String quartet in E flat major (1776)
Author: Felice Giardini
Publisher:
Published: 1997
Total Pages: 70
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Felice Giardini
Publisher:
Published: 1997
Total Pages: 70
ISBN-13:
DOWNLOAD EBOOKAuthor: Harold Gleason
Publisher: Alfred Music Publishing
Published: 1980
Total Pages: 126
ISBN-13: 9780899172675
DOWNLOAD EBOOKAuthor: Jean Sibelius
Publisher:
Published: 1991
Total Pages: 36
ISBN-13:
DOWNLOAD EBOOKAuthor: Joseph Haydn
Publisher:
Published: 1991
Total Pages: 10
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 2004-06
Total Pages:
ISBN-13: 9781419298387
DOWNLOAD EBOOKSheet Music: Haydn, F. J. (1732-1809) Op. 76 String Quartet: Violins, Viola, 'Cello
Author: Philippe Oboussier
Publisher:
Published: 2005
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Louis Spohr
Publisher:
Published:
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Mark Evan Bonds
Publisher: Oxford University Press, USA
Published: 2019
Total Pages: 345
ISBN-13: 0190068477
DOWNLOAD EBOOKThe "Beethoven Syndrome" is the inclination of listeners to hear music as the projection of a composer's inner self. This was a radically new way of listening that emerged only after Beethoven's death. Beethoven's music was a catalyst for this change, but only in retrospect, for it was not until after his death that listeners began to hear composers in general--and not just Beethoven--in their works, particularly in their instrumental music. The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of this mode of listening from the middle of the eighteenth century to the present. Prior to 1830, composers and audiences alike operated within a framework of rhetoric in which the burden of intelligibility lay squarely on the composer, whose task it was to move listeners in a calculated way. But through a confluence of musical, philosophical, social, and economic changes, the paradigm of expressive objectivity gave way to one of subjectivity in the years around 1830. The framework of rhetoric thus yielded to a framework of hermeneutics: concert-goers no longer perceived composers as orators but as oracles to be deciphered. In the wake of World War I, however, the aesthetics of "New Objectivity" marked a return not only to certain stylistic features of eighteenth-century music but to the earlier concept of expression itself. Objectivity would go on to become the cornerstone of the high modernist aesthetic that dominated the century's middle decades. Masterfully citing a broad array of source material from composers, critics, theorists, and philosophers, Mark Evan Bonds's engaging study reveals how perceptions of subjective expression have endured, leading to the present era of mixed and often conflicting paradigms of listening.
Author: Jerzy Chwiałkowski
Publisher: Da Capo Press, Incorporated
Published: 1996-03-21
Total Pages: 1430
ISBN-13:
DOWNLOAD EBOOKAn exhaustive list of the works of 132 major composers. Gives the essential information about each work, including proper title; English title; variant titles or nicknames; dates of compostion and revision; names of any librettists, playwrights, poets, screenwiters, or directors associated with the work; intended instrumental or vocal ensemble; opus and catalog numbers.
Author: Wolfgang Amadeus Mozart
Publisher:
Published: 1949
Total Pages: 36
ISBN-13:
DOWNLOAD EBOOK