"A crew of bank robbers embark [sic] on what was to be their last heist that would set them up for life. Steal the diamonds and sell them for millions - or so they thought." -- from back cover.
A Nor’easter blows into Paradise and churns up the past in this stunning new addition to Robert B. Parker’s New York Times–bestselling series featuring police chief Jesse Stone. In the wake of a huge storm, three bodies are discovered in the rubble of an abandoned factory building in an industrial part of Paradise known as The Swap. One body, a man’s, wrapped in a blue tarp, is only hours old. But found within feet of that body are the skeletal remains of two teenage girls who had gone missing during a Fourth of July celebration twenty-five years earlier. Not only does that crime predate Jesse Stone’s arrival in Paradise, but the dead girls were close friends of Jesse’s right hand, Officer Molly Crane. And things become even more complicated when one of the dead girls’ mothers returns to Paradise to bury her daughter and is promptly murdered. It’s up to police chief Jesse Stone to pull away the veil of the past to see how all these murders are connected . . .
THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.
Colin, a professor of literature in the United Arab Emirates, is ignorant and interested only in pleasure, but a speaker of Arabic and an admirer of Arab culture, or is he? To his Arab wife, he is an orientalist who exoticizes and patronises the locals, unaware of his latent racism.
London, 1819 Marked for death, Lady Augustine Christopherson finds herself scouring the slums of London in a desperate search to find the men who killed her father, and are determined to dispose of her. To protect her family, to protect herself, she is determined to find the men before they find her. The last thing she wanted was an entanglement with a duke that threatens her very survival… Hardened long ago, the last thing the Duke of Dunway wanted was an entanglement with a chit of the ton. But in the flash of a pistol, his fate is altered as he finds himself honor-bound to protect Lady Augustine from, of all things, herself. The Hold Your Breath series begins. A thousand reasons to hold your breath, and one to let it go. Historical romance with strong women, undeniable men, and hold your breath adventure.
The air was like a bullet made out of silk... so begins Bianca Stone's I Saw the Devil with His Needlework. In the three long poems that make up this chapbook, Stone explores the double nature of love in ways that seem simultaneously timeless and new.
Ms. Donna Haskins is an African American woman who wrestles with structural inequity in the streets of Boston by inhabiting an alternate dimension she refers to as the “spirit realm.” In this other place, she is prepared by the Holy Spirit to challenge the restrictions placed upon Black female bodies in the United States. Growing into her spiritual gifts of astral flight and time travel, Donna meets the spirits of enslaved Africans, conducts spiritual warfare against sexual predators, and tends to the souls of murdered Black children whose ghosts haunt the inner city. Take Back What the Devil Stole centers Donna’s encounters with the supernatural to offer a powerful narrative of how one woman seeks to reclaim her power from a lifetime of social violence. Both ethnographic and personal, Onaje X. O. Woodbine’s portrait of her spiritual life sheds new light on the complexities of Black women’s religious participation and the lived religion of the dispossessed. Woodbine explores Donna’s religious creativity and her sense of multireligious belonging as she blends together Catholic, Afro-Caribbean, and Black Baptist traditions. Through the gripping story of one local prophet, this book offers a deeply original account of the religious experiences of Black women in contemporary America: their bodies, their haunted landscapes, and their spiritual worlds.
In 1682, ten years before the infamous Salem witch trials, the town of Great Island, New Hampshire, was plagued by mysterious events: strange, demonic noises; unexplainable movement of objects; and hundreds of stones that rained upon a local tavern and appeared at random inside its walls. Town residents blamed what they called "Lithobolia" or "the stone-throwing devil." In this lively account, Emerson Baker shows how witchcraft hysteria overtook one town and spawned copycat incidents elsewhere in New England, prefiguring the horrors of Salem. In the process, he illuminates a cross-section of colonial society and overturns many popular assumptions about witchcraft in the seventeenth century.
Kent Anderson's stunning debut novel is a modern classic, a harrowing, authentic picture of one American soldier's experience of the Vietnam War--"unlike anything else in war literature" (Los Angeles Review of Books). Hanson joins the Green Berets fresh out of college. Carrying a volume of Yeats's poems in his uniform pocket, he has no idea of what he's about to face in Vietnam--from the enemy, from his fellow soldiers, or within himself. In vivid, nightmarish, and finely etched prose, Kent Anderson takes us through Hanson's two tours of duty and a bitter, ill-fated return to civilian life in-between, capturing the day-to-day process of war like no writer before or since.