Stanislavsky: A Life in Letters

Stanislavsky: A Life in Letters

Author: Laurence Senelick

Publisher: Routledge

Published: 2013-10-08

Total Pages: 781

ISBN-13: 1136343407

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Konstantin Stanislavsky transformed theatre in the West and was indisputably one of the twentieth century’s greatest innovators. His life and work mark some of the most significant artistic and political milestones of that tumultuous century, from the emancipation of the serfs to the Russian Revolution. Little wonder, then, that his correspondence contains gripping exchanges with the famous and infamous of his day: men such as Tolstoy, Chekhov, Trotsky and Stalin, among others. Laurence Senelick, one of the world’s foremost scholars of Russian literature, mines the Moscow archives and the definitive Russian edition of Stanislavsky’s letters, to produce the fullest collection of the letters in any language other than Russian. He sheds new light on this fascinating field. Senelick takes us from the earliest extant letter of an eleven-year-old Konstantin in 1874, through his work as actor, director and actor trainer with the Moscow Art Theatre, to messages written just before his death in 1938 at the age of seventy-five. We discover Stanislavsky as son, brother and father, as lover and husband, as businessman and "internal emigre." He is seen as a wealthy tourist and an impoverished touring actor, a privileged subject of the Tsar and a harried victim of the Bolsheviks. Senelick shares key insights into Stanislavsky's work on such important productions as The Seagull, The Cherry Orchard, Hamlet, Othello, and The Marriage of Figaro. The letters also reveal the steps that led up to the publication of his writings My Life in Art and An Actor’s Work on Himself. This handsome edition is also comprehensively annotated and fully illustrated.


Stanislavsky: A Life in Letters

Stanislavsky: A Life in Letters

Author: Laurence Senelick

Publisher: Routledge

Published: 2013-10-08

Total Pages: 672

ISBN-13: 1136343415

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Konstantin Stanislavsky transformed theatre in the West and was indisputably one of the twentieth century’s greatest innovators. His life and work mark some of the most significant artistic and political milestones of that tumultuous century, from the emancipation of the serfs to the Russian Revolution. Little wonder, then, that his correspondence contains gripping exchanges with the famous and infamous of his day: men such as Tolstoy, Chekhov, Trotsky and Stalin, among others. Laurence Senelick, one of the world’s foremost scholars of Russian literature, mines the Moscow archives and the definitive Russian edition of Stanislavsky’s letters, to produce the fullest collection of the letters in any language other than Russian. He sheds new light on this fascinating field. Senelick takes us from the earliest extant letter of an eleven-year-old Konstantin in 1874, through his work as actor, director and actor trainer with the Moscow Art Theatre, to messages written just before his death in 1938 at the age of seventy-five. We discover Stanislavsky as son, brother and father, as lover and husband, as businessman and "internal emigre." He is seen as a wealthy tourist and an impoverished touring actor, a privileged subject of the Tsar and a harried victim of the Bolsheviks. Senelick shares key insights into Stanislavsky's work on such important productions as The Seagull, The Cherry Orchard, Hamlet, Othello, and The Marriage of Figaro. The letters also reveal the steps that led up to the publication of his writings My Life in Art and An Actor’s Work on Himself. This handsome edition is also comprehensively annotated and fully illustrated.


Stanislavsky

Stanislavsky

Author: David Magarshack

Publisher:

Published: 2010-04

Total Pages: 430

ISBN-13: 9780571268993

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Konstantin Stanislavsky is one of the colossi not simply of Russian, but American and European theatre. The works of the creator of the Stanislavsky System - which later gave rise to the Method - have tended to shroud him in mystique, leading his followers to revere him as a saint and his detractors to dismiss him out of hand. As Irving Wardle says in his foreword to this edition (1986), David Magarshack's biography - first published in 1950 - offers 'a vigorous, highly readable narrative that succeeds in demystifying the working of the Moscow Art Theatre, and in removing Stanislavsky from his pedestal without cutting him down to size. To his autobiographical writings, Magarshack supplied the companion piece - A Life - and as such it remains unsuperseded.'


Anton Chekhov's Life and Thought

Anton Chekhov's Life and Thought

Author: Anton Pavlovich Chekhov

Publisher: Northwestern University Press

Published: 1997

Total Pages: 510

ISBN-13: 9780810114609

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First published in 1973, this collection of Chekhov's correspondence is widely regarded as the best introduction to this great Russian writer. Weighted heavily toward the correspondence dealing with literary and intellectual matters, this extremely informative collection provides fascinating insight into Chekhov's development as a writer. Michael Henry Heim's excellent translation and Simon Karlinsky's masterly headnotes make this volume an essential text for anyone interested in Chekhov.


My Life in Art

My Life in Art

Author: Konstantin Stanislavski

Publisher: Routledge

Published: 2018-05-08

Total Pages: 444

ISBN-13: 1317832728

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Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union. Before writing his classic manual on acting, Stanislavski began writing an autobiography that he hoped would both chronicle his rich and tumultuous life and serve as a justification of his aesthetic philosophy. But when the project grew to 'impossible' lengths, his publisher (Little, Brown) insisted on many cuts and changes to keep it to its deadline and to a manageable length. The result was a version published in English in 1924, which Stanislavski hated and completely revised for a Soviet edition that came out in 1926. Now, for the first time, translator Jean Benedetti brings us Stanislavski's complete unabridged autobiography as the author himself wanted it – from the re-edited 1926 version. The text, in clear and lively English, is supplemented by a wealth of photos and illustrations, many previously unpublished.


Konstatin Stanislavsky, 1863-1963

Konstatin Stanislavsky, 1863-1963

Author: Konstantin Stanislavsky

Publisher:

Published: 2003

Total Pages: 0

ISBN-13: 9781410204899

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Originally published in the Soviet Union in 1963, this is a Stanislavsky centennial collection. It contains excerpts from memoirs referring to the great Russian actor and stage director. There are passages by Maxim Gorky, Anatoly Lunacharsky, Vladimir Nemirovich-Danchenko, Yevgeny Vakhtangov, Sergei Eisenstein, Emile Verhaern, Maurice Maeterlinck, Max Reinhardt, Jacques Copeau, etc. Most of the materials presented in this collection, including the brilliant letters by Stanislavsky, are little known abroad, and appear in English for the first time. The collection is lavishly illustrated. "The theatre is the finest medium of intercourse between nations. It reveals their most cherished aspirations. If only these aspirations were revealed more often ... the nations would shake hands, and lift their caps, instead of training guns on each other." - Konstantin Stanislavsky