String quartet : cuarteto B♭ major, op. 67
Author: Johannes Brahms
Publisher:
Published: 1900
Total Pages: 56
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Johannes Brahms
Publisher:
Published: 1900
Total Pages: 56
ISBN-13:
DOWNLOAD EBOOKAuthor: Johannes Brahms
Publisher:
Published: 1942
Total Pages: 37
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1942
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Johannes Brahms
Publisher:
Published: 1942
Total Pages: 48
ISBN-13:
DOWNLOAD EBOOKAuthor: Johannes Brahms
Publisher: Alfred Music
Published: 1999-08-26
Total Pages: 148
ISBN-13: 9781457472787
DOWNLOAD EBOOKExpertly arranged String Quartets by Johannes Brahms from the Kalmus Edition series. This is from the Romantic era.
Author: Melvin Berger
Publisher: Courier Corporation
Published: 2013-06-17
Total Pages: 502
ISBN-13: 0486316726
DOWNLOAD EBOOKAuthoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
Author: James M. Keller
Publisher: Oxford University Press
Published: 2011
Total Pages: 517
ISBN-13: 019020639X
DOWNLOAD EBOOKChamber Music: A Listener's Guide brings together acclaimed program annotator James Keller's essays on the essential chamber-music repertoire. Written to be meaningful to non-professional music-lovers while also providing enrichment for chamber-music professionals, these notes offer generous historical background for 193 works by 56 composers from the 18th century to the present.
Author: Benedict Taylor
Publisher: Cambridge University Press
Published: 2011-10-27
Total Pages:
ISBN-13: 1139501364
DOWNLOAD EBOOKFelix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.