Stone Chisel and Yucca Brush

Stone Chisel and Yucca Brush

Author: Ekkehart Malotki

Publisher: Kiva Publishing

Published: 2002

Total Pages: 252

ISBN-13: 1885772270

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An illustrated overview of the rock art of the Colorado Plateau includes 207 color photos, mini-essays for each site, and an introductory essay examining the history of these petroglyphs and pictographs.


Evolution, Cognition, and the History of Religion: A New Synthesis

Evolution, Cognition, and the History of Religion: A New Synthesis

Author: Anders Klostergaard Petersen

Publisher: BRILL

Published: 2018-10-08

Total Pages: 702

ISBN-13: 9004385371

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Evolution, Cognition, and the History of Religion: A New Synthesis comprises 41 chapters that push for a new way of conducting the study of religion, thereby, transforming the discipline into a genuine science of religion. The recent resurgence of evolutionary approaches on culture and the increasing acknowledgement in the natural and social sciences of culture’s and religion’s evolutionary importance calls for a novel epistemological and theoretical framework for studying these two areas. The chapters explore how a new scholarly synthesis, founded on the triadic space constituted by evolution, cognition, cultural and ecological environment, may develop. Different perspectives and themes relating to this overarching topic are taken up with a main focus on either evolution, cognition, and/or the history of religion.


Rock Art and Memory in the Transmission of Cultural Knowledge

Rock Art and Memory in the Transmission of Cultural Knowledge

Author: Leslie F. Zubieta

Publisher: Springer Nature

Published: 2022-07-07

Total Pages: 311

ISBN-13: 3030969428

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This book shares timely and thought-provoking methodological and theoretical approaches from perspectives concerning landscape, gender, cognition, neural networks, material culture and ontology in order to comprehend rock art’s role in memorisation processes, collective memory, and the intergenerational circulation of knowledge. The case studies offered here stem from human experiences from around the globe—Africa, Australia, Europe, North and South America—, which reflects the authors’ diverse interpretative stances. While some of the approaches deal with mnemonics, new digital technologies and statistical analysis, others examine performances, sensory engagement, language, and political disputes, giving the reader a comprehensive view of the myriad connections between memory studies and rock art. Indigenous interlocutors participate as collaborators and authors, creating space for Indigenous narratives of memory. These narratives merge with Western versions of past and recent memories in order to construct jointly novel inter-epistemic understandings of images made on rock. Each chapter demonstrates the commitment of rock art studies to strengthen and enrich the field by exploring how communities and cultures across time have perceived and entangled rock images with a broad range of material culture, nonhumans, people, emotions, performances, sounds and narratives. Such relations are pivotal to understanding the universe behind the intersections of memory and rock art and to generating future interdisciplinary collaborative studies.


Jarod and the Mystery of the Petroglyphs

Jarod and the Mystery of the Petroglyphs

Author: Janice J. Beaty

Publisher: Sunstone Press

Published: 2015-09-01

Total Pages: 120

ISBN-13: 1632930714

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Jarod, ten-year-old “indigo child,” and his sixteen-year-old narrator brother Darrell are joined by a girl Omega, another “indigo” youngster Jarod’s age for this new adventure. It begins in New Mexico’s Petroglyph National Monument where Jarod’s mom is painting illustrations of its rock art. Soon they are overwhelmed by the number of drawings on the black volcanic rocks of the monument. Who made all these figures? What do they say? Is it possible that Jarod and Omega can interpret their meanings? Their vintage orange VW camper bus takes them up to Dinosaur National Monument in Utah on the trail of even more amazing rock art. On redrock walls near Rainbow Park they are startled by the life-size images of strange ancient Fremont people who give them an important message about how they must help stabilize the Earth during these unstable times. They learn the Fremonts are not Indians but a high-tech race using levitation devices to locate water and precious minerals. To carry out their mission Jarod and friends must “follow the rainbow to find center Earth” down in Utah’s Capitol Reef National Park where the first Fremont petroglyphs were discovered. Nefarious characters keep hot on their trail from the start when a man in black tries to steal Jarod’s buzzing hunting knife, to the end when a pair kidnaps Omega to steal her talking necklace.


