Romanesque Sculpture in Campania
Romanesque Sculpture in Campania

Author: Dorothy F. Glass

Publisher: Penn State University Press

Published: 1991

Total Pages: 280

ISBN-13:

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This first comprehensive study in English of Romanesque sculpture in Campania places the material in the context of South Italian medieval culture. Although medieval Campania was part of the Norman kingdom, which at its zenith included almost all of South Italy, it has distinguishable characteristics that set it apart from its neighbors: the emphatic imprint of the Roman past, a long-lived Lombard settlement, the authoritative conservatism of the abbey of Monte Cassino, the lack of Byzantine dominance, and close political and cultural ties with Sicily. In this sense, Romanesque sculpture in Campania is very much a local phenomenon, for it evolved from a close study of local antiquity and the selective adaptation of elements from neighboring provinces. From its beginning, Romanesque sculpture in Campania is characterized by attention to small scale decorative motifs seen on both portals and capitals. By the latter part of the twelfth century, an avid interest in stone pulpits and paschal candelabra fostered both internal consistency in local workshops and specifically Campanian content in part inspired by the local liturgy. Dorothy Glass's study urges that the definition of Romanesque be both expanded and extended chronologically to include the southern Mediterranean.

Garrisoning the Borderlands of Medieval Siena
Garrisoning the Borderlands of Medieval Siena

Author: Anabel Thomas

Publisher: Routledge

Published: 2016-12-05

Total Pages: 472

ISBN-13: 1351934937

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Through a close study of local demographies and topographies, this study considers patterns of piety, charity and patronage, and by extension, the development of art and architecture in Siena's southern contado during the thirteenth and fourteenth centuries. Garrisoning the Borderlands of Medieval Siena describes Sant'Angelo in Colle as a designated 'castello di frontiera' under the Sienese Government of the Nine (1287-1355), against the background of Siena's military and economic buoyancy during the early fourteenth century. At the same time, mining thoroughly the Tax Record of 1320 and the Boundary Registration of 1318 and presenting a large number of individual records that have not been published before-including wills, tenancy agreements, land exchange and sharecropping contracts-the author constructs a portrait of the people, buildings and surrounding countryside of Sant'Angelo in Colle. Finally, adopting the methodological approach of first considering patterns of ownership of land and property in the context of identifying potential patrons of art, the study considers patterns of piety and charity established in the early fourteenth-century village and the extent to which these affected the development of the urban fabric and the embellishment of key buildings in medieval Sant'Angelo in Colle.