Since the late 1960's there have been many important Italian writers whose work remains unknown outside Italy. This ground-breaking book offers general critical introductions to fifteen contemporary novelists whose work is of an international calibre.
How do we read stories? How do they engage our minds and create meaning? Are they a mental construct, a linguistic one or a cultural one? What is the difference between real stories and fictional ones? This book addresses such questions by describing the conceptual and linguistic underpinnings of narrative interpretation. Barbara Dancygier discusses literary texts as linguistic artifacts, describing the processes which drive the emergence of literary meaning. If a text means something to someone, she argues, there have to be linguistic phenomena that make it possible. Drawing on blending theory and construction grammar, the book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. The examples come from a wide spectrum of texts, primarily novels and drama, by authors such as William Shakespeare, Margaret Atwood, Philip Roth, Dave Eggers, Jan Potocki and Mikhail Bulgakov.
Lively and imaginative book-based programs make it easy to engage young learners, while building their literacy and reading skills, and their love of books and reading. Your library or classroom will sizzle with excitement when you present these creative, book-based programs—and you just may have as much fun as the kids. Each of the ten chapters focuses on a popular theme or study area—Tropical Rainforests, Animals Down Under, In the Know (manners), and more—offering an annotated list of selected picture books and chapters books, and two complete programs with step-by-step instructions, materials lists, and all the reproducible patterns, scripts, and stories you'll need. Through reading, storytelling, puzzles, creative dramatics, writing exercises, arts and crafts, and more, you can engage young learners, while building their literacy and reading skills, and their love of books and reading. Children will delight in learning about amazing rainforest animals, performing a skit based on myths from ancient Egypt, writing their own fantasy stories, and holding a mouth-watering Medieval banquet. Designed for public and school libraries, these programs also fit beautifully into classroom studies. Grades K-6.
When Micajah Fenton discovers a crater in his front yard with a broken time glider in the bottom and a naked, virtual woman on his lawn, he delays his plans to kill himself. While helping repair the marooned time traveler's glider, Cager realizes it can return him to his past to correct a mistake that had haunted him his whole life. In gratitude for his help, the virtual creature living in the circuitry of the marooned glider, sends Cager back in time as his ten-year-old self, knowing everything he'd known at eighty. As a bonus, it also gives him access to advanced equations of space and time.But living life over knowing the future isn't as easy as Cager anticipated, and he bungles his chance at correcting the most serious mistake of his life. Now he must use his new knowledge of advanced math to build his own time machine to go back and try again. Meanwhile Cager's repairs to the creature's glider fail, keeping it stranded near earth. In desperation, the whale-like creature sends, Ell, a near-human, female copy containing it's consciousness to help Cager. While perfecting time travel, Cager and Ell overcome enormous problems, even being hunted by dinosaurs in the Cretaceous, and Cager falls in love with this indomitable anthropomorphic copy of a creature from across the galaxy.
The first book-length study in any language of Celati's entire body of work, this monograph ranges over a broad landscape of critical thought and creative writing.
Empower Your Writing Through Craft and Community! Writing can be a lonely profession plagued by blind stumbles, writer's block, and despair--but it doesn't have to be. Written by members of the popular Writer Unboxed website, Author in Progress is filled with practical, candid essays to help you reach the next rung on the publishing ladder. By tracking your creative journey from first draft to completion and beyond, you can improve your craft, find your community, and overcome the mental barriers that stand in the way of success. Author in Progress is the perfect no-nonsense guide for excelling at every step of the novel-writing process, from setting goals, researching, and drafting to giving and receiving critiques, polishing prose, and seeking publication. You'll love Author in Progress if... • You're an aspiring novelist working on your first book. • You're an experienced veteran looking for ways to enhance your career and connect with your writing community. • You've finished your first draft and want to know the next steps. • You're seeking clear, effective advice about publication-from professionals who are "down in the trenches" every day. What's Inside Author in Progress features: • More than 50 essays from best-selling authors, editors, and industry leaders on a variety of writing and publishing topics. • Advice on writing first drafts, conducting research, building and fostering community, seeking critique, revising, and getting published. • An encouraging approach to the writing and publishing process, from authors who've walked this path.
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Studies the relation between teller and listener in a set of French, English, and American short stories from the nineteenth and early twentieth centuries.
Calvino’s Combinational Creativity examines the various ways combinatory processes influence the work of the Italian author Italo Calvino. Comprising chapters by six literary scholars, the volume asserts that the Ligurian writer’s creativity often stems from his contemplation of literature even as it investigates the intersection of his work with poets, writers, and literary movements. Each chapter explores a different aspect of Calvino’s creativity. Natalie Berkman examines Calvino as a reader of Ariosto and provides an analysis of mathematical combinations inspired by Vladmir Propp in Il castello dei destini incrociati. Discussing the poetic and scientific influence of the Argentine writer Julio Cortázar on Calvino, Sara Ceroni then presents Palomar as a modernist work of epiphanies. This is followed by two chapters investigating different influences on Cosmicomics: Elio Baldi demonstrates how Calvino’s collection of stories appropriates various conventions of the science fiction genre, while Elizabeth Scheiber provides a close reading of two tales to show how Calvino uses science as a metaphor to comment on the poetics of Italian authors Gadda, D’Annunzio, Ungaretti, and Montale. Cecilia Benaglia then proposes Calvino as a reader of Gadda, who served not only as an aesthetic influence, but also as an epistemological one. Finally, juxtaposing Calvino with his contemporary, Umberto Eco, Sebastiano Bazzichetto examines the two authors’ use of figures of speech as ways of constructing labyrinths. Calvino’s Combinational Creativity takes Calvino studies in new directions as it rethinks how the author’s work can be classified, and delves into the sources of his inspiration.
Enlightening Encounters traces the impact of photography on Italian literature from the medium's invention in 1839 to the present day. Investigating the ways in which Italian literature has responded to photographic practice and aesthetics, the contributors use a wide range of theoretical perspectives to examine a variety of canonical and non-canonical authors and a broad selection of literary genres, including fiction, autobiography, photo-texts, and migration literature. The first collection in English to focus on photography's reciprocal relationship to Italian literature, Enlightening Encounters represents an important resource for a number of fields, including Italian studies, literary studies, visual studies, and cultural studies.