This book discusses the growth of digital television technology and the revolution in image and video compression (such as JPEG2000, broadcast TV, video phone), highlighting the need for standardisation in processing static and moving images and their exchange between computer systems.
This study offers an introduction to video coding algorithms for readers in electronic engineering, media, broadcasting and transmission. The text works up from basic principles to the advanced video compression systems now being developed, including MPEG 1,2,4 and 7, JPEG, H.261 and H.263.
Introduction to Digital Audio Coding and Standards provides a detailed introduction to the methods, implementations, and official standards of state-of-the-art audio coding technology. In the book, the theory and implementation of each of the basic coder building blocks is addressed. The building blocks are then fit together into a full coder and the reader is shown how to judge the performance of such a coder. Finally, the authors discuss the features, choices, and performance of the main state-of-the-art coders defined in the ISO/IEC MPEG and HDTV standards and in commercial use today. The ultimate goal of this book is to present the reader with a solid enough understanding of the major issues in the theory and implementation of perceptual audio coders that they are able to build their own simple audio codec. There is no other source available where a non-professional has access to the true secrets of audio coding.
H.264 Advanced Video Coding or MPEG-4 Part 10 is fundamental to a growing range of markets such as high definition broadcasting, internet video sharing, mobile video and digital surveillance. This book reflects the growing importance and implementation of H.264 video technology. Offering a detailed overview of the system, it explains the syntax, tools and features of H.264 and equips readers with practical advice on how to get the most out of the standard. Packed with clear examples and illustrations to explain H.264 technology in an accessible and practical way. Covers basic video coding concepts, video formats and visual quality. Explains how to measure and optimise the performance of H.264 and how to balance bitrate, computation and video quality. Analyses recent work on scalable and multi-view versions of H.264, case studies of H.264 codecs and new technological developments such as the popular High Profile extensions. An invaluable companion for developers, broadcasters, system integrators, academics and students who want to master this burgeoning state-of-the-art technology. "[This book] unravels the mysteries behind the latest H.264 standard and delves deeper into each of the operations in the codec. The reader can implement (simulate, design, evaluate, optimize) the codec with all profiles and levels. The book ends with extensions and directions (such as SVC and MVC) for further research." Professor K. R. Rao, The University of Texas at Arlington, co-inventor of the Discrete Cosine Transform
The refereed proceedings of the 6th IEEE International Conference on High Speed Networking and Multimedia Communication, HSNMC 2003, held in Estoril, Portugal in July 2003. The 57 revised full papers presented were carefully reviewed and selected from 105 submissions. The papers are organized in topical sections on integrated differentiated services, multicasting, peer-to-peer networking, quality of service, QoS, network and information management, WDM networks, mobile and wireless networks, video, CDMA, real time issues and protocols for IP networks, multimedia streaming, TCP performance, voice over IP, and traffic models.
The requirements for multimedia (especially video and audio) communications increase rapidly in the last two decades in broad areas such as television, entertainment, interactive services, telecommunications, conference, medicine, security, business, traffic, defense and banking. Video and audio coding standards play most important roles in multimedia communications. In order to meet these requirements, series of video and audio coding standards have been developed such as MPEG-2, MPEG-4, MPEG-21 for audio and video by ISO/IEC, H.26x for video and G.72x for audio by ITU-T, Video Coder 1 (VC-1) for video by the Society of Motion Picture and Television Engineers (SMPTE) and RealVideo (RV) 9 for video by Real Networks. AVS China is the abbreviation for Audio Video Coding Standard of China. This new standard includes four main technical areas, which are systems, video, audio and digital copyright management (DRM), and some supporting documents such as consistency verification. The second part of the standard known as AVS1-P2 (Video - Jizhun) was approved as the national standard of China in 2006, and several final drafts of the standard have been completed, including AVS1-P1 (System - Broadcast), AVS1-P2 (Video - Zengqiang), AVS1-P3 (Audio - Double track), AVS1-P3 (Audio - 5.1), AVS1-P7 (Mobile Video), AVS-S-P2 (Video) and AVS-S-P3 (Audio). AVS China provides a technical solution for many applications such as digital broadcasting (SDTV and HDTV), high-density storage media, Internet streaming media, and will be used in the domestic IPTV, satellite and possibly the cable TV market. Comparing with other coding standards such as H.264 AVC, the advantages of AVS video standard include similar performance, lower complexity, lower implementation cost and licensing fees. This standard has attracted great deal of attention from industries related to television, multimedia communications and even chip manufacturing from around the world. Also many well known companies have joined the AVS Group to be Full Members or Observing Members. The 163 members of AVS Group include Texas Instruments (TI) Co., Agilent Technologies Co. Ltd., Envivio Inc., NDS, Philips Research East Asia, Aisino Corporation, LG, Alcatel Shanghai Bell Co. Ltd., Nokia (China) Investment (NCIC) Co. Ltd., Sony (China) Ltd., and Toshiba (China) Co. Ltd. as well as some high level universities in China. Thus there is a pressing need from the instructors, students, and engineers for a book dealing with the topic of AVS China and its performance comparisons with similar standards such as H.264, VC-1 and RV-9.
