Fred Gordon shares his life story in this Autobiography Still Looking Up, living independently in a wheelchair. It's inspirational, encouraging and sometimes unbelievable. He holds nothing back telling his story.
New from the author of the national bestseller The Hearts of Men: a novel about one man’s quest to end his cheating ways. Women have flocked to Genesis Styles ever since he was a teenager. He’s a good-looking, smooth-talking former pro-basketball player, but he has a problem: He has never been satisfied with just one woman. Then he meets Terri and everything changes. Sort of. Genesis knows that Terri is perfect for him, and he asks her to marry him. But Genesis just can’t seem to stop cheating on Terri nearly every chance he gets. Genesis’s best friend, Prodigy, constantly warns him that he’s going to mess up the best thing ever to happen to him, but Genesis is not ready to listen. After dealing with a family crisis, Genesis realizes the importance of his relationship with Terri, and he begins to change his cheating ways. He knows that once he says “I do,” everything will fall into place. But it may be too late, because one of his past indiscretions comes back to haunt him, and now Terri may have a few surprises of her own. . . .
Jim is a part time archeologist and finds emblems on an old mausoleum in an old part of a cemetery, sees some kind of inscriptions cannot make out the what it is, so he removes one. Jim inadvertly breaks a seal containing an untold evil, and starts to see horrific figures following him, eager to find out what the inscription means Jim does research, and when he does find out its too late.The inscriptions translate "He who breaks the seal is doomed." Jim tries to put back the emblem but to no avail, he is doomed and is taken by the evil tnto the mausoleum never to return. At the same time a young man Jason walking the cemetery reading tombstones sees the door of the mausoleum open, and looks in and sees something not meant to be seen by man, now his life is in danger. Until the ones that put the evil in the mausoleum finds out, now its a battle to save him and other mortals from this evil.
Dramatised real historical events. A story of the clash of two powerful larger than life historical characters in the first quarter of the nineteenth century which culminated in a fatal shot fired on Dover beach in 1826.
In this, the only up-to-date critical work on still life painting in any language, Norman Bryson analyzes the origins, history and logic of still life, one of the most enduring forms of Western painting. The first essay is devoted to Roman wall-painting while in the second the author surveys a major segment in the history of still life, from seventeenth-century Spanish painting to Cubism. The third essay tackles the controversial field of seventeenth-century Dutch still life. Bryson concludes in the final essay that the persisting tendency to downgrade the genre of still life is profoundly rooted in the historical oppression of women. In Looking at the Overlooked, Norman Bryson is at his most brilliant. These superbly written essays will stimulate us to look at the entire tradition of still life with new and critical eyes.