A modern, all-encompassing exploration of what happens after death combines spirituality with philosophy, history, and science, all of which guide readers toward the timeless truth that human consciousness lives on after death.
In his courageous book, Israel's Dead Soul, Steven Salaita explores the failures of Zionism as a political and ethical discourse. He argues that endowing nation-states with souls is a dangerous phenomenon because it privileges institutions and corporations rather than human beings. Asserting that Zionism has been normalized--rendered "benign" as an ideology of "multicultural conviviality"—Salaita critiques the idea that Zionism, as an exceptional ideology, leads to a lack of critical awareness of the effects of the Israeli occupation in Palestinian territory and to an unquestioning acceptance of Israel as an ethnocentric state. Salaita's analysis targets the Anti-Defamation League, films such as Munich and Waltz with Bashir, intellectuals including Cornel West and Michael Eric Dyson, gay rights activists, and other public figures who mourn the decline of Israel's "soul." His pointed account shows how liberal notions of Zionism are harmful to various movements for justice.
Most Evangelical Christians only know and thoroughly believe the traditional doctrine of eternal torment in Hell for the lost and eternal bliss in Heaven for the saved. As a result, they neglect scores of Bible verses with that provide an alternative teaching. This book veers from some long-held assumptions while reinforcing others, as it humbly attempts to discover the truth of what the Bible teaches about the hereafter. Written for the serious layman, scripturally founded clergy, and open-minded scholar, Dead Soul Syndrome provides wisdom and thought-provoking insight for those interested in thinking anew about heaven and hell.
Businessman Mark Ireland’s father was Richard Ireland, a deeply spiritual minister and renowned psychic and medium who counted Mae West among his famous clients. While he loved his father, Mark followed a more conventional path in pursuit of mainstream success—until the wrenching death of his youngest son. This unexpected tragedy plunges Mark into the spiritual world of psychics and mediums in a frantic attempt to communicate with the dead. His defenses and pragmatic mindset begin to fade as he remembers premonitions on the day of his son’s death. He consults a number of well-known mediums and is struck by the remarkably accurate information their readings provide. Mark first meets with Allison Dubois, the subject of NBC’s hit show Medium, and later participates in a single-blind lab experiment with medium Laurie Campbell, filmed for a Discovery Channel feature. He then enters a new dimension of personal paranormal experience, as his own psychic awareness begins to unfold. This dramatic story of a father’s unbearable loss and his discovery of life after death offers hope to the bereaved and compelling evidence that death may not be the end.
Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature. These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.
A beautifully illustrated meditation on the fullness of life for readers of all ages by by Nobel Prize-winning novelist Olga Tokarczuk. "Olga Tokarczuk’s The Lost Soul, an experimental fable illustrated by Joanna Concejo and translated by Antonia Lloyd-Jones, resonates with our current moment. . . . What a striking, and lovely, material object it is." —New York Times "The Lost Soul, by Olga Tokarczuk and illustrator Joanna Concejo, is a quiet meditation on happiness, following a busy man who loses his soul. . . It pours a childlike sense of wonder into a once-upon-a-time tale that is already resonating with adults around the world." —The Guardian The Lost Soul is a deeply moving reflection on our capacity to live in peace with ourselves, to remain patient, attentive to the world. It is a story that beautifully weaves together the voice of the Nobel Prize-winning Polish novelist Olga Tokarczuk and the finely detailed pen-and-ink drawings of illustrator Joanna Concejo, who together create a parallel narrative universe full of secrets, evocative of another time. Here a man has forgotten what makes his heart feel full. He moves to a house away from all that is familiar to him to wait for his soul to return. "Once upon a time there was a man who worked very hard and very quickly, and who had left his soul far behind him long ago. In fact his life was all right without his soul—he slept, ate, worked, drove a car and even played tennis. But sometimes he felt as if the world around him were flat, as if he were moving across a smooth page in a math book that was covered in evenly spaced squares... " —from The Lost Soul The Lost Soul is a sublime album, a rare delicacy that will delight readers young and old. "You must find a place of your own, sit there quietly and wait for your soul." Winner of the Bologna Ragazzi Award, Special Mention 2018, Prix de l'Union Internationale pour les Livres de Jeunesse (IBBY), The White Raven (IJB Munich), and the Łódź Design Festival Award.
Originally published in 1994, Jewish Views of the Afterlife is a classic study of ideas of afterlife and postmortem survival in Jewish tradition and mysticism. As both a scholar and pastoral counselor, Raphael guides the reader through 4,000 years of Jewish thought on the afterlife by investigating pertinent sacred texts produced in each era. Through a compilation of ideas found in the Bible, Apocrypha, rabbinic literature, medieval philosophy, medieval Midrash, Kabbalah, Hasidism and Yiddish literature, the reader learns how Judaism conceived of the fate of the individual after death throughout Jewish history. In addition, this book explores the implications of Jewish afterlife beliefs for a renewed understanding of traditional rituals of funeral, burial, shiva, kaddish and more. This newly released twenty-fifth anniversary edition presents new material on little-known Jewish mystical teachings on reincarnation, a chapter on “Spirits, Ghosts and Dybbuks in Yiddish Literature”, and a foreword by the renowned scholar of Jewish mysticism, Rabbi Arthur Green. Both historical and contemporary, this book provides a rich resource for scholars and laypeople and for teachers and students and makes an important Jewish contribution to the growing contemporary psychology of death and dying.
A Choice Outstanding Academic Title of the Year A Tablet Book of the Year Marking a departure in our understanding of Christian views of the afterlife from 250 to 650 CE, The Ransom of the Soul explores a revolutionary shift in thinking about the fate of the soul that occurred around the time of Rome’s fall. Peter Brown describes how this shift transformed the Church’s institutional relationship to money and set the stage for its domination of medieval society in the West. “[An] extraordinary new book...Prodigiously original—an astonishing performance for a historian who has already been so prolific and influential...Peter Brown’s subtle and incisive tracking of the role of money in Christian attitudes toward the afterlife not only breaks down traditional geographical and chronological boundaries across more than four centuries. It provides wholly new perspectives on Christianity itself, its evolution, and, above all, its discontinuities. It demonstrates why the Middle Ages, when they finally arrived, were so very different from late antiquity.” —G. W. Bowersock, New York Review of Books “Peter Brown’s explorations of the mindsets of late antiquity have been educating us for nearly half a century...Brown shows brilliantly in this book how the future life of Christians beyond the grave was influenced in particular by money. —A. N. Wilson, The Spectator
Collecting souls is the job, and the bosses in Hell are some shady motherfuckers. With new rules and reeling revelations with every assignment, the job doesn't seem to be quite what it appears--and promotions come at a price. A quick-paced supernatural thriller, "Soul Collector" follows the journey of Sippian, a young victim of gang violence, who in Hell assumes the role of Death and struggles to understand the convoluted rules and shadowy figures--and morality--he faces in the afterlife. What will it take for him to become, and remain, DAT Nigga? What will it cost? And who's setting the price?