This handbook based on the 2007 revised edition will also become an essential guide for those interested in learning the processes and techniques involved with the manufacture of a range of traditional sticks, outlining the processes in a clear, straightforward manner and using a wealth of diagrams and photographs. It also contains valuable, up-to-date information on where to source the raw materials for stickmaking, how to find, cut and season wood and where to locate materials such as ram and buffalo horn. This book is equally accessible to stick enthusiasts, amateur craftsmen and experianced professionals alike.
Sticks are essentially practical aides but are also works of art that often become integral to the owner. They have to be strong and reliable, but are beautiful too. This essential book covers all these qualities - it explains the traditional principles and methods of stickmaking, but also celebrates the designs and ideas behind these creations. Written by an award-winning stickmaker, it provides a full acount of this age-old craft. Topics covered include materials, equipment and tools required to make a variety of sticks from timber, antler and horn; stick types and shapes; preparing timber to make handles and shanks; straightening shanks; making joints and exhibiting and competing. This new book will be an inspiration for all stickmakers, both new and old and will be of great interest to countryside enthusiasts, shepherds, farmers, woodworkers and working dogs owners. Superbly illustrated with 349 colour photographs.
"Carve beautiful wildlife walking sticks with step-by-step projects, ready-to-use patterns, an inspirational color photo gallery, and advice on wood sourcing and finishing"--Publisher's description.
In this book, you'll learn the specialized technique of carving figures in tree bark. Included is a complete guide to the various species of cottonwood bark and the best tools to use. A step-by-step wood carving project of a magical tree house is included, along with a beautiful gallery including wood spirits, animals, whimsical tree houses, and much more.
Discover how to create unique and beautiful canes that will be treasured as useful works of art. Legendary carving artist Lora S. Irish introduces you to all of the essential components and woodcarving techniques of cane topper carving in this comprehensive guide with 4 step-by-step projects and 6 joinery methods.
In this book you will find easy-to-follow instructions for making your own American Longbow from scratch, and advice on how to shoot it. It will take you through the entire process of building a bow, from design to construction. In addition, it explores both the philosophical and concrete reasons why making your own bow will add to the story of your good life. If you've ever thought about making your own bow, this book is a good place to start.
I can't really explain my attraction to the bow and arrow. I can't explain the pull of a camp fire either, or the ocean, or the open hills where you can see forever. It's just there. These things are in all of us I think, some vestige of our primitive past buried so deep in our genome as to be inseparable from what it is to be human. What we think of as civilization is a new experiment in the eyes of Father Time. Experts say that humans have been around for some fifty thousand years. We've been carrying the bow for maybe five thousand (atlatls and spears before that), and pushing the plow for maybe two thousand. We have been hunters forever. We are built to run, to pursue big game on the open savannas, to kill and eat them. With the dwindling of the Pleistocene mega fauna, mammoths and such, the bow became more important and indeed helped to make us who we are today. It still holds that attraction, same as the hearth. When I was a kid I would make crude bows from green plum branches, big at one end and small at the other. A discarded hay string would serve as a bowstring. My arrows were fat and unfletched and would scarcely fly more than a few yards, usually tumbling over in midair. The small creatures around our home were plenty safe. When I was about 12 or so my brother brought me two old Ben Person recurves he'd found at a yard sale. One was a short bow, probably no more than 48 inches and the other was more of a standard size. They both drew about 50 lbs if I recall. That fall happened to be a good year for cottontails around our little farm and I spent countless hours walking the fields and shooting at them as they busted from underfoot. Although I'd get several shots a day I never did hit one on the fly but I remember that fall fondly nonetheless. The pleasure of jumping rabbits and seeing the feathered shaft streaking toward them was a thrill I've never forgotten. I made my first "real" bow when I was in high school, after getting a copy of the Traditional Bowyers Bible in the mail (more on this in a moment). My first bow, a decrowned mulberry flatbow, broke within about 10 shots. The second held together quite well and is probably still around somewhere and capable of shooting an arrow, though it would probably draw about 70lbs. When I first started making bows I used the woods I had close at hand; mulberry, common persimmon, red maple, white cedar, etc. I'd probably made more than a dozen bows of various woods before I ever saw a piece of Osage. People often ask me where they can find a bow stave and, invariably, I tell them to use what they have close by. No matter where you live, you'll have something near that will make a bow. Go cut it down and get started. This book is an attempt to share some of what I've learned over my years of bow making. The Traditional Bowyers Bible series, as mentioned earlier, is still a great source of information. Why write another book on making wood bows you might ask? The simple answer is that there are so many ways of doing and explaining things. There are still unanswered questions and we'll cover many of them here. We will cover all of the most frequently asked questions, and lay out a simple plan that should guide you through the entire process, from finding a stave to stringing your bow and shooting your first arrow. Some of what you'll find here, you'll find nowhere else.
"Spirit is the life, mind is the builder, and the physical is the result." These words, repeated often by Edgar Cayce [1877-1945] while in a hypnotic trance, describe the formula behind the existence of the physical world and all its trappings, and that includes you and all life on earth. If you would like to know the meaning of life, how you came to be, and how to find purpose in order to make the most of it, this book is a must-read.Known worldwide during his lifetime as "The Sleeping Prophet," Edgar Cayce twice-daily put himself into a hypnotic trance and was able to answer any question put to him. As the very extensive record shows, the accuracy of information revealed by Cayce that could be checked and verified was nothing less than extraordinary. Author and metaphysician Stephen Hawley Martin interviewed authorities steeped in the information contained in Cayce's more than 14,000 psychic readings and in doing so received answers to questions humans have pondered since they first came down from trees and walked upright on the African savanna. Martin shares the interviews and the answers in this volume, along with a bonus book, "The Magic of Mission: Discover Your Purpose, Find Meaning, Achieve Success, and Above All, Be Happy," which he wrote to pinpoint a way for you to identify your mission and use Cayce's formula to achieve it.Don't miss this incredibly enlightening and empowering read. Scroll up and click "Buy Now."