Palaeoart of the Ice Age

Palaeoart of the Ice Age

Author: Robert G. Bednarik

Publisher: Cambridge Scholars Publishing

Published: 2017-08-21

Total Pages: 260

ISBN-13: 1527500713

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The many hundreds of books and thousands of academic papers on the topic of Pleistocene (Ice Age) art are limited in their approach because they deal only with the early art of southwestern Europe. This is the first book to offer a comprehensive synthesis of the known Pleistocene palaeoart of six continents, a phenomenon that is in fact more numerous and older in other continents. It contemplates the origins of art in a balanced manner, based on reality rather than fantasies about cultural primacy. Its key findings challenge most previous perceptions in this field and literally re-write the discipline. Despite the eclectic format and its high academic standards, the book addresses the non-specialist as well as the specialist reader. It presents a panorama of the rich history of palaeoart, stretching back more than twenty times as long in time as the cave art of France and Spain. This abundance of evidence is harnessed in presenting a new hypothesis of how early humans began to form and express constructs of reality and thus created the ideational world in which they existed. It explains how art-producing behaviour began and the origins of how humans relate to the world consciously.


Zen of the Plains

Zen of the Plains

Author: Tyra A. Olstad

Publisher: University of North Texas Press

Published: 2014-05-15

Total Pages: 286

ISBN-13: 1574415522

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Although spare, sweeping landscapes may appear "empty," plains and prairies afford a rich, unique aesthetic experience--one of quiet sunrises and dramatic storms, hidden treasures and abundant wildlife, infinite horizons and omnipresent wind, all worthy of contemplation and celebration. In this series of narratives, photographs, and hand-drawn maps, Tyra Olstad blends scholarly research with first-hand observation to explore topics such as wildness and wilderness, travel and tourism, preservation and conservation, expectations and acceptance, and even dreams and reality in the context of parks, prairies, and wild, open places. In so doing, she invites readers to reconsider the meaning of "emptiness" and ask larger, deeper questions such as: how do people experience the world? How do we shape places and how do places shape us? Above all, what does it mean to experience that exhilarating effect known as Zen of the plains?


Myths about Rock Art

Myths about Rock Art

Author: Robert G. Bednarik

Publisher: Archaeopress Publishing Ltd

Published: 2016-11-30

Total Pages: 220

ISBN-13: 1784914754

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Rather than considering the myths supposedly depicted in the world’s rock art, this book examines the myths archaeologists and others have created about the meanings and significance of rock art.


Early Rock Art of the American West

Early Rock Art of the American West

Author: Ekkehart Malotki

Publisher: University of Washington Press

Published: 2018-07-01

Total Pages: 314

ISBN-13: 029574362X

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A CHOICE OUTSTANDING ACADEMIC TITLE The earliest rock art - in the Americas as elsewhere - is geometric or abstract. Until Early Rock Art in the American West, however, no book-length study has been devoted to the deep antiquity and amazing range of geometrics and the fascinating questions that arise from their ubiquity and variety. Why did they precede representational marks? What is known about their origins and functions? Why and how did humans begin to make marks, and what does this practice tell us about the early human mind? With some two hundred striking color images and discussions of chronology, dating, sites, and styles, this pioneering investigation of abstract geometrics on stone (as well as bone, ivory, and shell) explores its wide-ranging subject from the perspectives of ethology, evolutionary biology, cognitive archaeology, and the psychology of artmaking. The authors’ unique approach instills a greater respect for a largely unknown and underappreciated form of paleoart, suggesting that before humans became Homo symbolicus or even Homo religiosus, they were mark-makers - Homo aestheticus.