This is an art book on the politics of urban conflict based around artist Stan Douglas' stunning photo installation of the same name, depicting a violent confrontation in 1971 between police and Vancouver's counterculture known as the Gastown Riot. The book, which features essays by Alexander Alberro, Serge Guilbaut, and others, addresses various issues raised by Douglas' work, including the suppression and assimilation of the counterculture. It also includes other works from Douglas' Crowds and Riots series. Stan Douglas has exhibited widely, including at the Venice Biennale, Whitney Biennial, and documenta. He is the subject of numerous books, including Stan Douglas (Phaidon Press).
This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies. Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
The so-called ‘creative industries’ are increasingly being presented as an important tool of urban regeneration and economic development. Until now, research on the clustering of such activities has been limited to economics, geography and urban policy. This book is the first to gather together emerging research in urban design and spatial planning that explores what characteristics of the built form of cities support the distinctive activity patterns of various creative industries, and how and why they cluster together at a range of local scales. The book offers detailed case studies and comparative analyses of creative city neighbourhoods on five continents. Contributions examine urban forms, building types, and other qualities of place that attract and retain creative workers and foster creative production, outlining a range of methodologies for studying them. Taken altogether, Creative Milieux offers new insights for urban design practice, and for its role in wider urban policy. This book was originally published as a special issue of the Journal of Urban Design.
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests at museums are understudied, they are far from anomalous. Tear Gas Epiphanies traces the as-yet-untold story of political action at museums in Canada from the early twentieth century to the present. The book looks at how museums do or do not archive protest ephemera, examining a range of responses to actions taking place at their thresholds, from active encouragement to belligerent dismissal. Drawing together extensive primary-source research and analysis, Robertson questions widespread perceptions of museums, strongly arguing for a reconsideration of their role in contemporary society that takes into account political conflict and protest as key ingredients in museum life. The sheer number of protest actions Robertson uncovers is compelling. Ambitious and wide-ranging, Tear Gas Epiphanies provides a thorough and conscientious survey of key points of intersection between museums and protest – a valuable resource for university students and scholars, as well as arts professionals working at and with museums.
Lonely Planet: The world's leading travel guide publisher Lonely Planet British Columbia & the Canadian Rockies is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Venture into the epic wilderness, sample local seafood or ski the iconic peaks of Whistler and Banff; all with your trusted travel companion. Get to the heart of British Columbia and the Canadian Rockies and begin your journey now! Inside Lonely Planet British Columbia & the Canadian Rockies Travel Guide: Color maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, wildlife, arts, national parks, Aboriginal cultures, wine, outdoor activities Covers Vancouver, Banff and Jasper National Parks, Whistler, Alberta, Yukon Territory, Haines Highway, Alaska Highway, Klondike Highway and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet British Columbia & the Canadian Rockies , our most comprehensive guide to British Columbia and the Canadian Rockies, is perfect for both exploring top sights and taking roads less traveled. About Lonely Planet: Lonely Planet is a leading travel media company and the world’s number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveler since 1973. Over the past four decades, we’ve printed over 145 million guidebooks and grown a dedicated, passionate global community of travelers. You’ll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
Lonely Planets British Columbia & the Canadian Rockies is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Explore Tofino, ski at Whistler, and marvel at Lake Louise; all with your trusted travel companion. Get to the heart of BC & the Canadian Rockies and begin your journey now! Inside Lonely Planets British Columbia & the Canadian Rockies Travel Guide: Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020s COVID-19 outbreak NEW top experiences feature - a visually inspiring collection of British Columbia & the Canadian Rockiess best experiences and where to have them NEW pull-out, passport-size 'Just Landed' card with wi-fi, ATM and transport info - all you need for a smooth journey from airport to hotel Color maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, people, music, landscapes, wildlife, cuisine, politics Over 35 maps Covers Alberta, Edmonton, Calgary, British Columbia, Vancouver, Whistler, Yukon Territory, Whitehorse The Perfect Choice: Lonely Planets British Columbia & the Canadian Rockies, our most comprehensive guide to British Columbia & the Canadian Rockies, is perfect for both exploring top sights and taking roads less traveled. Looking for just the highlights? Check out Pocket Vancouver, a handy-sized guide focused on the can't-miss sights for a quick trip. Looking for more extensive coverage? Check out Lonely Planets Canada for a comprehensive look at all the country has to offer. About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveler since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travelers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveler's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)
