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Books VI-X of Livy's monumental work trace Rome's fortunes from its near collapse after defeat by the Gauls in 386 bc to its emergence, in a matter of decades, as the premier power in Italy, having conquered the city-state of Samnium in 293 bc. In this fascinating history, events are described not simply in terms of partisan politics, but through colourful portraits that bring the strengths, weaknesses and motives of leading figures such as the noble statesman Camillus and the corrupt Manlius vividly to life. While Rome's greatest chronicler intended his history to be a memorial to former glory, he also had more didactic aims - hoping that readers of his account could learn from the past ills and virtues of the city.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
New York Times Bestseller A New York Times Notable Book Named one of the Best Books of the Year by the Wall Street Journal, the Economist, Foreign Affairs, and Kirkus Reviews Finalist for the National Book Critics Circle Award (Nonfiction) Shortlisted for the Cundill Prize in Historical Literature Finalist for the Los Angeles Times Book Prize (History) A San Francisco Chronicle Holiday Gift Guide Selection A New York Times Book Review Editors’ Choice Selection A sweeping, "magisterial" history of the Roman Empire from one of our foremost classicists shows why Rome remains "relevant to people many centuries later" (Atlantic). In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries. With its nuanced attention to class, democratic struggles, and the lives of entire groups of people omitted from the historical narrative for centuries, SPQR will to shape our view of Roman history for decades to come.
With stylistic brilliance and historical imagination, the first five books of Livy's monumental history of Rome record events from the foundation of Rome through the history of the seven kings, the establishment of the Republic and its internal struggles, up to Rome's recovery after the fierce Gallic invasion of the fourth century bc. Livy vividly depicts the great characters, legends, and tales, including the story of Romulus and Remus. Reprinting Robert Ogilvie's lucid 1971 introduction, this highly regarded edition now boasts a new preface, examining the text in light of recent Livy scholarship, informative maps, bibliography, and an index. Translated by Aubrey de Sélincourt with an introduction by Robert Ogilvie.
In a radical change of approach, Cassius Dio’s Forgotten History of Early Rome illuminates the least explored and understood part of Cassius Dio’s enormous Roman History: the first two decads, which span over half a millennium of history and constitute a quarter of Dio’s work. Combining literary and historiographical perspectives with source-criticism and textual analysis for the first time in the study of Dio’s early books, this collection of chapters demonstrates the integral place of ‘early Rome’ within the text as a whole and Dio’s distinctive approach to this semi-mythical period. By focussing on these hitherto neglected portions of the text, this volume seeks to further the ongoing reappraisal of one of Rome’s most significant but traditionally under-appreciated historians.
Excerpt from Stories From the History of Rome The writer of this little book was not satisfied that her children should hear nothing but fairy tales and the stories of nursery life, now so popular. But she could find nothing else fit to read to them. There are, indeed, plenty of story-books drawing their materials from history, and professing to be intended for children. But they are not suited to very young children. They abound in words and ideas which a child of four or six years old not only does not understand, but cannot be made to understand. The writer, however, believed that it was quite possible to put portions of Livy and Plutarch into language which should need little or no explanation even to children of that age. She accordingly made the experiment. One story after another was written and read to her little boys. Whenever she discovered that a word or idea was unintelligible to them, she took pains to simplify it. She found that they thoroughly enjoyed these old tales from Roman history, and liked to hear them repeated again and again. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.