Stories Without End is a testament to nearly 40 years of groundbreaking historical research by one of New Zealand’s leading scholars. Sitting alongside her major works – including the 2010 Book of the Year, Encircled Lands – these essays explore sidepaths and previously unexamined histories. They notably delve into the lives of powerful early Māori figures, including the prophets Rua Kenana and Te Kooti, their wives and their descendants, and the leaders of the Urewera. Binney brings figures out of the shadows, explores place and revives memory, ensuring that the histories that matter do indeed become stories without end.
COSTA BOOK OF THE YEAR AWARD WINNER LONGLISTED FOR THE 2017 MAN BOOKER PRIZE "A true leftfield wonder: Days Without End is a violent, superbly lyrical western offering a sweeping vision of America in the making."—Kazuo Ishiguro, Booker Prize winning author of The Remains of the Day and The Buried Giant From the two-time Man Booker Prize finalist Sebastian Barry, “a master storyteller” (Wall Street Journal), comes a powerful new novel of duty and family set against the American Indian and Civil Wars Thomas McNulty, aged barely seventeen and having fled the Great Famine in Ireland, signs up for the U.S. Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.
This series comprises the saga of the universe next door: The Entire. Reviewers have called Kay Kenyon’s series "a grand world," "an enormous stage," and "a bravura concept." Titus Quinn has forged an unstable peace with the Tarig lords, enforced by the nanotech surge weapon he possesses. But it is a sham. In what the godwoman Zhiya calls a fit of moral goodness, he has thrown the weapon into the space-folding waters of the River Nigh. But now he must face his enemies from earth, where a small cadre plans to take the Entire for itself and leave the earth in ruins. In the fabled Rim City encircling the heart of the Entire, Quinn at last finds his daughter, now called Sen Ni. Despite their troubled past, he seeks her help against the people who would destroy the earth. But Sen Ni has her own plans and allies, among them a boy-navitar of the Nigh, who is willing and supremely able to break his vows and bend the world. Quinn casts his fate with the beautiful and resourceful Ji Anzi who, sent on a journey to other realms, now holds the key to Quinn's heart and his overarching mission. But as he approaches the innermost sanctuary of the Tarig, he is alone. Waiting for him are powerful adversaries, including a warrior whose chaotic mind will soon be roused from an eternal slumber. "Lush, captivating and entrancing." —SFF World "Truly a series that demands to be read. Only, be sure to start at the beginning. You don't want to miss a word." —Fantasy Magazine "The Entire and The Rose is without doubt one of the most fascinating sci-fi series on the market today. In City Without End, Kenyon elevates this series to new heights." —Pat's Fantasy Hotlist
#1 New York Times Bestseller In 1989, Ken Follett astonished the literary world with The Pillars of the Earth, a sweeping epic novel set in twelfth-century England centered on the building of a cathedral and many of the hundreds of lives it affected. World Without End is its equally irresistible sequel—set two hundred years after The Pillars of the Earth and three hundred years after the Kingsbridge prequel, The Evening and the Morning. World Without End takes place in the same town of Kingsbridge, two centuries after the townspeople finished building the exquisite Gothic cathedral that was at the heart of The Pillars of the Earth. The cathedral and the priory are again at the center of a web of love and hate, greed and pride, ambition and revenge, but this sequel stands on its own. This time the men and women of an extraordinary cast of characters find themselves at a crossroads of new ideas—about medicine, commerce, architecture, and justice. In a world where proponents of the old ways fiercely battle those with progressive minds, the intrigue and tension quickly reach a boiling point against the devastating backdrop of the greatest natural disaster ever to strike the human race—the Black Death. Three years in the writing and nearly eighteen years since its predecessor, World Without End is a "well-researched, beautifully detailed portrait of the late Middle Ages" (The Washington Post) that once again shows that Ken Follett is a masterful author writing at the top of his craft.
With an experienced journalist's eye, La Guardia offers a close look at the Israelis as they come to terms with the "post-Zionist" demolition of national myths and the Palestinians as they try to build their own state. 16 illustrations.
In a new version of the myth of Atlantis, the lost continent is home to the Olympian gods and is located in the Bermuda Triangle, and one man holds the key to its survival.
“A bittersweet modern love story [that] reads as easily as a novel.” —Vogue “Fascinating. . . . A detailed, grittier portrait of the woman Hemingway loved and left.” —Newsday Hadley Richardson and Ernest Hemingway were the golden couple of Paris in the twenties, the center of an expatriate community boasting the likes of Scott and Zelda Fitzgerald, Gertrude Stein and Alice B. Toklas, and James and Nora Joyce. In this haunting account of the young Hemingways, Gioia Diliberto explores their passionate courtship, their family life in Paris with baby Bumby, and their thrilling, adventurous relationship—a literary love story scarred by Hadley’s loss of the only copy of Hemingway’s first novel and ultimately destroyed by a devastating ménage à trois on the French Riviera. Compelling, illuminating, poignant, and deeply insightful, Paris Without End provides a rare, intimate glimpse of the writer who so fully captured the American imagination and the remarkable woman who inspired his passion and his art—the only woman Hemingway never stopped loving.
