The Story of the Original Dixieland Jazz Band

The Story of the Original Dixieland Jazz Band

Author: H. O. Brunn

Publisher: Pickle Partners Publishing

Published: 2019-01-13

Total Pages: 355

ISBN-13: 1789123704

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It was the five young men who called themselves The Original Dixieland Jazz Band who raised jazz from being a curious, local, and peculiarly Negro phenomenon into the greatest popular artform in history. In 1916 they swept Chicago off its feet. In 1917 they took New York by storm. For the first time jazz became fashionable. People crowded into Reisenwehr’s Restaurant where they played. They were in constant demand for shows and charity performances. They accompanied Sophie Tucker and appeared on the same bill as Caruso. In March 1917 they made the first jazz record and their fame flew across the whole continent. The record was the biggest seller in the R.C.A. catalogue, passing the magic million and easily outstripping the records of Caruso and Sousa’s Band which were the current popular idols. But, not content with America as their platform, they also became the first group to export the new music. And London, too, was caught up in the exciting rhythm and wild, savage, haunting gaiety of jazz. For more than a year they played to packed houses. They gave a command performance for King George V. They were the sensation of the Victory Ball to celebrate the signing of the Treaty of Versailles. When the band broke up for the first time in 1924, partly torn by inner dissension, partly frustrated by the wave of indignation against the frenzied enthusiasm of their supporters (in 1922 jazz was banned after midnight in New York City), they had firmly established themselves as the top entertainment group in the United States, and they had blazed a trail to success which all could follow. They had proved that jazz was not merely a folk-music which could only be appreciated by Negroes, but the expression, in a particularly exhilarating form, of something which was an essential part of human nature. “Here at last is the book that tells the truth about how jazz music really began.”—THE GRAMOPHONE -


Jazz

Jazz

Author: Samuel B. Charters

Publisher: Da Capo Press, Incorporated

Published: 1984-08-21

Total Pages: 404

ISBN-13:

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"This unique history of jazz in New York examines its many scenes, stages, styles, and sponsors. With one of the most sophisticated black populations anywhere, a vibrant bohemian subculture, a class of entertainment entrepreneurs, and a 24-hour nightlife, New York has long been home for jazz and jazz musicians. Samuel Charters and Leonard Kunstadt have delved through archives of newspapers and stagebills to provide a wider view of New York's jazz scene than ordinarily reported. Record sales, attendance figures, media trends are included along with assessments of musical importance. Duke Ellington, Fletcher Henderson, Chick Webb, the Savoy Ballroom, the Apollo Theatre, the Cotton Club all get extended treatment, as do less heralded figures and nightspots. Every jazz musician of note eventually plays in New York and will be found in this book, which chronicles not only their lives but the growth of New York as the world's jazz capital." --


Making Music American

Making Music American

Author: E. Douglas Bomberger

Publisher: Oxford University Press

Published: 2018-11-01

Total Pages: 289

ISBN-13: 0190872330

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The year 1917 was unlike any other in American history, or in the history of American music. The United States entered World War I, jazz burst onto the national scene, and the German musicians who dominated classical music were forced from the stage. As the year progressed, New Orleans natives Nick LaRocca and Freddie Keppard popularized the new genre of jazz, a style that suited the frantic mood of the era. African-American bandleader James Reese Europe accepted the challenge of making the band of the Fifteenth New York Infantry into the best military band in the country. Orchestral conductors Walter Damrosch and Karl Muck met the public demand for classical music while also responding to new calls for patriotic music. Violinist Fritz Kreisler, pianist Olga Samaroff, and contralto Ernestine Schumann-Heink gave American audiences the best of Old-World musical traditions while walking a tightrope of suspicion because of their German sympathies. Before the end of the year, the careers of these eight musicians would be upended, and music in America would never be the same. Making Music American recounts the musical events of this tumultuous year month by month from New Year's Eve 1916 to New Year's Day 1918. As the story unfolds, the lives of these eight musicians intersect in surprising ways, illuminating the transformation of American attitudes toward music both European and American. In this unsettled time, no one was safe from suspicion, but America's passion for music made the rewards high for those who could balance musical skill with diplomatic savvy.


Exploring Early Jazz

Exploring Early Jazz

Author: Daniel Hardie

Publisher: Independently Published

Published: 2023-05-29

Total Pages: 0

ISBN-13:

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This book tells the story of the first Thirty Years of Jazz during which the basic jazz of Buddy Bolden developed into Classic Jazz and passed into history. It covers the first twenty years before recordings appeared and uncovers the Saga of the first Jazz Bands. - their struggle to adapt to the demands of their audiences and the impetus they gave to the Roaring Twenties when the Original Dixieland Jazz Band made the first jazz recordings in 1927 - and the age of hot Classic Jazz, of King Oliver and the transition to Swing.


Hear Me Talkin' to Ya

Hear Me Talkin' to Ya

Author: Nat Shapiro

Publisher: Courier Corporation

Published: 2012-08-16

Total Pages: 463

ISBN-13: 0486171361

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In this marvelous oral history, the words of such legends as Louis Armstrong, Fats Waller, Jelly Roll Morton, Duke Ellington, and Billy Holiday trace the birth, growth, and changes in jazz over the years.


The Blues: A Very Short Introduction

The Blues: A Very Short Introduction

Author: Elijah Wald

Publisher: Oxford University Press

Published: 2010-08-03

Total Pages: 153

ISBN-13: 0199750793

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Praised as "suave, soulful, ebullient" (Tom Waits) and "a meticulous researcher, a graceful writer, and a committed contrarian" (New York Times Book Review), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture. It is not an easy thing to pin down. As Howlin' Wolf once described it, "When you ain't got no money and can't pay your house rent and can't buy you no food, you've damn sure got the blues." It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap. As with all of Oxford's Very Short Introductions, The Blues tells you--with insight, clarity, and wit--everything you need to know to understand this quintessentially American musical genre.


Resonances

Resonances

Author: Esther M. Morgan-Ellis

Publisher:

Published: 2020-06-02

Total Pages: 566

ISBN-13: 9781940771311

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Resonances: Engaging Music in Its Cultural Context offers a fresh curriculum for the college-level music appreciation course. The musical examples are drawn from classical, popular, and folk traditions from around the globe. These examples are organized into thematic chapters, each of which explores a particular way in which human beings use music. Topics include storytelling, political expression, spirituality, dance, domestic entertainment, and more. The chapters and examples can be taught in any order, making Resonances a flexible resource that can be adapted to your teaching or learning needs. This textbook is accompanied by a complete set of PowerPoint slides, a test bank, and learning objectives.


Swing That Music

Swing That Music

Author: Louis Armstrong

Publisher: Da Capo Press

Published: 1993-08-22

Total Pages: 208

ISBN-13: 9780306805448

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The first autobiography of a jazz musician, Louis Armstrong's Swing That Music is a milestone in jazz literature. Armstrong wrote most of the biographical material, which is of a different nature and scope than that of his other, later autobiography, Satchmo: My Life in New Orleans (also published by Da Capo/Perseus Books Group). Satchmo covers in intimate detail Armstrong's life until his 1922 move to Chicago; but Swing That Music also covers his days on Chicago's South Side with ”King” Oliver, his courtship and marriage to Lil Hardin, his 1929 move to New York, the formation of his own band, his European tours, and his international success. One of the most earnest justifications ever written for the new style of music then called ”swing” but more broadly referred to as ”Jazz,” Swing That Music is a biography, a history, and an entertainment that really ”swings.”