Stockholm Studies in Russian Literature
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Published: 1974
Total Pages: 672
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Author:
Publisher:
Published: 1974
Total Pages: 672
ISBN-13:
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Publisher:
Published: 1974
Total Pages: 512
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DOWNLOAD EBOOKAuthor: Daniel Rancour-Laferriere
Publisher: John Benjamins Publishing
Published: 1989-01-01
Total Pages: 496
ISBN-13: 9027215367
DOWNLOAD EBOOKThis is a collection of psychoanalytical essays on a broad spectrum of well-known Russian authors, such as Puskin, Dostoevsky, Gogol, Belyj, Tjutcev, Axmatova, and Nabokov. The volume includes some reprints, among which a contribution by Sigmund Freud on Dostoevsky and Parricide'. The majority of the contributions are original publications by present-day specialists in the field. This is a book which may benefit literary scholars as well as professional psychoanalysts.
Author: Victor Terras
Publisher: Yale University Press
Published: 1985-01-01
Total Pages: 584
ISBN-13: 9780300048681
DOWNLOAD EBOOKProfiles the careers of Russian authors, scholars, and critics and discusses the history of the Russian treatment of literary genres such as drama, fiction, and essays
Author: Helena Wulff
Publisher: Saint Philip Street Press
Published: 2020-10-09
Total Pages: 432
ISBN-13: 9781013292484
DOWNLOAD EBOOK"Placing itself within the burgeoning field of world literary studies, the organising principle of this book is that of an open-ended dynamic, namely the cosmopolitan-vernacular exchange. As an adaptable comparative fulcrum for literary studies, the notion of the cosmopolitan-vernacular exchange accommodates also highly localised literatures. In this way, it redresses what has repeatedly been identified as a weakness of the world literature paradigm, namely the one-sided focus on literature that accumulates global prestige or makes it on the Euro-American book market. How has the vernacular been defined historically? How is it inflected by gender? How are the poles of the vernacular and the cosmopolitan distributed spatially or stylistically in literary narratives? How are cosmopolitan domains of literature incorporated in local literary communities? What are the effects of translation on the encoding of vernacular and cosmopolitan values? Ranging across a dozen languages and literature from five continents, these are some of the questions that the contributions attempt to address." This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Author: Pamela Davidson
Publisher: Berghahn Books
Published: 2000
Total Pages: 552
ISBN-13: 9781571817587
DOWNLOAD EBOOKMerezhkovsky's bold claim that "all Russian literature is, to a certain degree, a struggle with the temptation of demonism" is undoubtedly justified. And yet, despite its evident centrality to Russian culture, the unique and fascinating phenomenon of Russian literary demonism has so far received little critical attention. This substantial collection fills the gap. A comprehensive analytical introduction by the editor is follwed by a series of fourteen essays, written by eminent scholars in their fields. The first part explores the main shaping contexts of literary demonism: the Russian Orthodox and folk tradition, the demonization of historical figures, and views of art as intrinsically demonic. The second part traces the development of a literary tradition of demonism in the works of authors ranging from Pushkin and Lermontov, Gogol and Dostoevsky, through to the poets and prose writers of modernism (including Blok, Akhmatova, Bely, Sologub, Rozanov, Zamiatin), and through to the end of the 20th century.
Author: Jane Gary Harris
Publisher: Princeton University Press
Published: 2014-07-14
Total Pages: 304
ISBN-13: 140086075X
DOWNLOAD EBOOKThe fifteen essays in this volume explore the extraordinary range and diversity of the autobiographical mode in twentieth-century Russian literature from various critical perspectives. They will whet the appetite of readers interested in penetrating beyond the canonical texts of Russian literature. The introduction focuses on the central issues and key problems of current autobiographical theory and practice in both the West and in the Soviet Union, while each essay treats an aspect of auto-biographical praxis in the context of an individual author's work and often in dialogue with another of the included writers. Examined here are first the experimental writings of the early years of the twentieth century--Rozanov, Remizov, and Bely; second, the unique autobiographical statements of the mid-1920s through the early 1940s--Mandelstam, Pasternak, Olesha, and Zoshchenko; and finally, the diverse and vital contemporary writings of the 1960s through the 1980s as exemplified not only by creative writers but also by scholars, by Soviet citizens as well as by emigrs--Trifonov, Nadezhda Mandelstam, Lydia Ginzburg, Nabokov, Jakobson, Sinyavsky, and Limonov. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: David M. Bethea
Publisher: Univ of Wisconsin Press
Published: 1998-11-24
Total Pages: 264
ISBN-13: 0299159736
DOWNLOAD EBOOKReaders often have regarded with curiosity the creative life of the poet. In this passionate and authoritative new study, David Bethea illustrates the relation between the art and life of nineteenth-century poet Alexander Pushkin, the central figure in Russian thought and culture. Bethea shows how Pushkin, on the eve of his two-hundredth birthday, still speaks to our time. He indicates how we as modern readers might "realize"— that is, not only grasp cognitively, but feel, experience—the promethean metaphors central to the poet's intensely "sculpted" life. The Pushkin who emerges from Bethea's portrait is one who, long unknown to English-language readers, closely resembles the original both psychologically and artistically. Bethea begins by addressing the influential thinkers Freud, Bloom, Jakobson, and Lotman to show that their premises do not, by themselves, adequately account for Pushkin's psychology of creation or his version of the "life of the poet." He then proposes his own versatile model of reading, and goes on to sketches the tangled connections between Pushkin and his great compatriot, the eighteenth-century poet Gavrila Derzhavin. Pushkin simultaneously advanced toward and retreated from the shadow of his predecessor as he created notions of poet-in-history and inspiration new for his time and absolutely determinative for the tradition thereafter.
Author: Robert Robertson
Publisher: Bloomsbury Publishing
Published: 2011-03-24
Total Pages: 325
ISBN-13: 1786729547
DOWNLOAD EBOOKThe pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex, exciting subject with more depth and originality than any other practitioner, and this is an accessible and original exploration of his ideas. Winner of the Kraszna Krausz Foundations' And/Or Award for Best Moving Image Book of 2009, "Eisenstein on the Audiovisual" is essential reading for students and practitioners of the audiovisual in cinema and related audiovisual forms, including theatre, opera, dance and multimedia.
Author: Gregory Freidin
Publisher: Univ of California Press
Published: 2010-05-13
Total Pages: 447
ISBN-13: 0520269160
DOWNLOAD EBOOK"Friedin writes just the kind of criticism Mandelstam wrote and which he would have loved: grounded in careful reading but never timid, quirky but never merely eccentric, the product of a mind and sensibility keenly alive to the times, both historical and critical. . . . Nothing I have read on Mandelstam has so provoked my own thinking as has Freidin's work. . . . It is stimulating in every sense of the word and will move the study of Mandelstam off the point at which it has been stuck for far too long." - John E. Malmstad, Harvard University "Combining as it does sensitive close readings of the Mandelstam texts with an uncommonly wide range of literary and sociocultural reference, A Coat of Many Colors is a welcome and significant addition to the body of scholarship bearing on one of our century's finest poets." -Victor Erlich, Yale University