Stompin' Tom Connors is a Canadian legend. There are very few Canadians who don't know the foot-stompin' patriot in the cowboy hat who sang almost exclusively about the country he loved and called home. But there is much more to Tom Connors than "Bud the Spud" and "The Hockey Song." This biography paints the picture of an intelligent, stubborn, creative, cantankerous and thoughtful man who created a character that would be embraced by Canadians from coast to coast. This is the story of the man behind Stompin' Tom.
A complete history of Toronto’s legendary Horseshoe Tavern, “the Birthplace of Canadian Rock,” to coincide with its seventieth anniversary. Like the Queen Street strip that has been its home for seven decades, the Horseshoe Tavern continues to evolve. It remains as relevant today as it did when Jack Starr founded the country music club on the site of a former blacksmith shop. From country and rockabilly to rock ‘n’ roll, punk, alt/country, and back to roots music, the venerable live music venue has evolved with the times and trends — always keeping pace with the music. Over its long history, the Horseshoe has seen a flood of talent pass through. From Willie Nelson to Loretta Lynn, Stompin’ Tom Connors to The Band, and Bryan Adams to the Tragically Hip, the Horseshoe has attracted premier acts from all eras of music. In The Legendary Horseshoe Tavern, David McPherson captures the turbulent life of the bar, and of Canadian rock.
The holdings of the Music Division of the New York Public Library cover virtually all musical subjects; its scores represent a broad spectrum of musical style and history.
Joel Plaskett has earned an awful lot of honourifics in his career so far, counting folk hero, indie darling, and national treasure among them. And that's just since the Halifax musician started making records of his own in 1999. For a decade before that, he was one-quarter of Thrush Hermit, a band of scrappy Superchunk mimics who became hard-rock revivalists and one of the last survivors of the '90s pop "explosion" of major-label interest in Halifax. Canada's east coast has never been much of a pop-culture mecca. Most musicians from the region who've ever made it big moved away. But armed with a stubborn streak and a knack for great songwriting, Plaskett has kept Halifax as his home, building both a career and a music community there. Along the way, he's earned great respect: when he plays shows in Alberta, east-coast expats literally thank him for staying home. Nowhere With You is the study of how he pulled this off, from the origins of Canada's east-coast exodus to Plaskett's anointment as "Halifax's Rick Rubin." It's a story about what happens when you call a city "the new Seattle," about the lessons you learn playing to empty rooms in Oklahoma, and about defying radio-single expectations with rock operas and triple records. It's about doing what you want, where you want, no matter how much work it takes.
Canadian Content looks at Canada as an ongoing postcolonial process of not one but a series of radically different nationhoods, each with its own valued but tentative set of cultural criteria for orchestrating and implementing a Canadian national experience.
The long-awaited, first-ever print biography of “Canada’s band” “A clever, touching, and very informative book that may well be the definitive work on an important piece of Canadian pop culture.” — Publishers Weekly, starred review In the summer of 2016, more than a third of Canadians tuned in to watch the Tragically Hip’s final performance. Why? Partially because Gord Downie’s terminal brain cancer made the event much bigger than merely a musical occasion. But also because these five men were always more than just a chart-topping band. They defined a generation of Canadian rock music. They were a tabula rasa onto which fans could project their own ideas: of performance, of poetry, of history, of Canada itself. Acclaimed music journalist Michael Barclay talks to dozens of the band’s peers and friends about not just the Hip’s music but about the opening bands, dealing with disease through art, Gord Downie’s role in reconciliation with Indigenous people, and the Hip’s role in Canadian culture. It’s a book for those who have always loved the Hip, and for everyone else. As Downie said at that final show watched by millions, “Everyone is invited. Everyone is involved.”
The fascinating story of Canada’s most revered concert hall and the myriad artists who have graced its stage. Known for its intimacy and sense of occasion, a night at Toronto’s Massey Hall is magical for both audiences and performers. For many musicians, playing the hall is the surest sign that they have made it. Looking out over the crowd, performers often comment that they feel they have joined history as they stand on the stage where Sarah Vaughan, Miles Davis, Bob Dylan, and so many other legends have stood. Based on scores of interviews and meticulous research, Massey Hall chronicles not only the historical and musical moments of the past 127 years, but also the community of artists and supporters that has built up around the hall. Covering both emerging artists such as Shakura S’Aida and William Prince and musical giants from Herbie Hancock to the Tragically Hip, this full-colour book is a celebration of music, community, and our shared cultural heritage.
The Guess Who. Gordon Lightfoot. Joni Mitchell. Neil Young. Stompin' Tom Connors. Robert Charlebois. Anne Murray. Crowbar. Chilliwack. Carole Pope. Loverboy. Bryan Adams. The Barenaked Ladies. The Tragically Hip. Céline Dion. Arcade Fire. K-oS. Feist. These musicians are national heroes to generations of Canadians. But what does it mean to be a Canadian musician? And why does nationality even matter? Canuck Rock addresses these questions by delving into the myriad relationships between the people who make music, the industries that produce and sell it, the radio stations and government legislation that determine availability, and the fans who consume it and make it their own. An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry. Combining archival material, published accounts, and new interviews, Ryan Edwardson explores how music in Canada became Canadian music.
Women have been pivotal in the country music scene since its inception, as Charles K. Wolfe and James E. Akenson make clear in The Women of Country Music. Their groundbreaking volume presents the best current scholarship and writing on female country musicians. Beginning with the 1920s career of teenage guitar picker Roba Stanley, the contributors go on to discuss Polly Jenkins and Her Musical Plowboys, 50s honky-tonker Rose Lee Maphis, superstar Faith Hill, the relationship between Emmylou Harris and poet Bronwen Wallace, the Louisiana Hayride's Margaret Lewis Warwick, and more.