Take the Torch is a compelling memoir from one of BC’s most widely accomplished and animated politicians, Ian Waddell, QC. Waddell takes us on a journey through his life and career as a storefront lawyer, an NDP Member of Parliament, a Minister of Culture, a writer, a teacher, a film producer and more—delivering a smart, humorous, endearing and impossible-to-forget exploration of public life. Following up Donna Macdonald’s Surviving City Hall, Take the Torch is Nightwood’s second publication in a campaign to promote participation in civic affairs and community activism to younger generations. Waddell endeavours “to pass on some of the lessons I learned about setting goals for social change and the methods to use to get there ... debating, protesting, and marching to ‘biting dogs’ at press conferences (following the old adage ‘dog bites man is not a story; man bites dog is a headline’), writing op-ed pieces for newspapers, getting elected, taking on prime ministers, dictators and kings, grabbing maces, lobbying diplomats in the lobby of the United Nations, and bucking your own party.” Waddell got his start through his involvement as a young lawyer, from an immigrant family, in both the first consumer class-action lawsuit in Canada and the Berger Inquiry into the Mackenzie Valley Pipeline. I have always had a revolutionary idea about law: that it is about justice and that it can be used to make change in society. That’s why I started as a criminal lawyer, and why I went on to be a storefront lawyer, assistant to Judge Berger, and then a member of both the federal Parliament and the BC legislative assembly. What I love about Canada is that we are still a young country and still a place where you can make change happen. In this book I describe some of those changes—many of them are big changes, historic events for our country and our people; others are tiny incidents that helped only one person or a small group, but they’re still important. Often I played a minor role, but my part was big enough to give me an inside look at how change happens.
"The introduction lays out the basic theoretical framework for acoustic profiling, a method for listening to films by way of acoustic ecology (and vice-versa). This method is based on a double critical movement. On the one hand, a sound ecology of the cinema entails the application of acoustic ecology's prescribed listening practices to film sound studies. On the other hand, a new way of thinking about acoustic ecology is born of film studies, a way to consider acoustic ecology's practice through film studies' long history of dealing with problems of fidelity and realism through recording technologies. This intersection of fields offers a necessary critical discourse for handling the challenges inherent in navigating acoustic ecology's media practices. The four dimensions of acoustic ecology are described as documentation, analysis, prescription, and composition, and it is explained how these dimensions can intersect with a variety of standard concepts in film sound theory. In turn, this introduction explains how the set of films to be analyzed across the book will demonstrate, enact, and challenge these dimensions through their mediality, defined here as a mode of reflexivity that emphasizes the role of media technologies in engaging with, rather than acting as barrier to, real-world space. The films expose the myth of vanishing mediation and invite audiences to reflect upon their approaches to the audiovisual construction of space so that we may carry this reflection out to the world beyond the frame of the screen and its surrounding walls. The intersection of acoustic ecology and film sound studies can make films work as both extensions of acoustic ecology and means for critically re-thinking the field"--
World Film Locations: Vancouver highlights the work of such Canadian filmmakers who have received less attention than they merit, whilst bringing insight into how so-called ‘runaway’ productions from Hollywood use Vancouver to stand in for other locations, from Seattle, USA to Lagos, Nigeria. Analyses of 38 different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages. The essays examine the following topics: the masking of Vancouver’s indigenous stories in filmic representations of the city; Australian screenwriter James Clavell’s Vancouver-set debut The Sweet and the Bitter; Sylvia Spring’s Madeleine Is..., the first female-directed feature in Canada; Jonathan Kaplan’s The Accused, for which Jodie Foster won an Oscar; and, the use of Vancouver locations in a number of US television crime series. World Film Locations: Vancouver offers new perspectives on the west coast city and in doing so sheds further light upon the relationship between the movies and the metropolis.
Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual subject in reproducing space, particularly in times of global hegemony and neocolonialism? And in what ways do marginalized individuals and communities represent, contest, or appropriate spaces through counter-narratives and expressions of culture from below? Focusing on discord rather than harmony and consensus, this collection disturbs the idealized space of Canadian multicultural pluralism to carry literary analysis and cultural studies into spaces often undetected and unforeseen - including flophouses and "slums," shantytowns and urban alleyways, underground spaces and peep shows, and inner-city urban parks as they are experienced by minorities and other marginalized groups. These essays are the products of sustained, high-level collaboration across French and English academic communities in Canada to facilitate theoretical exchange on the topic of space and contestation, uncover geographies of exclusion, and generate new spaces of hope in the spirit of pioneering works by Henri Lefebvre, Michel Foucault, Michel de Certeau, Doreen Massey, David Harvey, and other prominent theorists of space.