Since the dawn of film, novices and experts have used quick-and-dirty workarounds and audiovisual tricks to improve their motion pictures, from home movies to feature films. Today, the tools have certainly changed, as have the quality and scope of the results. With digital video, the hacking possibilities are now limitless, for both amateurs and professional artists. From acquiring footage, mixing, editing, and adding effects to final distribution, Digital Video Hacks provides unique tips, tools, and techniques for every stage of video production. You'll learn how to: Get your projects started right using creative preparation tools and techniques,from making your own steadicam, boom, or dolly to effective storyboarding, timecoding, and tape labeling Troubleshoot common shooting problems, including using stop-motion and time-lapse techniques, lighting effects, colored screens and gels, and household objects to establish mood or otherwise wow an audience Create stunning visual effects, such as satellite zooming, surreal scenes, Matrix-like bullet-time, and green screen illusions Fool your audience with audio tricks, replacing flubbed dialogue, smoothing over cuts, and covering missing audio with room tone Add professional features with post-production tricks, including color correction, soundtrack cleanup, opening sequences, and DVD bookmarks Distribute final content in a variety of creative ways, from exporting to basic videotape or DVD to streaming over the internet or even via cell phone Use the web to provide interactivity and dynamic content, attend a remote conference, or vlog your life. Whether you're looking for a new technique to include in your next project, a solution to a common problem, or just a little inspiration, this book reintroduces you to the digital video you only thought you knew.
Voice communications remains the most important facet of mobile radio services, which may be delivered over conventional fixed links, the Internet or wireless channels. This all-encompassing volume reports on the entire 50-year history of voice compression, on recent audio compression techniques and the protection as well as transmission of these signals in hostile wireless propagation environments. Audio and Voice Compression for Wireless and Wireline Communications, Second Edition is divided into four parts with Part I covering the basics, while Part II outlines the design of analysis-by-synthesis coding, including a 100-page chapter on virtually all existing standardised speech codecs. The focus of Part III is on wideband and audio coding as well as transmission. Finally, Part IV concludes the book with a range of very low rate encoding techniques, scanning a range of research-oriented topics. Fully updated and revised second edition of “Voice Compression and Communications”, expanded to cover Audio features Includes two new chapters, on narrowband and wideband AMR coding, and MPEG audio coding Addresses the new developments in the field of wideband speech and audio compression Covers compression, error resilience and error correction coding, as well as transmission aspects, including cutting-edge turbo transceivers Presents both the historic and current view of speech compression and communications. Covering fundamental concepts in a non-mathematical way before moving to detailed discussions of theoretical principles, future concepts and solutions to various specific wireless voice communication problems, this book will appeal to both advanced readers and those with a background knowledge of signal processing and communications.
A fully revised and substantially updated 3rd edition of the bestselling titles Video Coding: An Introduction to Standard Codecs (IEE 1999, best book of the year 2000 by IEE). This book discusses the growth of digital television technology and the revolution in image and video compression (such as JPEG2000, broadcast TV, video phone), highlighting the need for standardisation in processing static and moving images and their exchange between computer systems. ITU and ISO/IEC standards are now widely accepted in the picture/video coding field. This book gives an authoritative explanation of picture and video coding algorithms, working from basic principle through to the advanced videocompression systems now being developed. One of its main objectives is to describe the reasons behind the introduction of a standard code for a specific application and its chosen parameter. This book will enable readers to appreciate the fundamentals needed to design a video codec for any given application and should prove to be a valuable resource for engineers working in this field. This book would appeal to students and professionals with an interest or working in telecommunications.
Since the publication of Wireless Video Communications five years ago, the area of video compression and wireless transceivers has evolved even further. This new edition addresses a range of recent developments in these areas, giving cognizance to the associated transmission aspects and issues of error resilience. Video Compression and Communications has been updated and condensed yet remains all-encompassing, giving a comprehensive overview of the subject. Covering compression issues, coding delay, implementational complexity and bitrate, the book also looks at the historical perspective to video communication. New edition of successful and informative text, Wireless Video Communications Substantial new material has been added on areas such as H.264, MPEG4 coding and transceivers Clear presentation and broad scope make it essential for anyone interested in wireless communications Systematically converts the lessons of Shannon's information theory into design principles applicable to practical wireless systems. This book is ideal for postgraduates and researchers in communication systems but will also be a valuable reference to undergraduates, development and systems engineers of video compression applications as well as industrialists, managers and visual communications practitioners.