Cultural Writing. Native American Studies. STORIES OF OUR WAY is the first anthology of its kind to span more than thirty years of American Indian theater, including the 1930s classic THE CHEROKEE NIGHT. This distinguished group of twelve plays draws ona rich range of tribal experiences -- Cherokee, Choctaw, Creek, Kiowa, Navajo, Oneida, Otoe-Missouria, Rappahonack, and urban. They treatthe diverse stories of Native people's ways with gritty integrity, uncompromising honesty, and deep respect, balanced with an awareness of the challenges and responsibilities to renew, and a commitment to an evolving American Indian theatrical aesthetic. These playwrights invite audiences to probe the often painful past, share the enduring values of family, community, and tribe, and celebrate humor and spirituality.
THESE STORIES TAKE the reader to meet mochos; cholos; Mr. and Mrs. Special; Manny with his mysterious phone calls; Melly, who dreams of being the first girl to take the Dive; Andy and Ruthie, who find that being “boyfriend-girlfriend” takes on new meaning the night of the prom; and Chuy, who seems determined to get kicked out of school. Each distinct voice shares secret thoughts that draw the reader into daily dramas of love, danger, loyalty, and pride. In the final story, a shocking tragedy reverberates through the barrio. “With this collection, Saldaña makes a significant contribution to the field of Latino short stories for young readers.”—VOYA, Starred “These powerfully written, provocative selections have universal appeal and subtle, thoughtful themes.”—School Library Journal “While much is revealed, just as much is implied, making the stories layered and rich while still rendering them accessible.”—The Bulletin
Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.
New York Times Bestseller! Kathie Lee Gifford and Rabbi Jason Sobel the authors of the New York Times best seller The Rock, the Road, and the Rabbi bring you an exciting new life-changing message that will help you read the Bible with new eyes and take you into the heart of God's people in Scripture – from Abraham to Ruth to Jesus and His early followers. In The God of the Way, Rabbi Jason shares wisdom from his Jewish heritage and helps us read Scripture in the cultural context of biblical times. Kathie Lee adds personal stories and reflections from her spiritual journey and studies, serving as a companion as you go deeper in your own relationship with God. You will experience: The God of the How and When: When you don't know the details…God does. The God of His Word: When you can't see God…trust His heart and the promises in His Word. The God Who Sees: When you feel abandoned and forgotten…God knows and cares about you. The God of the Other Side: When you feel overwhelmed and unworthy…God never passes by but crosses over and brings freedom. Journey into God's word, from the creation of the world through the desert and empty places, the Hebrew nation, and meet Jesus, the disciples, and his followers. As you do, you will see how you are part of God's epic story of redemption – a radiant testimony to the truth that belief in God's promises is never wasted.
Thirty-six stories on unpleasant characters creating unpleasant situations. The story, In Waking Hours, is on a corporate type who vents his hate of people by mimicking them, while in Slops a professor exploits a bowl disorder to keep people away. Some stories are only a few sentences long.
Cultural Writing. Native American Studies. AMERICAN INDIAN THEATER IN PERFORMANCE: A READER is the first comprehensive collection to present the views of leading playwrights, directors, scholars, and educators in contemporary Native theater. This groundbreaking collection of recent and earlier writings serves as both an overview of the field and a source book for further study and performance. Locating Native theater within the rich contexts of Native communities, tribal sources of creativity, performance traditions, and artistic innovations, the articles and interviews in this reader provide historical context and offer perspectives on directing, dramaturgy, and new play development in Native theater.
A stunning visual autobiography of two crazy-talented besties, bestselling and award-winning author Jason Reynolds and painter Jason Griffin, who could never be who they are singularly if they weren’t who they were together. Once upon a time in America, there were two Jasons. Jason Reynolds and Jason Griffin. One a poet. One an artist. One Black. One white. Two voices. One journey in mind: to move to New York, the city of dreams, to make their own dreams come true. Willing to have a life not un-hard, so long as it wasn’t unhappy. Willing to let the city swallow them whole, so long as it gives them their chance. They had each other. “What if painting was a sin, and the poetry became taboo. And no one ever clapped for me again. My question is, would you?” They clapped. Oh, they clapped. And aren’t we glad?
From longtime New York Times columnist Bob Herbert comes a wrenching portrayal of ordinary Americans struggling for survival in a nation that has lost its way In his eighteen years as an opinion columnist for The New York Times, Herbert championed the working poor and the middle class. After filing his last column in 2011, he set off on a journey across the country to report on Americans who were being left behind in an economy that has never fully recovered from the Great Recession. The portraits of those he encountered fuel his new book, Losing Our Way. Herbert’s combination of heartrending reporting and keen political analysis is the purest expression since the Occupy movement of the plight of the 99 percent. The individuals and families who are paying the price of America’s bad choices in recent decades form the book’s emotional center: an exhausted high school student in Brooklyn who works the overnight shift in a factory at minimum wage to help pay her family’s rent; a twenty-four-year-old soldier from Peachtree City, Georgia, who loses both legs in a misguided, mismanaged, seemingly endless war; a young woman, only recently engaged, who suffers devastating injuries in a tragic bridge collapse in Minneapolis; and a group of parents in Pittsburgh who courageously fight back against the politicians who decimated funding for their children’s schools. Herbert reminds us of a time in America when unemployment was low, wages and profits were high, and the nation’s wealth, by current standards, was distributed much more equitably. Today, the gap between the wealthy and everyone else has widened dramatically, the nation’s physical plant is crumbling, and the inability to find decent work is a plague on a generation. Herbert traces where we went wrong and spotlights the drastic and dangerous shift of political power from ordinary Americans to the corporate and financial elite. Hope for America, he argues, lies in a concerted push to redress that political imbalance. Searing and unforgettable, Losing Our Way ultimately inspires with its faith in ordinary citizens to take back their true political power and reclaim the American dream.
