Stop Writing Wack Essays, the first book in the "I Can Write That" series, is a conversational, unfiltered appeal to college-level writers to not only think critically about their approach to composition and writing, but an encouraging, no-holds-barred guide for crafting a writing process that will give them the time and space to create their best work. From goal-setting and "Avoiding the 'Oh Crap!'" to grammar tips and best practices, this book is a companion piece for any college writer who's looking to fine-tune, or even re-design, their approach to essay writing and critical analysis.
Stop Writing Wack Essays, the first book in the "I Can Write That" series, is a conversational, unfiltered appeal to college-level writers to not only think critically about their approach to composition and writing, but an encouraging, no-holds-barred guide for crafting a writing process that will give them the time and space to create their best work. From goal-setting and "Avoiding the 'Oh Crap!'" to grammar tips and best practices, this book is a companion piece for any college writer who's looking to fine-tune, or even re-design, their approach to essay writing and critical analysis.
*Selected as One of the Best Books of the 21st Century by The New York Times* *Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics* In this powerful, provocative, and universally lauded memoir—winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize—genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” (Entertainment Weekly). In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. “A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic).
When Toya meets Folami and joins the activist collective RiseUP!, she thinks she’s found her life’s purpose. Folami’s sensuality and her passion for social justice leave Toya feeling that, at last, she’s met someone she can share all parts of her life with. But when a controversial police shooting blurs the lines between the personal and the political, Toya is forced to examine her identity, her passions, and her allegiances. Folami, a mature and dedicated activist, challenges Toya’s commitment to the struggle while threatening to pull her back into the closet to maintain the intense connection they share. However, Nina, a young, free-spirited artist, invites Toya to explore the intersections between sexual and political freedom. With the mounting tensions and social unrest threatening to tear the community apart, can Toya find a safe place to live and love while working to uplift her people?
"In this eBook, you'll learn the principles of grammar and how to manipulate your words until they're just right. Strengthen your revising and editing skills and become a clear and consistent writer." --
Gain a new perspective on photography in this personally guided introduction to photographic images and what they mean by one of the leading writers and curators of our time On Photographs is destined to become an instant classic of photography writing. Rejecting the conventions of chronology and the heightened status afforded to 'classics' in traditional accounts of the history of the medium, Campany's selection of photographs is an expertly curated and personal one - mixing fine art prints, film stills, documentary photographs, fashion editorials and advertisements. In this playful new take on the history of photography, anonymous photographers stand alongside photography pioneers, 20th-century talents and contemporary practitioners. Each photograph is accompanied by Campany's highly readable commentary. Putting the sacred status of authorship to one side, he strives to guide the reader in their own interpretation and understanding of the image itself. In a visual culture in which we have become accustomed to not looking, Campany helps us see, in what is both an accessible introduction for newcomers and a must-have for photography aficionados.
In the summer of 1944, a shocking murder rocked the fledgling Beats. William S. Burroughs and Jack Kerouac, both still unknown, we inspired by the crime to collaborate on a novel, a hard-boiled tale of bohemian New York during World War II, full of drugs and art, obsession and brutality, with scenes and characters drawn from their own lives. Finally published after more than sixty years, this is a captivating read, and incomparable literary artifact, and a window into the lives and art of two of the twentieth century’s most influential writers.
"A collection of meditations like polished stones--painstakingly worded, tough-minded, yet partial to mystery, and peerless when it comes to injecting larger resonances into the natural world." — Kirkus Reviews Here, in this compelling assembly of writings, Pulitzer Prize-winning author Annie Dillard explores the world of natural facts and human meanings. Veering away from the long, meditative studies of Pilgrim at Tinker Creek or Holy the Firm, Annie Dillard explores and celebrates moments of spirituality, dipping into descriptions of encounters with flora and fauna, stars, and more, from Ecuador to Miami.
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
