had a seemingly impossible task: convincing a jury that their client was innocent of the murders of Nicole Brown Simpson and Ron Goldman. In order for O.J. Simpson to get away with murder, the defense attorneys had to destroy the reputation of Mark Fuhrman, a brilliant Los Angeles detective who was the lead on the murder scene and had collected overwhelming physical evidence against Simpson. Now Fuhrman tells his side of the story in the #1 New York Times bestseller Murder in Brentwood, a damning exposé that reveals why and how Simpson's prosecution was bungled. Fuhrman offers a sincere mea culpa for allowing his personal mistakes to become a focal point of the defense's strategy but also stands by the evidence he collected, writing: "One thing I will not apologize for is my policework on the O.J. Simpson case." With Fuhrman's own hand-drawn maps of the crime scene, his reconstruction of the murders, and interrogation transcripts, Murder in Brentwood is the book that sets the record straight about what really happened on June 12, 1994—and reveals why the O.J. Simpson trial was such a catastrophe.
"Viktor Shklovsky's 1925 book Theory of Prose might have become the most important work of literary criticism in the twentieth century had not two obstacles barred its way: the crackdown by the Soviet dictatorship on Shklovsky and other Russian Formalists in the 1930s, and the unavailability of an English translation. Now translated in its entirety for the first time, Theory of Prose not only anticipates structuralism and post-structuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Arguing that writers structure their material according to artistic principles rather than from attempts to imitate "reality," Shklovsky uses Cervantes, Tolstoi, Sterne, Dickens, Bely, and Rozanov to give us a new way of thinking about fiction and, in his most impassioned moments, about the world. Benjamin Sher's lucid translation will allow Shklovsky's Theory of Prose to fulfill its destiny as a major theoretical work of the twentieth century." from back cover.
'I have long believed that loving a boyband brings with it a wealth of transferable skills, but I'd never imagined solving a murder would be one of them...' Harri and her best friends worship Half Light - an internationally famous boyband. When frontman Frankie is arrested on suspicion of murdering his oldest friend Evan, Harri feels like her world's about to fall apart. But quickly she realises that she - and all the other Half Light superfans out there - know and understand much more about these boys than any detective ever could. Now she's rallying a fangirl army to prove Frankie's innocence - and to show the world that you should never underestimate a teenage girl with a passion...
FINALIST FOR THE J. ANTHONY LUKAS BOOK PRIZE NATIONAL BESTSELLER Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men. You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget. 1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.
When brilliant FBI agent Kendra Donovan stumbles back in time and finds herself in a 19th century English castle under threat from a vicious serial killer, she scrambles to solve the case before it takes her life—200 years before she was even born. Beautiful and brilliant, Kendra Donovan is a rising star at the FBI. Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates. While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact. Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a young girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.
Ellen, a new resident of Lake George in upstate New York, hopes to interview a famed art critic but instead is entangled in a dangerous and confusing situation involving paintings that just might be undiscovered works of Georgia O¿Keeffe.
