MahaakaaLeshwar, Omkaareshwar, Baeidyanath.

MahaakaaLeshwar, Omkaareshwar, Baeidyanath.

Author: Trilochan Dash

Publisher: Trilochan Dash

Published: 2019-06-17

Total Pages: 303

ISBN-13:

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The famous JyotirLinga of MahaakaaLeshwar is situated over the bank of the sacred river Shipra. Lord Omkaareshwar's temple is situated over an Island inside the river Narmadaa. On the other side of Narmada is the temple of Lord Maamaleshwar. Lord Baeidyanath's temple, situated in Deoghar. One of the old Tapovana also exists near Deoghar. This book talks in detail of all these deities, the places around them and their spiritual and scriptural significance.


Shringar of Lord Jagannath

Shringar of Lord Jagannath

Author: Trilochan Dash

Publisher: Soudamini Dash

Published: 2009-06-24

Total Pages: 112

ISBN-13:

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Lord Jagannath, Balabhadra and devi Subhadra are the incarnations of Krishana, Balaram and their sister Devi Subhadra. They are the main deities at Jagannath Puri. In the parampara (tradition) of Jagannath Puri, also known as Shrikhetra, on different occasions the deities have beautiful Shrinagar (Besa). This book elaborates many different Shringars they have round the year. These are: KaliyaDalanaBesh, Pralambasura Damana Besha, Banabhoji Besha, SriKiisnaBalaramaBesha, Bali Bamana Besha, RadhaDamodaraBesha, Laxmi Narayana Besha, Banka Chuda Besha, GajaUdharanaBesha, Padma Besha, Rajadhi Raja Besha/SunaBesha, BadaSingharaBesba, Raghunatha Besha


Odissi and the Geeta Govinda

Odissi and the Geeta Govinda

Author: Ileana Citaristi

Publisher: Taylor & Francis

Published: 2022-10-06

Total Pages: 245

ISBN-13: 1000780988

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The book attempts to trace an overview of the different components that define the cultural landscape of the state of Odisha in relation to its history, religious cults, art, and literature and to link the development of the various aspects to the role played over the centuries by the Geeta Govinda poem in its different manifestations. From being an important component of the rituals performed in the Jagannath Temple to becoming an essential part of the people’s daily lives and artistic expressions, this immortal poem has exercised its influence on the cultural landscape of the state from its early inception in the twelfth century until present times. Religious beliefs, visual representations, performative expressions, and literary compositions have been influenced by the strong emotional appeal contained in its verses. Its musical structure, spiritual underline and histrionic content have been an essential font of inspiration in the process of the rediscovery of a cultural identity during the last century and continue to exercise a strong influence on the performing arts of the present times. Among all the art forms, the classical style of Odissi dance, the way it has been re-structured in the middle of the last century, is perhaps the one which bears the closest contact with the poem, almost being synonymous with it. The dance’s lyrical quality and its emotional appeal steeped in a long history of association with devotional and spiritual values make it an ideal form of visual expression for the literary content of the poem.


Origin & Antiquity of the Cult of Lord Jagannath

Origin & Antiquity of the Cult of Lord Jagannath

Author: Avinash Patra

Publisher: Oxford University Press

Published: 2011-06-23

Total Pages: 31

ISBN-13:

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In the Rig-Veda, 10.155.3, there is mention of a Daru (log of wood) floating in the ocean. Vedic prayers have indicated for taking shelter in the Daru. In spite of the fact that Acharya Sayana, the noted commentator on the Vedas, has categorically interpreted the hymn with Jagannath as the Daru floating at the sea shores, some scholars have refuted this interpretation under the argument that the hymn deals with âAlaxmi Stavaâ of Arayi.